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Critics / Publications / Nick's Flick Picks

Other Info

Authors
    • Nick Davis

Nick's Flick Picks

  
( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-40) of 40 648 Total
  
Source Table
Rating Title Year Quote Author

Tomato
B-

A Scanner Darkly (2006)

"For all of the film's ambitions and technical complexity, and for all the apt reasoning behind its storytelling decisions, the narrative is never particularly engrossing."

Nick Davis

Tomato
B+

A.I. Artificial Intelligence (2001)

"A.I. is beguilingly enervated by a terror of its own darkness, a frenzied chase down too many separate rabbit holes in an attempt to escape its troubling implications."

Nick Davis

Tomato
B

The Accidental Tourist (1988)

"This is a warm movie told in the temperature of almost-recognizable life; it's a believable love story, joked up a bit but not too much."

Nick Davis

Tomato
B

The Accused (1988)

Click here to see the review.

Nick Davis

Tomato
B

The Addiction (1995)

"Ferrara's film both impresses and terrifies sufficiently for most of its duration."

Nick Davis

Tomato
B-

Adoration (2009)

"No one else would have made a film about these people, exploring these ideas and taking these kinds of mysterious risks... but it all amounts ambiguously to being either the best of Egoyan's weaker films or the shakiest of his good ones."

Nick Davis

Tomato
3/5

An Affair of Love (2000)

"Committed performances and a teasing structure give weight to this minor enterprise."

Nick Davis

Tomato
B+

After the Rehearsal (1984)

"Ingmar Bergman's own little Tempest in a teapot... Hardly light material, but it's pretty frisky stuff for Bergman."

Nick Davis

Tomato
5/5

Aguirre, the Wrath of God (1973)

"One of the pre-eminent achievements in world cinema, as far as I'm concerned."

Nick Davis

Tomato
B

Akeelah and the Bee (2006)

"However eager to entertain and even to model some ways of living life, the film doesn't wheedle us for our love or our devotion, and perhaps for that reason, it earns both."

Nick Davis

Tomato
B+

All the Real Girls (2003)

"We are unmistakably in the presence of a love story, enriched and imbued with local color [yet] I could feel myself straining to love a film that in actuality I merely liked."

Nick Davis

Tomato
3/5

An American in Paris (1951)

"Never the triumph that it really should have been, largely because of a thin script and the flyaway Caron, this is still good, colorful fun."

Nick Davis

Tomato
B

American Psycho (2000)

"American Psycho connects strongly in the moment, and has proven memorable over time, for the vivid impressions it makes in tone as well as look, its potent blends of sound and image, its unusual if erratic points of entry into potentially stock cha"

Nick Davis

Tomato
B

Amistad (1997)

"Spielberg's films never lack a certain degree of narrative and visual force, but his tendency toward sentimentality, a strictly antipodal, Good-vs.-Bad conception of character, and an insensitivity to structure have consistently marred his work..."

Nick Davis

Tomato
5/5

Andrei Rublev (1969)

"One of cinema's stunning achievements. If God ever watched a movie, he might well pick this one."

Nick Davis

Tomato
B

The Anniversary Party (2001)

Click here to see the review.

Nick Davis

Tomato
A-

Another Woman (1988)

"Commercially ignored and critically unheralded even by Allen's own falling standards, [the film is] a sensitive, accomplished, and ambitious picture that deserves notice."

Nick Davis

Tomato
B

Artemisia (1997)

Click here to see the review.

Nick Davis

Tomato
4/5

Atlantic City (1980)

"Poignant, atmospheric mood piece with pristine performances by Lancaster and Sarandon."

Nick Davis

Tomato
A

Autumn Sonata (1978)

"[It] absolutely overwhelms our senses and becomes for 92 minutes the only reality we can know."

Nick Davis

Tomato
3/5

Awakenings (1990)

"I remember this film, which I saw 13 years ago, as a squishy article redeemed by two strong performances; I am not inclined to go back for a second opinion."

Nick Davis

Tomato
5/5

The Awful Truth (1937)

"Episodic but sublime screwball comedy, with Grant and Dunne at their most alluring."

Nick Davis

Splat
C+

Affliction (1997)

Click here to see the review.

Nick Davis

Splat
D+

Afterglow (1997)

Click here to see the review.

Nick Davis

Splat
0/5

Agnes of God (1985)

"Deadly - despite good work from Meg Tilly, the film is grotesquely directed and the spiritual debate is sensationalized beyond all reason."

Nick Davis

Splat
C

Air Doll (2009)

"Plays like a middling installment of some softballed international portmanteau like Paris, je t'aime, but maddeningly inflated to at least ten times the recommended scale."

Nick Davis

Splat
D-

Alexander (2004)

"You know the movie is bound to be swill: imperialist daydreams indigestibly stewed together with limp Oedipal anxiety and unpersuasive pacifist lip service."

Nick Davis

Splat
C-

All The King's Men (2006)

"Plays as a veritable autopsy of itself; to watch the movie is to watch it go wrong, to observe the tempting gleam of the film that might have been grow ever dimmer."

Nick Davis

Splat
C+

Almost Famous (2000)

"Almost a movie, full of great ideas for characters and situations, but not yet able to make them as persuasive or affecting as it thinks they are."

Nick Davis

Splat
F

Alpha Dog (2007)

"As it happens, not all dogs to to heaven. Some go straight to hell, and Alpha Dog gets there faster and stays there longer than most."

Nick Davis

Splat
C+

An Angel at My Table (1991)

Click here to see the review.

Nick Davis

Splat
D+

Angel Eyes (2001)

Click here to see the review.

Nick Davis

Splat
C

Another Country (1984)

"One of those sad affairs that commits exactly the sorts of errors that the filmmakers pretend to indict in wider society."

Nick Davis

Splat
F

Antonia's Line (1995)

Click here to see the review.

Nick Davis

Splat
C

The Apartment (1960)

"The Apartment is the kind of unsuccessful picture that nevertheless demonstrates that everyone involved is capable of better work."

Nick Davis

Splat
F

Apocalypto (2006)

"A web of death-drives, false devotions, lofty pretenses, auto-plagiarisms, sound but inarticulate craftsmanship, and lowest-common-denominator provisions of trauma as entertainment."

Nick Davis

Splat
C

Armageddon (1998)

Click here to see the review.

Nick Davis

Splat
C+

As Good as It Gets (1997)

"Perhaps, though, it is Carol's (and Hunt's) ongoing commitment to emotional honesty and fair play that make it increasingly difficult to ignore the film's encroaching patterns of sentimentality and uninspired developments."

Nick Davis

Splat
2/5

The Asphalt Jungle (1950)

"Among John Huston's most overrated works, only partially redeemed by Jaffe's brilliance and Marilyn's cameo."

Nick Davis

Splat
D

The Avengers (1998)

Click here to see the review.

Nick Davis

  
( a ) b c d e f g h i j k l m n o p q r s t u v w x y z Other   (1-40) of 40 648 Total
  
 
 
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