- |
Man on the Moon (1999) |
Click here to see the review. |
Jill Cozzi |
- |
Man on the Train (2003) |
Click here to see the review. |
Ned Depew |
- |
The Man Who Wasn't There (2001) |
Click here to see the review. |
Jill Cozzi |
- |
The Man Without a Past (2003) |
Click here to see the review. |
Ned Depew |
Splat C |
The Manchurian Candidate (2004) |
"Even in Hollywood, the more things change (technology, end of the Cold War, corporate influence), the more things stay the same (greed, avarice, powerlust)." |
Gabriel Shanks |
Splat C |
Master and Commander: The Far Side of the World (2003) |
"The mirthless atmosphere and laid-back narrative strip Crowe and his aquatic drama of any fun it could have had." |
Gabriel Shanks |
- |
The Matrix (1999) |
Click here to see the review. |
Jill Cozzi |
- |
The Matrix Reloaded (2003) |
Click here to see the review. |
Jill Cozzi |
Splat D+ |
The Matrix Revolutions (2003) |
"A by-the-book action picture that has no revolutionary aspects at all -- overlong, overthought and overdone." |
Gabriel Shanks |
Splat C |
Max (2002) |
"Are monsters born, or made?" |
Gabriel Shanks |
Tomato |
Max (2002) |
"Far from making Hitler sympathetic, this characterization forces us to recognize a fact about evil that we don't want to admit: That evil doesn't spring forth suddenly from the cabbage patch." |
Jill Cozzi |
- |
Meet Joe Black (1998) |
Click here to see the review. |
Jill Cozzi |
- |
Meet the Parents (2000) |
Click here to see the review. |
Jill Cozzi |
Splat D+ |
Merci Docteur Rey! (2002) |
"Lacks the sophistication it needs to be truly effective, hopelessly lost in its unfunny gags and weak plotting." |
Gabriel Shanks |
- |
Mickey Blue Eyes (1999) |
Click here to see the review. |
Jill Cozzi |
- |
A Midsummer Night's Dream (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato |
A Mighty Wind (2003) |
"A rewarding experience, providing entertainment and amusement as well as significant and sometimes even moving insight." |
Ned Depew |
Splat C |
Million Dollar Baby (2004) |
"...celluloid hooey...A Coupla Benjamins Baby is more like it." |
Jill Cozzi |
Tomato |
Minority Report (2002) |
"Spielberg shows that either he is as clairvoyant as the floating mutant precogs portrayed in his new film, MINORITY REPORT, or else he just has the most phenomenal luck in the universe." |
Jill Cozzi |
Tomato C+ |
Miss Potter (2006) |
"A perky style reminiscent of second-rate Jane Austen....a parable of female empowerment and class strife swathed in bustles and British witticisms." |
Gabriel Shanks |
Splat C |
The Missing (2003) |
"A mixed-genre mutt that cribs liberally from John Ford to fashion a tale of families battling the elements, the frontier, and each other." |
Gabriel Shanks |
- |
Monsieur Ibrahim (2004) |
Click here to see the review. |
Ned Depew |
Tomato |
Monsoon Wedding (2002) |
"So infectious, so colorful, so exhilarating, that you almost forget that at its core, it's merely a curry-inflected remake of Father of the Bride, with snippets of other films thrown in." |
Jill Cozzi |
Splat D+ |
Monster (2003) |
"almost despicably lazy storytelling... Director / screenwriter Patty Jenkins has tried to humanize a despicable person, and she is completely ineffective at doing that." |
Gabriel Shanks |
Splat |
Monster (2003) |
"All we know from Monster is where Charlize Theron puts on weight when she can't use her personal trainer for a month.
" |
Jill Cozzi |
Tomato B+ |
The Mother (2004) |
"Roger Michell may be the most underrated director working today." |
Gabriel Shanks |
Tomato A- |
The Mother (2004) |
""...a beautifully made, beautifully constructed, beautifully acted film."" |
Jill Cozzi |
Tomato A- |
The Motorcycle Diaries (2004) |
"Eloquently and remarkably captures the budding ethical, emotional, and political sensibilities of a legendary man of history." |
Gabriel Shanks |
Splat |
The Motorcycle Diaries (2004) |
"An unexpected renaissance in Soviet filmmaking." |
Martin Scribbs |
Tomato A |
Moulin Rouge (2001) |
"If one is able to give oneself over to the heady mix of improbable fantasy that Luhrman paints with his broad brush, MOULIN ROUGE can be something akin to ecstasy." |
Gabriel Shanks |
- |
Moulin Rouge (2001) |
Click here to see the review. |
Jill Cozzi |
- |
The Mummy (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato |
My Architect: A Son's Journey (2003) |
"...succeeds most of all in exposing how difficult it is for us to know one another - or rather, how easy it is for us to conceal ourselves." |
Ned Depew |
Tomato |
My Big Fat Greek Wedding (2002) |
""I actually saw this film a few months ago, but it was so light and frothy and forgettable that I promptly forgot it the minute I left the theatre."" |
Jill Cozzi |
- |
My Dog Skip (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato |
My Wife is an Actress (2002) |
"Sparkling, often hilarious romantic jealousy comedy... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called 'My Husband Is Travis Bickle'." |
Jill Cozzi |
Tomato A |
Mysterious Skin (2005) |
"A raw and unadorned look at child abuse and its idiosyncratic repercussions." |
Gabriel Shanks |
- |
Mysterious Skin (2005) |
Click here to see the review. |
Ned Depew |
- |
Mystery Men (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato B+ |
Mystic River (2003) |
"If Euripides had ever known Catholic guilt, he might have written something quite similar to Mystic River." |
Gabriel Shanks |
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