Kansas City Kansan
|
||||||||||
| Rating | Title Year | Quote | Author |
|---|---|---|---|
L.A. Confidential (1997) |
"There is a gritty, hard-boiled feel to 'L.A. Confidential' that is so audience satisfying." |
||
Tomato 5/5 |
La Dolce Vita (1960) |
"Primo Fellini!" |
|
Tomato 5/5 |
Lady and the Tramp (1955) |
"True Disney classic animation with great score." |
|
Tomato 3/5 |
"OK direct to video release, no where near the original." |
||
Tomato 3/5 |
Lady Sings the Blues (1972) |
"Great score, great singing, but overdramatic thanks to Ross." |
|
Tomato 5/5 |
Ladyhawke (1985) |
"Ultra-romantic drama-adventure" |
|
Splat 2/5 |
The Last Action Hero (1993) |
"Inflated action mars below par Aw-nold." |
|
Last Dance (1996) |
"Both Stone and Morrow are terrific and convincing. (published 5-10-96)" |
||
Tomato 3/5 |
The Last Dinosaur (1977) |
"Cheesy effects but rare chance to see Richard Boone in feature" |
|
Tomato 3/5 |
The Last Man on Earth (1964) |
"Lesser known Price yarn has its moments." |
|
Tomato 5/5 |
Last Man Standing (1996) |
"A Walter Hill classic with super cool Bruce Willis." |
|
Splat 2/5 |
"Attempt at Mel Brooksian humor gets lost in sand." |
||
Tomato B+ |
The Last Samurai (2003) |
"The standout performance is Ken Watanabe as the charismatic Samurai leader, reminiscent of Yul Brynner in looks and demeanor." |
|
Tomato 5/5 |
The Lavender Hill Mob (1951) |
"All time classic Guiness comedy." |
|
Tomato 3/5 |
Lawman (1971) |
"Slow but sure oater with stoic Lancaster." |
|
"Just don't think too much between the super battles. This is, after all, very comic book. " |
|||
Tomato 5/5 |
A League of Their Own (1992) |
"Layered comedy-drama is worthwhile viewing" |
|
Tomato 3/5 |
The Learning Tree (1969) |
"Low key, powerful story" |
|
Splat 0/5 |
"Director Burr should never have shouted 'Cut.'" |
||
Tomato 5/5 |
Leave Her to Heaven (1945) |
"Most splash-color, outrageous soap ever; Tierney is fabulous" |
|
Splat 2/5 |
Legends of the Fall (1994) |
"Epic frontier soaper rambles on and on." |
|
Splat 2/5 |
Legionnaire (1998) |
"So-so, granulated Foreign Legion adventure." |
|
Tomato 3/5 |
Les Girls (1957) |
"Mediocre score, mediocre MGM musical." |
|
Tomato A |
Let There Be Light (1945) |
"Director-writer John Huston crafted this once banned study of the emotional toll of war." |
|
Tomato 4/5 |
A Letter to Three Wives (1949) |
"Star-loaded film with innovative plot." |
|
Tomato 3/5 |
Life Stinks (1991) |
"Lesser Mel Brooks has some funny bits if homelessness is funny at all" |
|
Tomato 5/5 |
Lilies of the Field (1963) |
"Simple story about big hearts. Potier is wonderful." |
|
Tomato 4/5 |
Little Annie Rooney (1925) |
"One of Pickford's best silents still entertains" |
|
Tomato 4/5 |
The Little Princess (1939) |
"Heart tugging Temple with payoff ending" |
|
Tomato 5/5 |
Little Women (1933) |
"Star-graced Cukor production is classic." |
|
Tomato 5/5 |
Lola Montes (1955) |
"Classic Ophuls should be seen more--in widescreen too/his last film" |
|
Lone Star (1996) |
|||
Tomato 5/5 |
Lonely Are the Brave (1962) |
"Kirk's favorite, and a true classic." |
|
Tomato 5/5 |
Lonesome Dove (1990) |
"One of the top 5 westerns of all time...movies or TV." |
|
Tomato 3/5 |
The Long Goodbye (1973) |
"Fairly good hard boiled detective story" |
|
Tomato 4/5 |
The Long Voyage Home (1940) |
"Lesser John Ford, but still a haunting production." |
|
Splat 2/5 |
Look Who's Talking (1989) |
"Grating but surprisingly popular" |
|
"He (Peter Jackson) has succeeded in topping the series for the grandest of finales." |
|||
"The final act's battle scene is the most spectacular medieval type ever filmed. (Pubished 1-3-03)" |
|||
Tomato 4/5 |
Lost in America (1985) |
"One Albert Brooks' best, laughs throughout." |
|
Lost in Translation (2003) |
|||
Tomato 4/5 |
Love in the Afternoon (1957) |
"Charming, romantic comedy with Coop and Audrey Hepburn." |
|
Splat 1/5 |
The Love Machine (1972) |
"Much ado about sordid trash and such." |
|
Love Nest (1951) |
|||
Tomato 3/5 |
Lucas (1986) |
"Haim is engaging in this tale of a lonely teen." |
|
Splat 1/5 |
Lust for a Vampire (1970) |
"Sex and violence cheapie is pain in the plunging neckline." |
|
|
||||||||||

