Tomato 5/5 |
Fahrenheit 9/11 (2004) |
"this is a guy who is the modern master of political theater. He can drive home a point with such deadly precision, that the opposition is left blindsided and speechless." |
Andrea Chase |
Splat 2/5 |
Failure to Launch (2006) |
"a cloying mess crying for another rewrite, or maybe just the quick mercy of being plunked into the nearest trash can
" |
Andrea Chase |
Splat 1/5 |
Fantastic Four (2005) |
"[Director Story takes] as his inspiration an industrial film of the 1950s, wherein Dick and Jane learn the wonders of zinc while the audience snoozes in self-defense." |
Andrea Chase |
Splat 1/5 |
The Fantastic Four: Rise of the Silver Surfer (2007) |
"too dull to be fun, too inept to be engaging, and too low-rent FX-wise to be dazzling" |
Andrea Chase |
- |
Fast Food Nation (2006) |
"Eric Schlosser talks to Andrea Chase about meat, hype, and the power of honesty. (Streaming audio 15:05)" |
Andrea Chase |
Tomato 4/5 |
Fast Food Nation (2006) |
"takes a documentary-like tone, with the melodrama coming from the system that keeps everyone down, and downing crap-filled meat. It's all the melodrama that's necessary." |
Andrea Chase |
Tomato 4/5 |
Fat Actress - The Complete First Season (2005) |
Click here to see the review. |
Andrea Chase |
- |
Fay Grim (2007) |
"Andrea Chase interviews Hal Hartley and Parker Posey about pain, humor, and the intensity of eye contact." |
Andrea Chase |
Tomato 5/5 |
Fay Grim (2007) |
"a work with heady theological implications that is brilliant, funny, iconoclastic, and so deeply true that it is almost too beautiful to bear" |
Andrea Chase |
Splat 2/5 |
Feast of Love (2007) |
"sacrifices any originality or piquancy to the safety of the familiar rendered with an uncertain narrative that in the end is truly, madly, deeply unsatisfying" |
Andrea Chase |
Splat 1/5 |
Femme Fatale (2002) |
"This script is as oblique as it is pretentious." |
Andrea Chase |
Splat 2/5 |
Fever Pitch (2005) |
Click here to see the review. |
Andrea Chase |
Splat 2/5 |
Fierce People (2007) |
"There is little in life sadder to see than a film that thinks it has a great deal to say of a revelatory or profound nature, but doesn't" |
Andrea Chase |
Splat 2/5 |
The Final Cut (2004) |
"the plot creaks with wild coincidences, spotty writing, and twists that fail to thrill so much as make the audience groan in the face yet another cliché" |
Andrea Chase |
Tomato 5/5 |
Finding Nemo (2003) |
"Is Pixar capable of making a bad film? Whether a serendipitous confluence of talent or. . .some divine being at work in our world, either way, the answer, I think, must be no." |
Andrea Chase |
Tomato 5/5 |
Finding Nemo (2003) |
"the commentary, like the film, [is] worth more than one look, if for nothing else the reminiscences about the horrors of creating virtual jellyfish" |
Andrea Chase |
Splat 1/5 |
First Snow (2007) |
"torpid where it should be tense, dull where it should be sharp, and so caught up with its big themes that it forgets to give them a compelling stage on which to play out" |
Andrea Chase |
Tomato 5/5 |
The Five Obstructions (2004) |
"a startling revelation about how plastic, in the good sense, that cinema can be as art, as play, and as punishment." |
Andrea Chase |
Tomato 4/5 |
Flags of Our Fathers (2006) |
"a fine piece of craftsmanship, well put together and boasting good performances, it's just not as moving as it should be" |
Andrea Chase |
Tomato 4/5 |
Flawless (2007) |
"a classy, smart, and fiendishly sly piece of filmmaking that keeps the audience on the edge of its seat" |
Andrea Chase |
Tomato 3/5 |
Flight of the Phoenix (2004) |
Click here to see the review. |
Andrea Chase |
Tomato 5/5 |
Flushed Away (2006) |
"FLUSHED AWAY is the rude title of a sometimes rude film, but one that unswervingly hews to an ebullient sense of whimsy" |
