Tomato 3/5 |
G.I. Joe: The Rise of Cobra (2009) |
"expensively produced escapist fantasy designed to protect the delicate sensibilities of the kids while never for a moment taxing their budding critical thinking skills" |
Andrea Chase |
Splat 1/5 |
Gamer (2009) |
"a big, loud mess that loses its few good ideas in a morass of convoluted storytelling that it has, sadly, confused with stylish innovation" |
Andrea Chase |
Splat 2/5 |
Gangs of New York (2002) |
Click here to see the review. |
Andrea Chase |
Tomato 4/5 |
Gangster No. 1 (2002) |
". . .captures the kinetic quality of the 60s with jump-action pacing, groovy camera angles and the occasional split screen treatment that never crosses the line into camp." |
Andrea Chase |
- |
Garden State (2004) |
"Zack Braff interviewed by Andrea Chase" |
Andrea Chase |
Tomato 5/5 |
Garden State (2004) |
"an atmosphere reminiscent of Chekov in its finely drawn characters and astute observations of how life can be tragic and absurd at the same time" |
Andrea Chase |
Tomato 3/5 |
Gentlemen Broncos (2009) |
"the celebration of pure imagination without the baggage of a value judgment to cloud the issue" |
Andrea Chase |
Tomato 4/5 |
George A. Romero's Diary of the Dead (2008) |
"Romero, with an unerring sense of the puckish in the macabre, teases out the absurdity of people dealing with a twist to their lives for which there is no paradigm, and mines it for all it's worth" |
Andrea Chase |
Tomato 4/5 |
George A. Romero's Land of the Dead (2005) |
"the film works best on that deliciously, subversively subliminal level, twisting its metaphor of exploited underclasses" |
Andrea Chase |
Splat 1/5 |
Get Rich or Die Tryin' (2005) |
"[Jackson] as an actor, the word that comes to mind is dull. Mind-numbingly dull. Mannequin dull." |
Andrea Chase |
Tomato 3/5 |
Ghost Rider (2007) |
"The first guilty pleasure of 2007." |
Andrea Chase |
Tomato 3/5 |
Ghost Ship (2002) |
"effectively keeps things suspenseful even when faced with some hoary cliches." |
Andrea Chase |
Tomato 4/5 |
Ghost Town (2008) |
"Funny, warm, and comfortable, there is nothing beyond some nitpicks to object to, and it's easy to be swept along by its good nature" |
Andrea Chase |
Splat 1/5 |
Ghosts of Girlfriends Past (2009) |
"The only thing of note is that its star, Matthew McConaughey, doesn't remove his shirt" |
Andrea Chase |
Splat 0/5 |
Gigli (2003) |
"transcends merely bad, merely tedious, merely irksome, and plummets into that very special category . . .that so tries and tortures its audience that it no longer fears death" |
Andrea Chase |
Splat 2/5 |
A Girl Cut in Two (2008) |
"It's a very long way to go for a punch line, but Claude Chabrol fearlessly meanders along for the two hours it takes him to get there" |
Andrea Chase |
Splat 1/5 |
Gods and Generals (2003) |
"Maxwell has made the, shall we say interesting, decision to change [Stonewall Jackson]God’s hellcat into a warm and fuzzy teddy bear." |
Andrea Chase |
Splat 1/5 |
Godsend (2004) |
"though billed as a thriller, [it] might better be thought of as a cure for insomnia" |
Andrea Chase |
- |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"Alex Gibney talks to Andrea Chase about politcs, media, and knowing when to quit. (streaming audio 8:51)" |
Andrea Chase |
Tomato 3/5 |
Good Boy! (2003) |
"the classic boy and his dog story. Okay, the dog is from outer space, but while that adds some pizzazz to the tale, it’s really beside the point emotionally" |
Andrea Chase |
Splat 0/5 |
Good Luck Chuck (2007) |
"Just when you think things can't possibly get worse, they do. And then some." |
Andrea Chase |
Tomato 5/5 |
Good Night. And, Good Luck (2005) |
"a compelling and thought-provoking film whose issues are as relevant today as they were back in 1953" |
Andrea Chase |
- |
Good Night. And, Good Luck (2005) |
"David Strathairn interviewed by Andrea Chase" |
Andrea Chase |
Tomato 4/5 |
The Good Shepherd (2006) |
Click here to see the review. |
Andrea Chase |
Tomato 4/5 |
The Good Thief (2003) |
"[Jordan] paces things at a leisurely lope, the better to soak in the atmosphere and enjoy the witty repartee that fills the script." |
Andrea Chase |
Splat 1/5 |
A Good Year (2006) |
"the best way to sum up [Crowe] is shockingly lacking in anything resembling charm. There is not even a charismatic sort of anti-charm at work here." |
Andrea Chase |
Splat 2/5 |
The Gospel of John (2003) |
"as for the text itself that has the Jews egging Pilate on, well, it is what it is. And that would be less than philo-semetic." |
Andrea Chase |
Splat 1/5 |
Gothika (2003) |
"the film doesn't just strain credulity, it viciously rends it into teeny tiny pieces and then dances upon it with wild abandon and maniacal glee" |
Andrea Chase |
Splat 1/5 |
Gray Matters (2007) |
"Dull, contrived, obvious, and at 96 minutes, seemingly endless." |
Andrea Chase |
Tomato 5/5 |
The Great Race (1965) |
"Everything a farce should be, played straight while being seriously silly." |
Andrea Chase |
Tomato 4/5 |
Greenfingers (2001) |
"There are many reasons to see GREENFINGERS. . . top of the list of reasons has to be its star, Clive Owen, a toothsome morsel of manflesh . . ." |
Andrea Chase |
Tomato 4/5 |
Gridiron Gang (2006) |
"Johnson leaps is into the ranks of legitimate actors. He's got depth, he's got some range, and he's got the heart and sincerity to make them both work" |
Andrea Chase |
- |
Gridiron Gang (2006) |
"Dwayne "The Rock" Johnson talks to Andrea Chase about pain, injuries, and the upside of being a star. (Streaming audio 4:13)" |
Andrea Chase |
Tomato 3/5 |
Grindhouse (2007) |
"Both gentlemen have a palpable affection for the kitsch factor at work here, the energy of working on the edge with a low budget, and for the rush of seeing something so bad that it's good, but only one of them can pull off the homage" |
Andrea Chase |
Splat 2/5 |
The Grudge (2004) |
"THE GRUDGE is that annoying blend of genuine scares and really, really dumb people" |
Andrea Chase |
Tomato 4/5 |
The Guru (2003) |
"mixes the exuberance of Bollywood with measured lunacy of 30s screwball comedies and adds just a dash of “The Joy of Sex”" |
Andrea Chase |
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