Splat 2.5/5 |
O (2001) |
"The presence of old lags Martin Sheen and John Heard just beggars belief. What were they thinking?" |
Richard Luck |
- |
O Lucky Man! (1973) |
Click here to see the review. |
|
Tomato 4/5 |
O'Horten (2009) |
"A brilliantly pitched exercise in droll comedy with a tender message about seizing the day." |
Jon Fortgang |
- |
O.C. & Stiggs (1985) |
Click here to see the review. |
|
Tomato 3.5/5 |
Obscene: A Portrait Of Barney Rosset And Grove Press (2008) |
"While the filmmakers squander some excellent opportunities that might have helped to illuminate the contradictions in their subject, this remains a fascinating study of an unrepentant American maverick." |
Jamie McLeish |
Tomato 3/5 |
Observe and Report (2009) |
"If writer-director Jody Hill provides Rogen with pretty slim opportunities, the biggish man remains a gloriously robust talent. Heck, he's even able to ring laughs from such fundamentally unfunny topics as bipolar disorder and alcoholism." |
Richard Luck |
Splat 1/5 |
Obsessed (2009) |
"If Obsessed were a perfume, it would ming like happy hour at a squids' brothel. This atrocious, and atrociously derivative affair is not only an early contender for worst film of 2009." |
Ali Catterall |
- |
Obsession (1949) |
Click here to see the review. |
|
Splat |
Ocean's Eleven (1960) |
"Considering the iconic status of all involved, the result is disappointing." |
|
Splat 2/5 |
Ocean's Thirteen (2007) |
"Returning to Las Vegas but losing its winning streak, Ocean's Thirteen lets Soderbergh and the boys take a final bow while proving it is possible to have too much of a good thing." |
Jamie Russell |
- |
The October Man (1947) |
Click here to see the review. |
|
Splat |
Octopussy (1983) |
"Nice title, shame about the movie." |
|
Tomato |
The Odd Couple (1968) |
"The only successful adaptation of a Neil Simon play." |
|
- |
Odd Jobs (1985) |
Click here to see the review. |
|
Tomato 4.5/5 |
Odd Man Out (1947) |
"It's amongst British cinema's finest crime dramas." |
Richard Luck |
- |
Odds Against Tomorrow (1959) |
Click here to see the review. |
|
- |
Ode to Billy Joe (1976) |
Click here to see the review. |
|
Tomato 3/5 |
The Odessa File (1974) |
"Tightly plotted and for the most part pretty convincing Cold War thriller built around a typically muscular performance by Voight." |
|
Splat |
Oedipus Rex (1967) |
"It's a rather piecemeal and sometimes dull affair." |
|
- |
Of Human Bondage (1934) |
Click here to see the review. |
|
Tomato 5/5 |
Of Time and the City (2009) |
"A masterpiece. Davies demonstrates how art achieves the universal from the particular." |
Matthew De Abaitua |
- |
Of Unknown Origin (1983) |
Click here to see the review. |
|
- |
Off Limits (1988) |
Click here to see the review. |
|
- |
The Offence (1973) |
Click here to see the review. |
|
- |
The Official Story (1985) |
Click here to see the review. |
|
Tomato |
Offside (2006) |
"Another no-frills success from one of Iran's most accessible directors." |
Sam Jordison |
- |
Okay (2002) |
Click here to see the review. |
|
Tomato |
Oklahoma! (1955) |
"Whatever your interest in the sexual politics of the 1950s musical, this is a good-looking, sweet-sounding piece that'll surely have you hot under the collar." |
Fran Hortop |
- |
Old Boyfriends (1979) |
Click here to see the review. |
|
- |
The Old Dark House (1932) |
Click here to see the review. |
|
Tomato 4/5 |
Old Joy (2006) |
"An unassuming, minimalist gem that shows how less can be much, much more." |
Leigh Singer |
- |
The Old Lady Who Walked in the Sea (1991) |
Click here to see the review. |
|
- |
The Old Maid (1939) |
Click here to see the review. |
|
- |
The Old Man and the Sea (1958) |
Click here to see the review. |
|
Splat |
Oliver and Company (1988) |
"The general quality of the animation and script would disappoint more sophisticated viewers." |
|
Tomato 4.5/5 |
Oliver! (1968) |
"Reed's memorable and epic musical provides good family fun, some great musical numbers and in Fagin, the Artful Dodger, and Sykes, some of cinema's most beloved unsavoury characters." |
|
Tomato 3.5/5 |
The Omega Man (1971) |
"Despite not having aged particularly well, the opening sections of this sci-fi allegory remain potent, although the rest of its apocalyptic storyline is decidedly leaden." |
|
Splat 3/6 |
The Omen (2006) |
"will no doubt divide viewers into those who agree that it is high time that the original received so slick a makeover, and those who wonder whether there is much real point to a retooling of such devilish fidelity to its source." |
Anton Bitel |
- |
On a Clear Day You Can See Forever (1970) |
Click here to see the review. |
|
- |
On Approval (1943) |
Click here to see the review. |
|
Tomato |
On Dangerous Ground (1951) |
"Above par noir thriller that takes some stereotypical characters and potentially sentimental situations to fashion them into a film that thinks as well as entertains." |
|
- |
On Edge (1999) |
Click here to see the review. |
|
Tomato |
On Golden Pond (1981) |
"Henry Fonda and Katharine Hepburn both shine in an impressively executed Hollywood drama." |
Jon Fortgang |
Tomato |
On Her Majesty's Secret Service (1969) |
"Ditching flash in favour of character development, this stylish and energetic entry is one of the best films in the series. Lazenby woz robbed." |
|
- |
On Moonlight Bay (1951) |
Click here to see the review. |
|
Splat |
On the Beach (1959) |
"A wasted opportunity." |
|
- |
On the Black Hill (2008) |
Click here to see the review. |
|
Tomato |
On the Waterfront (1954) |
"Elia Kazan's seminal American classic." |
|
Tomato 4/5 |
Once (2007) |
"A rare innocence and a fresh approach to filmmaking make this a thoroughly charming and unconventional love story." |
Steve Watson |
- |
Once a Thief (1991) |
Click here to see the review. |
|
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