eCinemaCenter.com
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| Rating | Title Year | Quote | Author |
|---|---|---|---|
Splat 2/5 |
The 39 Steps (1935) |
"As dull as anything Hitchcock has done, save the exhilerating final 10 minutes." |
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Splat 2/5 |
The Addams Family (1991) |
"I suppose there's a certain kooky charm, but talk about dated..." |
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Tomato 4/5 |
All the King's Men (1949) |
"Outstanding poltical commentary, rife with tension." |
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Tomato 4/5 |
Alphaville (1965) |
"Packed to the brim with imagination, particularly the insane 2nd half." |
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Bad Santa (2003) |
"A word of advice: see Bad Santa, but see it once without checking your movie listings twice." |
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Splat 0/5 |
Blackmail (1929) |
"Horrific and dated....worth seeing from a strictly historical standpoint." |
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Tomato 3/5 |
Blade Runner (1982) |
"Visually dazzling but thematically mediocre." |
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Splat 1/5 |
Boxcar Bertha (1972) |
"Scorsese at his most droll and uninspired." |
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Tomato 4/5 |
A Bronx Tale (1993) |
"A superb directorial debut by DeNiro, a work that rivals Goodfellas." |
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Splat 0/5 |
Carnosaur (1993) |
"Few movies have ever been more inept and ridiculous...but maybe that's the point." |
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Tomato 5/5 |
The Circus (1928) |
"Chaplin's most underrated, consistently hysterical, and imaginative picture." |
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Tomato 5/5 |
Cleo de 5 a 7 (1962) |
"As good as almost any entry from the French New Wave...a devastating portrait of running out of time..." |
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Tomato 3/5 |
Crooklyn (1994) |
"Standard Spike Lee fare, which means it comes with its high and low points." |
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Ed Wood (1994) |
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Tomato 3/5 |
Europa Europa (1991) |
"The shower scene still sends shivers up my spine, and it's been years since I've seen it." |
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Splat 2/5 |
The General (1927) |
"Vastly overrated; moderately charming but I think I laughed once." |
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Tomato 5/5 |
Great Expectations (1946) |
"A masterful adaptation of a masterful novel." |
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Tomato 3/5 |
High Heels (1991) |
"Witty and snappy Almodovar....as usual, but still great fun." |
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House of Flying Daggers (2004) |
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Splat 1/5 |
I Stand Alone (1998) |
"Vomit." |
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Tomato 5/5 |
In a Lonely Place (1950) |
"One of the best--and most underrated--noirs." |
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Tomato 4/5 |
Ivan's Childhood (1962) |
"Tarkovsky's most underrated film, simple but riveting." |
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Tomato 3/5 |
Jules And Jim (1962) |
"Far too cute and ridiculous for its own good, yet riddled with so many strong points that it can't be overlooked." |
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Tomato 4/5 |
La Ronde (1950) |
"Charming as can be, but with a dark underbellly that belies it." |
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Tomato 4/5 |
The Lady Vanishes (1938) |
"Underrated early Hitch with a killer finale." |
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Splat 2/5 |
The Last Boy Scout (1991) |
"Overblown rubbish, with nothing to hang on to save the opening football field scene" |
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Letters From Iwo Jima (2006) |
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Tomato 5/5 |
Los Olvidados (1950) |
"One of the most powerful of all coming-of-age films, Los Olvidados is Luis Buñuel's first masterpiece, a blend of surrealism and horrific neorealism which implants itself in the viewer's mind for days. It's criminal there's not a Region 1 DVD available," |
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Million Dollar Baby (2004) |
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Tomato 4/5 |
On the Waterfront (1954) |
"Extremely polished and featuring another powerhouse effort from Brando." |
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Tomato 4/5 |
Peter Pan (1953) |
"Perhaps Disney's most underrated work." |
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Tomato 4/5 |
Repulsion (1965) |
"Polanski's best by a wide margin. The walls! The walls!" |
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Tomato 3/5 |
Rudy (1993) |
"Shamelessly manipulative, but who cares when it's so damn uplifting?" |
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Tomato 5/5 |
The Shop on Main Street (1965) |
"Mesmerizing and heart-breaking..." |
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Splat 2/5 |
The Sisters of the Gion (1936) |
"Mizoguchi presents similar themes MUCH more powerfully in Ugetsu or Sansho the Bailiff; here, it falls flat" |
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Tomato 4/5 |
Stolen Kisses (1968) |
"A poignant portrait of sop-free love." |
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Splat 0/5 |
Street Fighter (1995) |
"OOOF!!!!!" |
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The Tracker (2002) |
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Splat 1/5 |
The Untouchables (1987) |
"Too campy for its topic matter...Costner is typically dull as a 75 year-old unsharpened sword." |
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Tomato 3/5 |
The Vanishing (1988) |
"Somewhat erie and efficient, but never really gets under your skin." |
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Tomato 3/5 |
Variety Lights (1951) |
"Delightfully charming and whimsical, if nowhere near as consequential as Fellini's best." |
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Tomato 4/5 |
The Wizard of Oz (1939) |
"A delightful fantasy for children and adults alike, one that cherishes childhood and its dreams." |
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Tomato 3/5 |
The Wolf Man (1941) |
"Charming & fun 40's monster schlock." |
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