Tomato B + |
P.S. (2004) |
"P.S.: Laura Linney belongs on everyone's A-list." |
|
Splat D+ |
P.S. I Love You (2007) |
"The film's cutesy, high-concept premise strains credibility, and the sitcommy situations (see Swank fall off the stage while performing sexy karaoke!) never quite jive with attempts at poignancy." |
Matt Stevens |
Splat F |
P.S. Your Cat is Dead! (2002) |
"The film's completely declawed of energy and comedy." |
|
Splat F |
P2 (2007) |
"The only scary part about this is that someone out there might actually love it." |
Chris Farnsworth |
Tomato B- |
The Pacifier (2005) |
"The Pacifier provides passable, albeit predictable, family fare sure to please the kids without forcing their adult counterparts to whine like babies." |
|
Tomato B- |
Paid in Full (2002) |
"Harsh 'hood reality and good acting? Now that's quite a score." |
|
Tomato B |
The Painted Veil (2006) |
"The only good reason to watch the first half of The Painted Veil is to prepare for the second half, in which a pair of note-perfect performers are finally given more than one note to play." |
Alex Markerson |
Tomato B+ |
Palindromes (2005) |
"Solondz secures sincere performances from his able cast, and no one can accuse him of pulling his punches." |
|
- |
Palmetto (1998) |
Click here to see the review. |
|
- |
Palookaville (1995) |
Click here to see the review. |
|
Tomato B+ |
Pan's Labyrinth (2006) |
"...a solid film, though del Toro fans won't find many surprises in store." |
Luke Y. Thompson |
Splat |
Pandaemonium (2001) |
"The tale has no rhyme or reason." |
|
Splat C |
Pandorum (2009) |
"Take Ben Foster, have him walk slowly down a dark corridor and see something or someone in the distance, then either have him fall flat on his face, or get a butt-whippin'. Repeat approximately twenty times" |
Luke Y. Thompson |
Tomato A |
Panic Room (2002) |
"Fincher's directing prowess keeps the visual bombs dropping." |
|
Splat F |
Paparazzi (2004) |
"The audacity of paparazzi is a good topic, but this imbecilic film has no idea how to focus its intentions." |
|
- |
Paradise Lost: The Child Murders at Robin Hood Hills (1996) |
Click here to see the review. |
|
Tomato B+ |
Paradise Now (2005) |
"The picture loses some points for an ending that rings false and undercuts some of the buildup, but, nonetheless, Paradise sure is nice." |
|
- |
Paradise Road (1997) |
Click here to see the review. |
|
Tomato A |
Paranormal Activity (2009) |
"Placing a camera on a tripod suddenly seems revolutionary." |
Peter Paras |
- |
The Parent Trap (1998) |
Click here to see the review. |
|
Tomato B+ |
Paris, Je T'aime (2007) |
"Next to Google Earth, this is the coolest way to get an overview of the City of Light and its particular je ne sais quoi." |
Matt Stevens |
Tomato B |
Party Monster (2003) |
"A real-life horror show of beautiful people, which is visually striking and disturbing all at once." |
|
Tomato B- |
The Party's Over (2003) |
"While it's interesting enough, this social soiree could've used more planning." |
|
Tomato B+ |
The Passenger (1975) |
"A needed antidote in a cinematic world that offers cheap, sugary cinematic snacks. This is a four-course meal." |
|
- |
Passion of Mind (1999) |
Click here to see the review. |
|
Splat C |
The Passion of the Christ (2004) |
"A two-hour bloodbath." |
|
Tomato B |
Passionada (2003) |
"The buoyant cast manages to float this boat just fine." |
|
Splat |
Patch Adams (1998) |
"Blindingly unsubtle!" |
|
Tomato B- |
The Patriot (2000) |
"Huge, handsome and compelling in scope, but also, unfortunately, convoluted and historically inaccurate -- not to mention looong." |
|
Splat C- |
Paul Blart: Mall Cop (2009) |
"Not a bad premise, but most of the comedy just dies. Hard." |
Matt Stevens |
Tomato B |
Pauline and Paulette (2002) |
"Seek it out and nourish your beautiful mind." |
|
Tomato |
Pay It Forward (2000) |
"The acting should please everyone -- including Academy voters." |
|
Tomato |
Payback (1999) |
"Very good fun!" |
|
Splat F |
Paycheck (2003) |
"Forget about seeing it." |
|
Splat C |
Peaceful Warrior (2006) |
"If you're looking for earnest wisdoms delivered with all the subtlety of a sledgehammer to the skull, look no further than the screen adaptation of Dan Millman's self-help bestseller, The Way of the Peaceful Warrior." |
|
- |
The Peacemaker (1997) |
Click here to see the review. |
|
Splat |
Pearl Harbor (2001) |
"Sure, it'll be this year's Titantic. Funny, 'cause it sinks just the same." |
|
- |
Pecker (1998) |
Click here to see the review. |
|
Splat C |
Penelope (2008) |
"For all its good intentions and positive messages, this pig pic doesn't fly because, ironically, it never roots deeply enough." |
Matt Stevens |
Splat D |
People I Know (2003) |
"In the end, he's not a person you want to Know, and this is not a movie you want to see." |
|
Tomato A |
People Say I'm Crazy (2004) |
"Cadigan's honest account of his treatment, psychotic episodes and daily life are more fascinating than any fictional treatment." |
|
Tomato B |
The Perfect Crime (2005) |
"While it may occasionally stumble on its way to busting Hollywood clichés, the lunatic tone suits the subject matter perfectly." |
|
Splat F |
A Perfect Getaway (2009) |
"Every once in a while, a movie comes along that seems to have been made merely so those involved in the production could have an awesome vacation." |
Luke Y. Thompson |
Splat D |
The Perfect Holiday (2007) |
"The dialogue is so one-note, the plot absurd, and most attempts at humor fall flat." |
Dezhda Gaubert |
Splat C- |
The Perfect Man (2005) |
"Even though there are adults involved, this is just more fluff from Duff." |
|
Splat C+ |
A Perfect Murder (1998) |
"Davis weaves a gorgeously lush film, charged with high tension, but the listless script renders his efforts alarmingly mundane." |
|
Splat D |
The Perfect Score (2004) |
"Everyone involved should go straight to detention, and stay there to think about what they've done." |
|
Tomato |
The Perfect Storm (2000) |
"Despite the film's forgone conclusion, director Petersen maintains the suspense." |
|
Splat F |
Perfect Stranger (2007) |
"It's so bad it needs new words for bad." |
Alex Markerson |
Tomato |
Permanent Midnight (1998) |
"A profoundly depressing--but riveting--tale!" |
|