- |
The Talented Mr. Ripley (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato A |
Talk to Her (2002) |
"As intense as it is meditative, as disturbing as it is passionate." |
Gabriel Shanks |
Splat C- |
Tarnation (2004) |
"Tarnation coalesces into a pop-art diary, the self-made soap opera, the arthouse version of a reality show. A fascinating but bloated movie." |
Gabriel Shanks |
Tomato |
Team America: World Police (2004) |
"A post-9/11 gutbuster." |
Martin Scribbs |
Splat F |
Teknolust (2002) |
"Wallows in dubious plot constructions, shoddy design, immature camera work, and a fatiguing lack of thrill." |
Gabriel Shanks |
Splat |
The Terminal (2004) |
"By favoring cuteness over credibility, The Terminal ends up being far too fantastical--even for Steven Spielberg." |
Jeffrey Huston |
Splat D |
The Texas Chainsaw Massacre (2003) |
"Ah, Leatherface...where has your menace gone?" |
Gabriel Shanks |
Splat |
The Polar Express (2004) |
"This praiseworthy film has been awarded highest honors from Puissant Guide and All-Fertile Giftgiver Kris Kringle." |
Martin Scribbs |
Tomato B- |
This So-Called Disaster (2004) |
"Perhaps the most shocking revelation is that an artist of Shepherd's stature can still feel unsure of himself, fumbling his way to a constantly refining vision of his world." |
Gabriel Shanks |
Splat C- |
Three Dancing Slaves (2005) |
"Darkly rich in character and mood, provocative in intent...but ultimately foiled by inattention to its own story." |
Gabriel Shanks |
Tomato |
Three Kings (1999) |
"With characters you can root for and a story that is both engaging and honest, Three Kings goes for the gold and comes out a winner." |
Gabriel Shanks |
- |
Titan A.E. (2000) |
Click here to see the review. |
Jill Cozzi |
- |
Titanic (1997) |
Click here to see the review. |
Jill Cozzi |
Splat C- |
Touch of Pink (2004) |
"I'd like to believe that the world has moved past being scandalized by otherness -- Those nutty Indians! Those outrageous gays! -- but Touch of Pink doesn't think so." |
Gabriel Shanks |
Tomato |
Touching the Void (2004) |
"the re-enactments...show the viewer both the utter insanity of this sort of climbing, and the strange beauty of these mountains" |
Jill Cozzi |
Splat C |
Transamerica (2005) |
"Issues of gender differrence are employed only to reinforce less original dilemmas -- family dysfunction, dating woes and (eek) meeting the grandparents." |
Gabriel Shanks |
Tomato B+ |
The Triplets of Belleville (2003) |
"Shares the inventive, experimental storytelling found in the works of Miyazaki and the Wachowskis. What a joy to watch a cartoon with your brain turned on.
" |
Gabriel Shanks |
Tomato |
The Triplets of Belleville (2003) |
"...Chomet uses this thin plot as a springboard for a dizzying series of sight gags, vignettes, and tributes...that will leave you breathless." |
Jill Cozzi |
Splat C |
Tropical Malady (2005) |
"A purposefully incomplete vision of magic, myth, and love that requires the viewer to fill in the gaps." |
Gabriel Shanks |
Tomato B- |
Troy (2004) |
"Inspired by one of the great pieces of classic literature, it's pure Hollywood formula. Just barely worthwhile." |
Gabriel Shanks |
Splat C |
Troy (2004) |
"...bears about as much resemblance to the Iliad as a #2 combo at McDonalds bears to an actual meal...and it's geared towards the same audience.
" |
Jill Cozzi |
- |
Troy (2004) |
"Thoughts on Troy and immortality after visiting the crypt of Saint Peter." |
Martin Scribbs |
- |
The Truman Show (1998) |
Click here to see the review. |
Jill Cozzi |
Splat C |
The Truth About Charlie (2002) |
"The ideas behind this Charlie are far more fascinating than their execution proves to be." |
Gabriel Shanks |
- |
Tuck Everlasting (2002) |
"Russell's direction...manages to keep the flow of sap at a mere trickle." |
Jill Cozzi |
- |
Tumbleweeds (1999) |
Click here to see the review. |
Jill Cozzi |
- |
Twin Falls Idaho (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato B+ |
Tying the Knot (2005) |
"Exhibits an accomplished maturity from the first-time director, deftly applying a dry wit, a healthy sense of irony, and a nonexploitive approach to emotionality." |
Gabriel Shanks |
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