Splat 2/10 |
Alone in the Dark (2005) |
Click here to see the review. |
Gary Panton |
Tomato |
The Amityville Horror (2005) |
"Punchy, frightening, and far slicker than the original - but for all the refurbishment, something's still not quite right with this haunted house." |
Anton Bitel |
Splat 3/10 |
Are We There Yet? (2005) |
Click here to see the review. |
Gary Panton |
Tomato 8/10 |
Assault on Precinct 13 (2005) |
"a film with as much tension as the original, but far more character-based drama and psychological depth" |
Anton Bitel |
Splat 5/10 |
After the Sunset (2004) |
Click here to see the review. |
Gary Panton |
Splat 2/10 |
Agent Cody Banks 2: Destination London (2004) |
Click here to see the review. |
Gary Panton |
Splat 3/10 |
The Alamo (2004) |
Click here to see the review. |
Gary Panton |
Tomato |
Alexander (2004) |
"By the time its three hours are over, you will feel as exhausted as Alexander at the end of his epic campaign - but not as enriched." |
Anton Bitel |
Tomato 6/10 |
Alfie (2004) |
Click here to see the review. |
Gary Panton |
Splat |
Alien vs. Predator (2004) |
"in this war, it is ultimately the viewer who is left out in the cold" |
Anton Bitel |
Splat 5/10 |
Along Came Polly (2004) |
Click here to see the review. |
Gary Panton |
Splat |
Anacondas: The Hunt for the Blood Orchid (2004) |
"these creatures attack strictly one at a time, so that Anacondas misses every opportunity to live up to its titular promise.
" |
Anton Bitel |
Splat |
Anatomy of Hell (2004) |
"Vagina dialogue this may be, but it seems much more like a bunch of arse." |
Anton Bitel |
Tomato 7/10 |
Anchorman: The Legend of Ron Burgundy (2004) |
Click here to see the review. |
Gary Panton |
Splat 3/10 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
Click here to see the review. |
Gary Panton |
Tomato 7/10 |
Around the World in 80 Days (2004) |
Click here to see the review. |
Gary Panton |
Tomato 8/10 |
The Assassination of Richard Nixon (2004) |
"A forgotten chapter of history that exposes truths about the American dream worth remembering." |
Anton Bitel |
Tomato |
The Aviator (2004) |
"In this stunning period biopic, Scorsese exposes the American dream to the law of gravity." |
Anton Bitel |
Tomato 7/10 |
The Actors (2003) |
"An above-average Brit-comedy with a superb but largely under-used cast." |
Gary Panton |
Splat 3/10 |
Against the Ropes (2003) |
Click here to see the review. |
Gary Panton |
Splat 3/10 |
Agent Cody Banks (2003) |
"A disappointing mishmash" |
Gary Panton |
Splat 5/10 |
Alien Hunter (2003) |
Click here to see the review. |
Gary Panton |
Splat 4/10 |
All the Real Girls (2003) |
"The performances are convincing, and sufficiently nuanced to elevate the characters beyond mere cliché." |
Anton Bitel |
Tomato 7/10 |
American Cousins (2003) |
"It’s in many ways reminiscent of Bill Forsyth’s magnificent yanks-in-Scotland flick ‘Local Hero’ - only with more shootings and pin-stripe suits." |
Gary Panton |
Tomato 7/10 |
American Splendor (2003) |
"wonderfully quirky biopic about an ordinary, real guy who is not really ordinary or real at all" |
Anton Bitel |
Tomato 6/10 |
American Wedding (2003) |
"It’s loud, tasteless, churlish and capitalises shamelessly on the thin line that exists between repulsion and humour. But hey – you’ve got to laugh." |
Gary Panton |
Tomato 6/10 |
Angels in America (2003) |
Click here to see the review. |
Gary Panton |
Tomato 6/10 |
Anger Management (2003) |
"A half-decent comedy that starts off well but collapses about halfway through." |
Gary Panton |
Tomato 6/10 |
Animatrix (2003) |
"Just for die-hard ‘Matrix’ fans" |
Gary Panton |
Tomato 8/10 |
Anything Else (2003) |
Click here to see the review. |
Gary Panton |
Splat 2/10 |
Asylum of the Damned (2003) |
Click here to see the review. |
Gary Panton |
Splat 3/10 |
Abandon (2002) |
Click here to see the review. |
Gary Panton |
Tomato 8/10 |
About Schmidt (2002) |
"A gentle and touching comedy designed to produce smiles rather than belly laughs." |
Andrea Chee |
Tomato 6/10 |
The Accidental Spy (2002) |
Click here to see the review. |
Gary Panton |
Splat 2/10 |
Adam Sandler's Eight Crazy Nights (2002) |
"Why hasn’t anyone killed Rob Schneider yet?" |
Gary Panton |
Tomato 8/10 |
Adaptation (2002) |
"Funny, fascinating, emotional and at times even shocking – definitely a film not to be missed." |
Gary Panton |
Tomato 7/10 |
After the Life (2002) |
"A compelling drama which forms an essential part of Lucas Belvaux's audacious series." |
Anton Bitel |
Splat 3/10 |
Ali G Indahouse: The Movie (2002) |
"Somewhere along the line, the original satire of Ali G has been lost." |
Gary Panton |
Tomato 6/10 |
All the Queen's Men (2002) |
"A rather average cross-dressing comedy." |
Andrea Chee |
Tomato 6/10 |
An Amazing Couple (2002) |
"the lightness of its comedy turns out to have a deliciously dark edge" |
Anton Bitel |
Splat 4/10 |
Analyze That (2002) |
"If you liked Analyze This, avoid total disappointment and make sure you avoid Analyze That at all costs." |
Gary Panton |
Tomato |
Angel on the Right (2002) |
"Deceptively simple, funny and grim all at once - a miracle of a film that transcends its limited budget through sheer inventiveness." |
Anton Bitel |
Tomato 6/10 |
Anita & Me (2002) |
"Another entry into the growing stable of respected British Asian comedies." |
Andrea Chee |
Tomato 8/10 |
Antwone Fisher (2002) |
"A well paced and terrifically performed first stint in the director’s chair for Denzel Washington." |
Gary Panton |
Tomato |
Araburu Tamashii-Tachi (2002) |
"A kaleidoscopic yakuza epic which moves as inexorably towards its climax as an out-of-control juggernaut." |
Anton Bitel |
Splat 5/10 |
Austin Powers in Goldmember (2002) |
Click here to see the review. |
Gary Panton |
Tomato 7/10 |
Auto Focus (2002) |
"An absorbing dramatisation of the downfall of a US TV celebrity." |
Gary Panton |
Tomato 7/10 |
A.I. Artificial Intelligence (2001) |
"This is a reasonably sound sci-fi fantasy, but hardly the great masterwork that was promised.
" |
Andrea Chee |
Splat 5/10 |
American Pie 2 (2001) |
Click here to see the review. |
Gary Panton |
Splat |
Anazapta (2001) |
"a baroque parable of sin and and retribution, with all the dirt and filth barely concealing the community's much deeper stain of moral contagion and corruption." |
Anton Bitel |
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