Nick's Flick Picks
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| Rating | Title Year | Quote | Author |
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Faces of Women (1987) |
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Fahrenheit 9/11 (2004) |
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Far From Heaven (2002) |
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Tomato 5/5 |
"An awful movie but a tremendous spectacle and a pinnacle of camp exuberance, NOT to be missed." |
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Tomato 4/5 |
Fatal Attraction (1987) |
"The movie's sexual politics are a little acrid, but its construction is so persuasive and the lead performances so inspired that the film is hard to resist." |
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Fay Grim (2007) |
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Fear Dot Com (2002) |
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Splat 2/5 |
Fearless (1993) |
"A puzzling, overrated plunge into Inner Mysteries that are never truly compelling." |
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Splat 2/5 |
Fiddler on the Roof (1971) |
"Stolid, uncinematic exercise in milking more cash from a nicely scored but mediocre Broadway hit." |
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Splat 1/5 |
The Firm (1993) |
"Is this a thriller? You've never scene a 'suspense film' drag its heels so deplorably, enlivened only by some colorful character acting." |
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The Fisher King (1991) |
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The Five Senses (1999) |
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Splat 2/5 |
Flatliners (1990) |
"Spooky but silly, effective in patches but a bust overall." |
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Splat 1/5 |
Flesh and Bone (1993) |
"The film starts better than you've heard, but soon gets worse than you predicted." |
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Flirting with Disaster (1996) |
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The Forgotten (2004) |
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The Four Feathers (2002) |
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Tomato 3/5 |
Four Weddings and a Funeral (1994) |
"A perky, funny ensemble comedy that perversely pushes its great cast out of the way so Andie MacDowell can snooze on center-stage." |
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Fox and His Friends (1975) |
"An ace snapshot from 27 years ago that still feels contemporary and pressing." |
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Tomato 4/5 |
The Fox and the Hound (1981) |
"The most charming of Disney features of the 1980s, with two appealing protagonists and a worthy story." |
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Frances (1982) |
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Frankie and Johnny (1991) |
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Freedom Writers (2007) |
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Freedomland (2005) |
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Fresh (1994) |
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The Fugitive Kind (1960) |
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Tomato 4/5 |
Full Metal Jacket (1987) |
"Never as coherent as you want it to be, but the images are often indelible." |
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Tomato 3/5 |
Funny Girl (1968) |
"Barbra Streisand gives one of the musical genre's most sublime performances--unfortunately in a stodgy, badly paced, overly produced movie that don't deserve her." |
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