Splat |
Anatomy of Hell (2004) |
"Vagina dialogue this may be, but it seems much more like a bunch of arse." |
Anton Bitel |
Splat |
Anazapta (2001) |
"a baroque parable of sin and and retribution, with all the dirt and filth barely concealing the community's much deeper stain of moral contagion and corruption." |
Anton Bitel |
Tomato 7/10 |
Anchorman: The Legend of Ron Burgundy (2004) |
Click here to see the review. |
Gary Panton |
Splat 3/10 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
Click here to see the review. |
Gary Panton |
Splat 5/10 |
Angel Eyes (2001) |
"A well-acted and tense movie, ruined by its massive anti-climax." |
Gary Panton |
Tomato |
Angel on the Right (2002) |
"Deceptively simple, funny and grim all at once - a miracle of a film that transcends its limited budget through sheer inventiveness." |
Anton Bitel |
Tomato 6/10 |
Angels in America (2003) |
Click here to see the review. |
Gary Panton |
Tomato 6/10 |
Anger Management (2003) |
"A half-decent comedy that starts off well but collapses about halfway through." |
Gary Panton |
Tomato 6/10 |
Animal Factory (2000) |
"It seems too short to give us any real insight into what makes the characters tick, and the general story is too familiar to stand-out from the crowd." |
Gary Panton |
Tomato 6/10 |
Animatrix (2003) |
"Just for die-hard ‘Matrix’ fans" |
Gary Panton |
Tomato 6/10 |
Anita & Me (2002) |
"Another entry into the growing stable of respected British Asian comedies." |
Andrea Chee |
Splat 2/10 |
Another 48 Hrs. (1990) |
"The good news is, it doesn’t REALLY last another 48 hours. It just feels like it." |
Gary Panton |
Tomato 8/10 |
Antwone Fisher (2002) |
"A well paced and terrifically performed first stint in the director’s chair for Denzel Washington." |
Gary Panton |
Tomato 8/10 |
Anything Else (2003) |
Click here to see the review. |
Gary Panton |
Tomato |
Araburu Tamashii-Tachi (2002) |
"A kaleidoscopic yakuza epic which moves as inexorably towards its climax as an out-of-control juggernaut." |
Anton Bitel |
Splat 3/10 |
Are We There Yet? (2005) |
Click here to see the review. |
Gary Panton |
Tomato 7/10 |
The Aristocats (1970) |
"It’s good, but it’s not purr-fect." |
Gary Panton |
Splat |
Armitage III Poly-Matrix: An Animated Motion Picture (1997) |
"An unengaging, incoherent, derivative mess of lacklustre animation." |
Anton Bitel |
Tomato 7/10 |
Around the World in 80 Days (2004) |
Click here to see the review. |
Gary Panton |
Tomato 8/10 |
As Good as It Gets (1997) |
"A simultaneously thoughtful and razor-sharp comedy." |
Gary Panton |
Tomato 8/10 |
The Assassination of Richard Nixon (2004) |
"A forgotten chapter of history that exposes truths about the American dream worth remembering." |
Anton Bitel |
Tomato |
Assault on Precinct 13 (1976) |
"Like Night of the Living Dead', it offers a protagonist who is black, a morality that is grey, and social commentary in the guise of horror." |
Anton Bitel |
Tomato 8/10 |
Assault on Precinct 13 (2005) |
"a film with as much tension as the original, but far more character-based drama and psychological depth" |
Anton Bitel |
Splat 2/10 |
Asylum of the Damned (2003) |
Click here to see the review. |
Gary Panton |
Tomato |
Audition (2001) |
"A meditative, melancholic masterpiece that is not for the squeamish" |
Anton Bitel |
Splat 5/10 |
Austin Powers in Goldmember (2002) |
Click here to see the review. |
Gary Panton |
Splat 5/10 |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
Gary Panton |
Tomato 7/10 |
Auto Focus (2002) |
"An absorbing dramatisation of the downfall of a US TV celebrity." |
Gary Panton |
Tomato |
The Aviator (2004) |
"In this stunning period biopic, Scorsese exposes the American dream to the law of gravity." |
Anton Bitel |
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