Splat C |
About Schmidt (2002) |
"A lazy effort peppered only sparingly with inspiration." |
Gabriel Shanks |
Tomato B- |
Adaptation (2002) |
"Kaufman's script is wildly imaginative but only intermittently entertaining, dredging up troubling questions about artistic responsibility that he ultimately doesn't answer." |
Gabriel Shanks |
Splat D |
Adored - Diary of a Porn Star (2004) |
"An unfortunate exercise in ego run amok, coupled with inexperience and ineptitude." |
Gabriel Shanks |
- |
The Adventures of Felix (2001) |
Click here to see the review. |
Gabriel Shanks |
Splat C- |
The Alamo (2004) |
"As exciting as a big, flat cyclorama exhibit at your local historical society.
" |
Gabriel Shanks |
Tomato A |
All About My Mother (1999) |
"Both an expansion of Almodovar's famous candy-colored vision and a maturation of his ingenious directorial style." |
Gabriel Shanks |
Tomato A- |
All the Pretty Horses (2000) |
"Part elegy, part romance, and part myth, it's a sweeping paean to the lost West, a dreamy chronicling of the end of an age." |
Gabriel Shanks |
Tomato B |
America Brown (2005) |
"The rites of passage into adulthood have rarely been so textured." |
Gabriel Shanks |
Tomato B- |
American Psycho (2000) |
"Succeeds in entertaining the audience, but diminishes the overall power of the social critique Ellis had in mind." |
Gabriel Shanks |
Tomato B+ |
The Assassination of Richard Nixon (2004) |
"A moving, poignant parable of another America, where the dreams aren't quite so rosy." |
Gabriel Shanks |
Tomato 5/5 |
Auntie Mame (1958) |
"Possibly the greatest comedy of all time, with a performance by Rosalind Russell that can only be described as 'bravura'." |
Gabriel Shanks |
- |
A.I. Artificial Intelligence (2001) |
Click here to see the review. |
Jill Cozzi |
- |
After Innocence (2005) |
Click here to see the review. |
Jill Cozzi |
Tomato B |
Alfie (2004) |
"The problem with casting someone like Jude Law in this role is that it's not difficult to imagine women falling head over heels for [him]before he even turns on the charm." |
Jill Cozzi |
- |
Almost Famous (2000) |
Click here to see the review. |
Jill Cozzi |
- |
American Beauty (1999) |
Click here to see the review. |
Jill Cozzi |
- |
American Psycho (2000) |
Click here to see the review. |
Jill Cozzi |
Tomato |
American Splendor (2003) |
"Directors Berman and Pulcini demonstrate a very real understanding of the graphic novel universe in which they're filming." |
Jill Cozzi |
- |
Analyze This (1998) |
Click here to see the review. |
Jill Cozzi |
- |
Antitrust (2001) |
Click here to see the review. |
Jill Cozzi |
- |
The Apostle (1997) |
Click here to see the review. |
Jill Cozzi |
- |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
Jill Cozzi |
Tomato |
Avatar (2009) |
"Who wouldn't want to be Na'vi, with their lithe, slim bodies, their grace, their unfailing marksmanship, their long braids that literally mind-meld with other creatures and the spirits of their ancestors, their abs and buns of steel, their cheekbones so h" |
Jill Cozzi |
Tomato B |
The Aviator (2004) |
"Scorsese seems haunted by the Academy's repeated snubs...this most visceral of filmmakers is entirely too cautious...this very good film falls just short of being a great one." |
Jill Cozzi |
Splat |
Alien vs. Predator (2004) |
"If you're aching for lines like, 'Well, that tunnel didn't dig itself,' and 'My enemy's enemy...is....my friend?,' run don't walk to AVP." |
Martin Scribbs |
Splat |
Along Came Polly (2004) |
"99.8% probability obvious but valuable lessons will be learned." |
Martin Scribbs |
Splat |
Anchorman: The Legend of Ron Burgundy (2004) |
"All hail Will Ferrell, King of the man-children!" |
Martin Scribbs |
Tomato |
Animation Show - Volume 1 (2003) |
"Boasting six Academy Award nominees for best animated short, the program richly rewarded its audience with comedy, kitsch, and wisdom." |
Martin Scribbs |
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