Tomato |
O (2001) |
"While Hartnett's plan comes to fruition a little too easily, the young cast surprisingly squeezes every drop of the age-old tension out of this sinister game of exes and Os." |
|
Tomato |
O Brother, Where Art Thou? (2000) |
"Ultimately, the film's light-hearted stance and risks taken by the Coen brothers (and the goofiness of Clooney and gang) make this bizarre journey work." |
|
- |
The Object Of My Affection (1998) |
Click here to see the review. |
|
Splat D |
Observe and Report (2009) |
"Unsure if it's supposed to make you love or loathe all the ugly behavior and cheap gags, Observe and Report will make you squirm for all the wrong reasons." |
N.V. Cooper |
Tomato B |
Obsessed (2009) |
"The immaculate Beyoncé Knowles and devastatingly handsome Idris Elba attack their silly parts with a ferocity the gives this dumpy little movie the spark it needs to be compelling." |
N.V. Cooper |
Tomato |
Ocean's Eleven (2001) |
"A sure bet." |
|
Tomato A |
Ocean's Thirteen (2007) |
"An Ocean that fulfills the promise of all this great talent." |
Dezhda Gaubert |
Tomato B- |
Ocean's Twelve (2004) |
"Ocean's Twelve is a very capable sequel. It's too bad it isn't quite as fun." |
|
Tomato |
October Sky (1999) |
"A real-life Revenge of the Nerds with a touch of Stand by Me." |
|
- |
The Odd Couple II (1997) |
Click here to see the review. |
|
Tomato B- |
Off the Map (2005) |
"You'll find some fine performances and good intentions." |
|
Splat D |
Office Killer (1998) |
"A pretentious pseudo-parody of a serial-killer movie." |
|
Tomato |
Office Space (1999) |
"Plenty of laughs!" |
|
- |
The Ogre (1996) |
Click here to see the review. |
|
Splat C |
The Oh in Ohio (2006) |
"The OH In Ohio deserves credit for bringing up some sexual-experimentation taboos, but since the film never does more than nimbly skirt them rather than challenge them head-on, the proceedings are ho-hum." |
|
Splat D- |
Old Dogs (2009) |
"With John Travolta and Robin Williams mugging as best buds who care for two 7-year-olds, this stinky mutt of a movie pees on your leg and tells you it's comedy." |
Matt Stevens |
Tomato B |
Old School (2003) |
"This wacky college comedy gets good marks." |
|
Tomato A |
Oldboy (2005) |
"It's a wrenching, exhausting, deliriously brutal dark hole of a film that's ultimately about the nature of anger and the futility of revenge. And it's not for the queasy." |
|
Tomato B+ |
Oliver Twist (2005) |
"Enjoyable but not remarkable filmmaking." |
|
Splat |
The Omega Code (1999) |
"God-awful script! The people who brought us weepy televangelists with big pink hair now subject us to this." |
|
Splat C- |
The Omen (2006) |
"You'd think they could have delivered the end of the world with a bang instead of a yawn." |
|
Tomato B- |
On A Clear Day (2006) |
"The flick is buoyed by some heartfelt moments and a talented cast, but it all gets bogged by a just-add-water plot that dog-paddles down every expected path." |
|
Splat |
On the Line (2001) |
"On the Line suffers from such a predictable plot, a stale script and sitcom-y production values that even 13-year-old females might find themselves bored." |
|
Tomato B |
On the Outs (2005) |
"Saves itself from after-school- special territory thanks to tough, human performances and plenty of streetwise authenticity." |
|
- |
On the Run (1998) |
Click here to see the review. |
|
Tomato B+ |
On the Run (2002) |
"On the Run is both a breath of fresh storytelling air and an exciting homage to film noir." |
|
Tomato B+ |
Once in a Lifetime: The Extraordinary Story of the New York Cosmos (2006) |
"A spot-on goal." |
|
Tomato |
Once in the Life (2000) |
"Despite some pacing missteps, this well-acted and colorfully photographed film is a gripping, gritty look at a hard-knock Life." |
|
Splat C+ |
Once Upon a Time in Mexico (2003) |
"The concluding installment of Robert Rodriguez's El Mariachi trilogy hits more than a few flat notes." |
|
Tomato B- |
Once Upon a Time in the Midlands (2003) |
"Midlands is all over the place. But if you can handle a movie that slips from the silly to the sublime -- and can understand those thick Brit accents -- you might feel at home with this tale." |
|
Tomato |
One (2000) |
"An affecting tale of friendship and failure." |
|
Splat |
The One (2001) |
"It's lazy, makes plenty of mistakes and doesn't always live up to its potential." |
|
Tomato B+ |
One Bright Shining Moment (2005) |
"If you're a history-politics buff, you're gonna want to seize this Moment." |
|
- |
One Day in September (2000) |
Click here to see the review. |
|
- |
One Fine Day (1996) |
Click here to see the review. |
|
Tomato B |
One Hour Photo (2002) |
"One Hour Photo is a picture show worth taking in." |
|
- |
One Last Thing (2005) |
Click here to see the review. |
|
- |
One Man's Hero (1998) |
Click here to see the review. |
|
Splat D |
One Missed Call (2008) |
"Supernatural horror doesn't have to make sense, but when it tries it shouldn't fail -- as it does in One Missed Call, spectacularly and in thuddingly dull fashion." |
Alex Markerson |
Tomato |
One Night at McCool's (2001) |
"An offbeat, dark comedy filled with plenty of sight gags that work." |
|
- |
One Night Stand (1997) |
Click here to see the review. |
|
- |
One Tough Cop (1998) |
Click here to see the review. |
|
Tomato |
One True Thing (1998) |
"Zellweger gives a rich performance!" |
|
- |
Onegin (1999) |
Click here to see the review. |
|
Tomato B+ |
Ong-Bak: The Thai Warrior (2005) |
"Hurts so good." |
|
Tomato B+ |
Only the Strong Survive (2003) |
"In this wonderfully musical, funny, good-hearted movie, the strong don't just survive, they thrive." |
|
Splat C+ |
Open Hearts (2003) |
"Earnest performances tailored to the genre's pseudo-documentary style are a plus, however the unremitting overall bleakness drags us down." |
|
Splat D |
Open My Heart (2003) |
"After 90 minutes of bad dialogue, limp scenes, interjected cuts to paintings of the Madonna (sooo subtle!) and no emotional resonance whatsoever, you're more than ready for this weak Heart to stop." |
|
Tomato B |
Open Range (2003) |
"A great big western." |
|
Tomato B- |
Open Season (2006) |
"If you get a chance to see the film in 3-D IMAX, the letter grade goes up a few notches, as the experience of having a giant screen full of Froot Loops flying right at you is the birthright of every American." |
Luke Y. Thompson |
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