D.C. Cab (1984)

"If only the audience were having as much fun as the cast."

D.E.B.S. (2005)

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D.E.B.S. (2005)

"D.E.B.S. is so unflinchingly cute that it forgets to be either funny or flat-out satiric."

D.O.A. (1949)

"It stands as one of the finest of the post-war B thrillers."

D.O.A. (1949)

"Contains one of the cleverest noir concepts ever. A great film."

D.O.A. (1988)

"Cannot even stand in the shadow of the 1950 original, but stylish and entertaining all the same."

D2: The Mighty Ducks (1994)

"Non-stop commercialism and a bunch of boring hockey stuff."

D3: The Mighty Ducks (1996)

"Arrives much like the same way a third TV commercial often follows a second."

The Da Vinci Code (2006)

"Some protesters believe that if you see this film, you'll go to Hell. They got it backwards. I think if you go to Hell, you'll probably see this film while you're there."

The Da Vinci Code (2006)

"I cannot vouch for the novel, but the movie is a remarkably underwhelming experience."

The Da Vinci Code (2006)

"Ron Howard plays it too safe keeping fans of the book in line, objectors at bay and alienates anyone coming into the hype with thoughts of 'that's what everyone is up in arms about?'"

The Da Vinci Code (2006)

"The film becomes an exercise in moving people and clues around. It's like a Sherlock Holmes story without Holmes, Watson or Moriarty."

Dad (1989)

"An utterly mechanical tearjerker."

Daddy Day Camp (2007)

"Recently, Fred Savage paid a visit to Scottsdale, Arizona to talk about the making of his new film and the challenges that ensued."

Daddy's Dyin'... Who's Got the Will? (1990)

"You have to have a great deal of will just to sit through this forced and frugal so-called comedy."

Dagon (2001)

"There's nothing wrong with a well-done, atmospheric, spooky chiller, especially coming from a director far less frequently heard from than he deserves to be."

Dakota (1988)

"Second-rate acting, writing, and directing fail at freshening up an overly familiar story."

Dallas 362 (2005)

"Scott Caan has been an enjoyable presence in movies, but his confident eye behind the camera and on the page is even more noteworthy. Dallas 362 is as assured a debut as I’ve seen on the film festival circuit this year."

Damage (1992)

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Damien: Omen II (1978)

"It plumbs the same idiotic religious dread as its 1976 predecessor, with a higher and even more gratuitous body count."

Damn Yankees (1958)

"One of the better big-budget music-fests ... mainly because it has the devil and some baseball in it."

Dan in Real Life (2007)

"Thankfully, Hedges keeps his focus and doesn't allow the film to just become a series of sketches and syrupy confessionals."

Dance Me Outside (1995)

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Dance With a Stranger (1984)

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Dance With The Devil (1997)

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