Splat C+ |
Cabin Fever (2003) |
"Would make a decent midnight movie, but I wish there were something in it that felt original." |
Owen Gleiberman |
Tomato A |
Caché (2005) |
Click here to see the review. |
|
Tomato A |
Caché (2005) |
"There's a sense that Hitchcock is hovering in the background and cheering for Auteuil, who musters all his French superstardom to play a man having his mask of blandness torn off." |
Lisa Schwarzbaum |
Tomato B+ |
Cadillac Records (2008) |
"Cadillac Records lacks a center, yet it's an enjoyable ramble, with a feel for what made the early days of rock as wild as any that followed." |
Owen Gleiberman |
Tomato B+ |
Calendar Girls (2003) |
"Breezes along for a good stretch in easy delight at age-defying liberation." |
Lisa Schwarzbaum |
Splat C+ |
Caligula (1979) |
Click here to see the review. |
|
Tomato B+ |
Calle 54 (2001) |
"Collectively, the numbers add up to a triumph of ecstatic mood swinging." |
Owen Gleiberman |
Tomato B- |
Camp (2003) |
"It's wonderful little freaks like the kids at Camp Ovation on whom the American musical theater pins its future, and Graff offers a handful of them a nice moment in the spotlight." |
Lisa Schwarzbaum |
Tomato B- |
Can't Hardly Wait (1998) |
"A high-spirited, synthetically raucous house-party comedy." |
Owen Gleiberman |
Splat C |
Candy (2006) |
Click here to see the review. |
|
Splat C |
Candy (2006) |
"Even as they spiral inevitably downward from ecstasy to hell -- she turns tricks, he steals -- they somehow still look really attractive, which is a ridiculous thing." |
Lisa Schwarzbaum |
- |
El Cantante (2007) |
Click here to see the review. |
|
Splat C |
El Cantante (2007) |
"A conventional, brassy blat of a biopic." |
Scott Brown |
Tomato A- |
A Canterbury Tale (1944) |
Click here to see the review. |
|
Tomato B |
Capitalism: A Love Story (2009) |
"At its best, Capitalism: A Love Story is a searing outcry against the excesses of a cutthroat time. At its worst, it's dorm-room Marxism." |
Owen Gleiberman |
Tomato A- |
Capote (2005) |
Click here to see the review. |
|
Tomato A- |
Capote (2005) |
"It teases, fascinates, and haunts." |
Owen Gleiberman |
Splat C |
Captain Corelli's Mandolin (2001) |
"Pearl Harbor for the English Patient crowd -- a movie that reduces history, as well as eros, to a postcard." |
|
Splat C- |
Captivity (2007) |
"[Joffe] brings an artful video-grunge look, and not much else, to this Saw clone." |
Owen Gleiberman |
Tomato A |
Capturing the Friedmans (2003) |
"Gripping, lacerating, moving, and tragic -- a work of documentary art." |
Owen Gleiberman |
Splat D+ |
Caracara (1999) |
Click here to see the review. |
|
Tomato B |
Caramel (2008) |
"The kvetches of regulars at a cheery Beirut beauty salon couldn't be more familiar -- and that's the slender charm of Caramel, a Lebanese variation on sweetly soapy dramas about Women Who Bond With Wet Hair." |
Lisa Schwarzbaum |
Tomato B |
Carandiru (2004) |
"Lays on the compassion a little thick, yet its heartfelt squalor stays with you." |
Owen Gleiberman |
Tomato B |
Carefree (1938) |
Click here to see the review. |
|
Tomato A- |
Carnival of Souls (1962) |
Click here to see the review. |
|
Tomato B+ |
Carrie (1976) |
Click here to see the review. |
|
Tomato A- |
Cars (2006) |
Click here to see the review. |
|
Tomato A- |
Cars (2006) |
"A work of American art as classic as it is modern." |
Lisa Schwarzbaum |
Tomato B- |
Casa de los Babys (2003) |
"There isn't a moment with this group you don't want to be watching, yet the dialogue floats by in wisps." |
Owen Gleiberman |
Tomato A |
Casablanca (1942) |
Click here to see the review. |
|
Tomato B |
Casanova (2005) |
Click here to see the review. |
|
Tomato B |
Casanova (2005) |
"The great discovery of this Casanova is Hallström's recovered capacity for play." |
Lisa Schwarzbaum |
Splat D |
Cashback (2007) |
"Cashback aspires to be equal parts Volkswagen ad and Nicholson Baker's The Fermata, yet compares unfavorably to both." |
Scott Brown |
Tomato B+ |
Casino Royale (2006) |
Click here to see the review. |
|
Tomato A |
Casino Royale (2006) |
"In Casino Royale, Bond is still learning to tame his impulses into a style, and he's all the more dangerous because of it." |
Owen Gleiberman |
Tomato B- |
Cassandra's Dream (2008) |
Click here to see the review. |
|
Tomato B |
Cassandra's Dream (2008) |
"This tale of two brothers wrenched apart when they act badly is really a testament to its stars, who in this film act very well, and with visible joy. They make working for Woody Allen into a promise fulfilled." |
Owen Gleiberman |
Tomato |
Cast Away (2000) |
"Zemeckis tells his story ... with a control magnificent in what isn't shown as much as in what is." |
Lisa Schwarzbaum |
Tomato B+ |
The Cat's Meow (2002) |
"Bogdanovich taps deep into the Hearst mystique, entertainingly reenacting a historic scandal." |
Owen Gleiberman |
Tomato B |
Catch a Fire (2006) |
"Phillip Noyce embraces the tale with gusto, lighting up a picture that is as much a taut action saga as it is a cautionary history lesson." |
Lisa Schwarzbaum |
Splat C- |
Catch and Release (2007) |
"I just don't know any chick who will make sense of this flick -- it's that blitheringly out of touch with present psychosexual (never mind feminist) time and space." |
Lisa Schwarzbaum |
Tomato B |
Catch Me If You Can (2002) |
"DiCaprio, though 27 when the film was shot, has just the right touch of baby-cheeked deadpan innocence to make you believe in the schemes of this eager boy grifter." |
Owen Gleiberman |
Splat D+ |
Catch That Kid (2004) |
"Seeks to 'empower' its target audience of recent Pokémon grads with an adult antihero desperation that feels preemptive and inappropriate." |
Scott Brown |
Tomato B+ |
Catch-22 (1970) |
Click here to see the review. |
|
Tomato B- |
Cats & Dogs (2001) |
"The actors voicing these four legged adversaries ... throw themselves into their work with suitable fervor." |
Lisa Schwarzbaum |
Splat B- |
Catwoman (2004) |
"Most of the movie has the cruddy lighting and generic, death-by-franchise atmosphere of a third-rate spectacle that's been worked over by too many hacks." |
Owen Gleiberman |
Splat C- |
The Cave (2005) |
"Fright-wise, The Cave is a dry hole." |
Scott Brown |
Tomato B- |
The Caveman's Valentine (2001) |
"There is pleasure in giving oneself up to the gusty swirls of the film's imagery, and especially to the handsome grandeur of its star." |
Lisa Schwarzbaum |
Tomato B+ |
Cavite (2006) |
"One of those blistering no-budget thrillers, like Open Water or Detour, in which the film's economy of means is the trigger for its ingenuity." |
Owen Gleiberman |
Splat |
Cecil B. Demented (2000) |
"Waters' outlaw analyses of pop culture, always a crucial part of his films, have now started to consume them." |
Owen Gleiberman |
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