- |
Cabaret Balkan (1998) |
Click here to see the review. |
|
Tomato C+ |
Cabin Fever (2003) |
"What makes this gross-out number stand out from the menacing movie masses is not that it's shot with gritty, low-budget cinematography but that it's freakin' nasty." |
|
Tomato B+ |
Caché (2005) |
"Writer-director Michael Haneke's unnerving new mystery Cache (Hidden) worms its way into your brain and doesn't leave for days." |
|
- |
Cadillac Ranch (1996) |
Click here to see the review. |
|
Tomato A- |
Cadillac Records (2008) |
"Purists might prefer simply to listen to the original recordings, but for those less knowledgeable this is a great introduction." |
Luke Y. Thompson |
Tomato B+ |
Calendar Girls (2003) |
"An empowering story that you should mark your you-know-what for." |
|
Tomato |
Calle 54 (2001) |
"The sound is terrific, the rhythms infectious and the artistic passions palpable. We wager that you'll leave this one looking for the nearest place to nab the soundtrack." |
|
Splat C |
Camera Obscura (2003) |
"A film of high gloss and low substance." |
|
Splat D |
Camp (2003) |
"A film so pointless you'd wish all these kids had been stuck in summer school instead." |
|
Tomato B |
Cape Of Good Hope (2005) |
"With its warm heart and charming characters, Good Hope is a good choice." |
|
Tomato A- |
Capitalism: A Love Story (2009) |
"Even if you don't think capitalism should be scrapped, we can agree that there are numerous abuses of the system that need to be stopped, and Moore does a great job of trying to document them." |
Luke Y. Thompson |
Tomato A |
Capote (2005) |
"Movies don't get much better than this." |
|
Tomato |
Captain Corelli's Mandolin (2001) |
"The real star is Oscar-winning cinematographer John Toll, who captures the beauty of the islands better than any travel agent could." |
|
Splat F |
Captivity (2007) |
"It sure beats hearing you have cancer." |
N.V. Cooper |
Tomato A |
Capturing the Friedmans (2003) |
"Jarecki lets the audience decipher the story through the Friedmans themselves, specifically via incredible and personal home movies (seen here for the first time)." |
|
Tomato B- |
Carandiru (2004) |
"Not a failure, and yet not an unqualified success, Carandiru leaves you exhausted and yet still, strangely enough, wanting something more." |
|
- |
Career Girls (1997) |
Click here to see the review. |
|
Splat D |
Carlos Castaneda: Enigma of A Sorcerer (2004) |
"True believers will be thrilled that someone even made a movie about their hero; everyone else will find better-produced material on cable access." |
|
- |
Carnage (1984) |
Click here to see the review. |
|
Tomato A- |
Carnage (2003) |
"Whereas most movies about serendipity and degrees of human separation usually fail by trying to pick profundity from, well, dry bones, here, director Gleize knows that to dig too deeply only distracts one's attention from the strange comedy of life." |
|
- |
Carpool (1996) |
Click here to see the review. |
|
Splat C |
Cars (2006) |
"Thank God for the technical glory of Pixar, because if we had to rely on script and performances, Cars would crash and burn." |
|
Tomato B |
Casa de los Babys (2003) |
"A worthwhile therapy session that all genders can enjoy." |
|
Tomato B |
Casanova (2005) |
"For those looking for a lighthearted romp, this handsome Casanova proves pretty seductive." |
|
Tomato A |
Casino Royale (2006) |
"The audience isn't distracted from Craig's baby steps as a Bond with doomsday devices, underwater-car escapades or henchmen with deadly hats. The plot focuses on a Bond more vulnerable and more lethal than any of his predecessors." |
Alex Markerson |
Tomato |
Cast Away (2000) |
"Tom Hanks stands three coconuts above the CBS whiners and gives an astounding performance as a modern-day Robinson Crusoe." |
|
- |
The Castle (1997) |
Click here to see the review. |
|
Tomato B |
The Cat's Meow (2002) |
"While it doesn't do much to convince us that Ince really died this way, the skilled cast keeps the whodunit sailing beautifully." |
|
Tomato B |
Catch a Fire (2006) |
"Director Phillip Noyce clearly knows how to integrate the politics and the personal without resorting to didacticism or sentimentalism." |
Matt Stevens |
Tomato B |
Catch and Release (2007) |
"Writer-director Susannah Grant, of Erin Brockovich fame, mixes in the funny with the sappy. All in all, a good date movie with a nice twist -- even if you saw it coming." |
Jenny Sundel |
Tomato B+ |
Catch Me If You Can (2002) |
"The film's bright retro colors, fun music and fast pace will have you ignoring its lengthy running time. Quite a catch." |
|
Tomato B- |
Catch That Kid (2004) |
"It's not much more than a bloated TV special, but the kids are charming enough to keep this flick together." |
|
Tomato B+ |
Caterina in the Big City (2005) |
"This is not another teen movie. It's a sly political satire disguised as a deceptively light Italian coming-of-age flick." |
|
- |
Catfish in Black Bean Sauce (2000) |
Click here to see the review. |
|
Tomato |
Cats & Dogs (2001) |
"A warning for those who belly-laughed the first time they saw ninja cats in Matrix-style combat and canines playing with James Bond's toys during the trailer for Cats & Dogs: The film's bark is better than its bite." |
|
- |
Cats Don't Dance (1997) |
Click here to see the review. |
|
Splat F |
Catwoman (2004) |
"This movie is not dark enough, campy enough or smart enough to succeed on any level." |
|
- |
Caught Up (1997) |
Click here to see the review. |
|
Splat F |
The Cave (2005) |
"The pretty cast gets knocked off in order of attractiveness (the least cute bite it earlier on) and the monsters and action are shot in such a way as to maximize the overall incoherence." |
|
Tomato |
The Caveman's Valentine (2001) |
"At more than two hours, it's just a good (long) walk in the park." |
|
Tomato |
Cecil B. Demented (2000) |
"Nothing is sacred... Of course, you should expect this from the director who made poo funny when the South Park creators were still in diapers." |
|
- |
The Celebration (1998) |
Click here to see the review. |
|
- |
Celebrity (1998) |
Click here to see the review. |
|
Tomato |
The Cell (2000) |
"A kind of Vulcan mind-meld, but 100-times cooler." |
|
Splat C- |
Cellular (2004) |
"We're sorry, but you have reached a movie that is disconnected from reality and is no longer of service to anyone." |
|
Splat |
The Center of the World (2001) |
"It's unsettling to see Wayne Wang do this Pretty Woman redux as if it was a depraved, carnal fantasy. What a bust." |
|
Tomato |
Center Stage (2000) |
"The plot, like the ballerinas, is wafer-thin, but the dancing is impressive, and you'll find yourself rooting for the dancers' success." |
|
Tomato |
Central Station (1998) |
"Road movies are a cinematic convention, but rarely do they connect like this wonderful Brazilian film." |
|
Tomato A- |
La Ceremonie (1996) |
"Disconcerting and riveting, this film is too close for comfort, but too good to miss." |
|
Tomato B |
Chain Reaction (1996) |
"Exhilarating but skin-deep summer fun. (You were expecting Shakespeare?)" |
|
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