Andrea Chase |
Tomato 3/5 |
Fly Away Home (1996) |
No article available. |
Andrea Chase |
Splat 2/5 |
Fly Me To The Moon (2008) |
"Sure, it's kiddie film, but internal consistency would have been a nice touch" |
Andrea Chase |
Splat 1/5 |
Flyboys (2006) |
"The best way to sum up the FLYBOYS experience is "quaint" and I don't mean that in a good way" |
Andrea Chase |
Splat 0/5 |
The Fog (2005) |
"a plot that has been reworked into something resembling crudely made hash" |
Andrea Chase |
Tomato 4/5 |
The Fog of War (2003) |
"Morris’ real genius is that he knows how to listen, knows when to stop questioning and thereby let people reveal themselves, more than they intended" |
Andrea Chase |
Splat 1/5 |
Fool's Gold (2008) |
"A sublimely ironic deconstruction of cinematic conventions? If only. What we have here is filmmaking that is forced, flimsy and flaky. At best." |
Andrea Chase |
Splat 2/5 |
The Foot Fist Way (2008) |
"Breaking boards and concrete blocks is fun to watch, but that and a few good laughs, do not a viable comedy product make" |
Andrea Chase |
Tomato 4/5 |
For Your Consideration (2006) |
"Caustic yet still playful enough (barely) to qualify as a comedy, FOR YOUR CONSIDERATION is the darkest film to come from the Guest-Levy team" |
Andrea Chase |
Tomato 4/5 |
Forgetting Sarah Marshall (2008) |
"a tender comedy that isn't afraid to use the word vagina, or to strip a man naked, literally and figuratively" |
Andrea Chase |
Splat 1/5 |
Four Christmases (2008) |
"There is no spark to the humor, there is no warmth to the drama. There is a tired plot that whips the essence of every Christmas movie ever made into a dreary slog" |
Andrea Chase |
Tomato 3/5 |
The Fourth Kind (2009) |
"proves that a horror film doesn't need splashy digital effects or pyrotechnics to be effective" |
Andrea Chase |
Tomato 3/5 |
Fracture (2007) |
"One might reasonably think that watching two completely despicable characters would be repellent rather than entertaining, yet the tantalizing promise of a comeuppance or two completely avoids that trap" |
Andrea Chase |
Tomato 4/5 |
Frailty (2002) |
"The intricate plotting . . . reveals everything and yet, using the audiences preconceived notions, makes each fact a surprise and each fiction a shock." |
Andrea Chase |
Splat 2/5 |
Frantic (1987) |
"While Polanski has style to spare, this retread of The Lady Vanishes never quite rises to the occasion." |
Andrea Chase |
Tomato 3/5 |
Fred Claus (2007) |
"FRED CLAUS is from the 'of course' school of formulaic filmmaking, but it makes a good job of a tough sell" |
Andrea Chase |
Tomato 4/5 |
Freedom Writers (2007) |
"an intelligent film about complex issues, social and emotional, personal and professional, all handled in a way that challenges the audience rather than reassures or placates it." |
Andrea Chase |
Splat 1/5 |
Freedomland (2005) |
"earnest, ponderous and dull, except for those interludes when it's being dull and witless" |
Andrea Chase |
Tomato 5/5 |
Frida (2002) |
". . .a feast for the senses, the mind, and the soul." |
Andrea Chase |
Tomato 4/5 |
Frontline - Much Ado About Something (2002) |
"It's about the capacity and zeal of people who have found a cause that overwhelms their lives while making their eyes light up with joy. We should all have such passion." |
Andrea Chase |
Tomato 5/5 |
Frozen River (2008) |
"Leo is the dynamo of the piece and Oscar(tm)-worthy doesn't begin to cover her work. This isn't a performance, it's an event." |
Andrea Chase |
Splat 1/5 |
Full Frontal (2002) |
Click here to see the review. |
Andrea Chase |
Splat 1/5 |
Fun with Dick and Jane (1977) |
"although there are a Dick and a Jane, there is no fun whatsovever" |
Andrea Chase |
Splat 1/5 |
Fun with Dick and Jane (2005) |
Click here to see the review. |
Andrea Chase |