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3.5/5 |
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A Crude Awakening: The Oil Crash (2006) |
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"A compelling documentary, wrought with a dry rationalism and presenting the horrifying case of the stuff that's both "the bloodstream of the world economy" and "the excrement of the devil". " | |
Daniel Etherington | |
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A Scanner Darkly (2006) |
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"this dystopian paranoid thriller tracks addiction in all its highs and lows, and offers a dignified elegy for its misguided casualties." | |
Anton Bitel | |
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A Woman In Winter (2005) |
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"listen very carefully [to the making-of featurette], and you will hear Jobson reveal just a little bit of his own interpretation of the film - something that he rather studiously avoids doing in the commentary." | |
Anton Bitel | |
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4/5 |
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A Woman In Winter (2005) |
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"An unquantifiable mystery with an intellectual seriousness to match its visual exuberance -- and it's about time, too." | |
Anton Bitel | |
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A.I. Artificial Intelligence (2001) |
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"Shows a more complicated understanding of childhood than you would expect..." | |
Matthew De Abaitua | |
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A.P.E.X. (1994) |
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Click here to see the review. | |
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-- |
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Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) |
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Click here to see the review. | |
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Abbott and Costello Meet Frankenstein (1948) |
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"The comedy duo's finest onscreen hour comes in the shape of this wonderful horror spoof which also unites all of Universal's scariest horror heroes under the same cinematic roof." | |
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-- |
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Abbott and Costello Meet the Invisible Man (1951) |
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Click here to see the review. | |
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-- |
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The Abduction Club (2002) |
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Click here to see the review. | |
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-- |
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Abigail's Party (1977) |
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Click here to see the review. | |
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-- |
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The Abominable Snowman of the Himalayas (1957) |
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Click here to see the review. | |
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-- |
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Abouna (2004) |
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Click here to see the review. | |
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-- |
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About Last Night... (1986) |
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Click here to see the review. | |
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Above Suspicion (1943) |
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Click here to see the review. | |
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Absence of Malice (1981) |
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"Superbly observed." | |
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Absolute Beginners (1986) |
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Click here to see the review. | |
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4/5 |
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Accattone (1961) |
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"Powerful, gripping, urgent." | |
Jon Fortgang | |
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-- |
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The Accidental Tourist (1988) |
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Click here to see the review. | |
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Ace in the Hole (1951) |
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"Douglas puts a perfect spin of self-loathing on his character in what is certainly one of his better performances." | |
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Across 110th Street (1972) |
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Click here to see the review. | |
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3.5/5 |
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Across the Universe (2007) |
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"So far out it ain't never coming back. This flamboyant vehicle for The Beatles' music is boldness exemplified - even if it does frequently trip on its own ambition." | |
Jon Fortgang | |
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Act of Violence (1948) |
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"Zinnemann's film noir is a rather cynical dig at post-war triumphalism, which questions ideas of heroism." | |
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Un Acte d'Amour (1953) |
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Click here to see the review. | |
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Action Jackson (1988) |
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Click here to see the review. | |
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An Actor's Revenge (1963) |
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"Packed with stylistic flourishes this is a refined mix of drama and wit that's both fanciful and quietly profound." | |
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The Actors (2003) |
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Click here to see the review. | |
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Adam Sandler's Eight Crazy Nights (2002) |
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"There are sporadic laughs to be had from this gruesome guff, but most of them are nervous relieved titters when its not as bad as you feared rather than bellylaughs of genuine amusement." | |
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Adam's Rib (1949) |
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"An impeccably crafted and scripted classic." | |
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3.5/4 |
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Addams Family Values (1993) |
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"Possibly even better than the first film..." | |
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Adrenalin: Fear the Rush (1996) |
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Click here to see the review. | |
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4/5 |
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The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) |
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"A genuine cult movie: imaginative and endearingly naff." | |
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The Adventures of Huckleberry Finn (1939) |
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Click here to see the review. | |
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The Adventures of Huckleberry Finn (1960) |
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Click here to see the review. | |
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The Adventures of Robin Hood (1938) |
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"Peerless action-adventure romp from the Golden Age of Hollywood." | |
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The Adventures of Sherlock Holmes (1939) |
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Click here to see the review. | |
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Advise and Consent (1962) |
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"The star of this absorbing, mature piece is the American political process itself, which with all its corruption and decency is, or at least seems to be, captured in authentic detail." | |
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Aelita - Queen of Mars (1924) |
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Click here to see the review. | |
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Aeon Flux (2005) |
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"stodgy and listless futuristic thriller that only ever echoes other cinematic sci-fi tomorrows." | |
Saxon Bullock | |
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-- |
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Afrance (2001) |
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Click here to see the review. | |
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After Hours (1985) |
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"During the 80s there was a slew of yuppie revenge flicks where film-makers visited horrors on the heads of young urban professionals and this is probably the best of that mini-genre." | |
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-- |
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After the Fox (1966) |
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Click here to see the review. | |
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4/5 |
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After the Rehearsal (1984) |
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"A stark and haunting conclusion to Bergman's main period that combines an intelligent approach to weighty issues with the director's visual flair." | |
Jon Fortgang | |
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3/5 |
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After The Wedding (2007) |
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"A poignant and intimate drama about revelations that have life-changing impact, Bier's film proves that the rude health of Danish cinema continues unabated." | |
Jamie Russell | |
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-- |
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AfterLife (2003) |
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Click here to see the review. | |
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-- |
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Against All Flags (1952) |
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Click here to see the review. | |
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-- |
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Agatha (1979) |
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Click here to see the review. | |
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-- |
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The Agony and the Ecstasy (1965) |
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Click here to see the review. | |
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-- |
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The Agronomist (2004) |
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Click here to see the review. | |
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Ahlaam (2005) |
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"Al-Daradji's ground-level vision of modern Iraq before and after the 'liberation' is a panoptic tragedy of broken dreams and ordinary madness." | |
Anton Bitel | |
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