Splat F |
D.E.B.S. (2005) |
"The movie has no wit, no charm, no cleverness, no traction. Simply put, it is no fun." |
Owen Gleiberman |
Splat C+ |
The Da Vinci Code (2006) |
Click here to see the review. |
|
Splat C+ |
The Da Vinci Code (2006) |
"The film is faithful enough, but it's hard to imagine it making many converts." |
Owen Gleiberman |
Splat D |
Daddy Day Camp (2007) |
Click here to see the review. |
|
Splat D |
Daddy Day Camp (2007) |
"Because he's an Oscar winner with a rep now for headlining turkeys, watching Cuba Gooding Jr. in trash like Daddy Day Camp almost hurts." |
Gregory Kirschling |
- |
Daddy Day Care (2003) |
"With Eddie Murphy's grown-up films flopping (Showtime, The Adventures of Pluto Nash), another kid flick seems like a wise choice." |
|
Splat D |
Daddy Day Care (2003) |
"The adult actors ... crawl without security blankets through a playpen script by Geoff Rodkey (who once stayed home with his son while his wife worked!) and Simon Says direction by Steve Carr." |
Lisa Schwarzbaum |
- |
Daddy's Girl (1996) |
Click here to see the review. |
|
Tomato B |
Daddy's Little Girls (2007) |
"It makes you happy to receive the Word of Perry." |
Lisa Schwarzbaum |
Tomato B+ |
Dahmer (2002) |
"It lets you brush up against the humanity of a psycho, without making him any less psycho." |
Owen Gleiberman |
Tomato B+ |
The Damned United (2009) |
"The great cast includes Timothy Spall as the assistant manager, Colm Meaney as Clough's nemesis, and Jim Broadbent as a sports exec who'd make George Steinbrenner nervous." |
Lisa Schwarzbaum |
Tomato B- |
Dan in Real Life (2007) |
Click here to see the review. |
|
Tomato A- |
Dan in Real Life (2007) |
"Dan in Real Life is a comedy of faith that, in its wised-up feel-good way, restores yours." |
Owen Gleiberman |
Tomato B |
Dance Flick (2009) |
"In this enjoyably dirty-minded sendup of when-ballet-met-hip-hop youth musicals, the Wayans brothers hand the directorial reigns over to their nephew, Damien Dante Wayans, who piles on the stupid/smart gags with just the right what-the-hell abandon." |
Owen Gleiberman |
Tomato |
Dancer in the Dark (1999) |
"Graced with a particular genius for absorbing the past to suggest an exciting cinematic future." |
Lisa Schwarzbaum |
Tomato B+ |
The Dancer Upstairs (2003) |
"The movie has a mystery, and moral unease, that lingers." |
Owen Gleiberman |
Tomato B- |
Dances with Wolves (1990) |
Click here to see the review. |
|
Splat C+ |
The Dangerous Lives of Altar Boys (2002) |
"An overstuffed compendium of teen-Catholic-movie dogma." |
Owen Gleiberman |
Splat C |
Danny Deckchair (2004) |
"Hail globalism: Sweet, dumb American movies can now be made anywhere in the world." |
Scott Brown |
Splat C+ |
Dare (2009) |
"The actors, all great camera subjects, help give director Adam Salky's overly pat movie a trace of confessional conviction." |
Owen Gleiberman |
Splat C- |
Daredevil (2003) |
Click here to see the review. |
|
Splat C- |
Daredevil (2003) |
"Daredevil, in this movie at least, is little more than a hollow clone of Batman and Spider-Man, with far less idiosyncrasy than either." |
Owen Gleiberman |
Tomato B- |
Darfur Now (2007) |
"There are wounding tales of rape and murder, of parents watching their children massacred, in this clear-eyed documentary account of the genocide in Darfur." |
Owen Gleiberman |
- |
Dario Argento's Tenebre (1982) |
Click here to see the review. |
|
Splat C |
The Darjeeling Limited (2007) |
Click here to see the review. |
|
Tomato B+ |
The Darjeeling Limited (2007) |
"This is familiar territory for Anderson after Rushmore and The Royal Tenenbaums. But there's a startling new maturity in Darjeeling, a compassion for the larger world that busts the confines of the filmmaker's miniaturist instincts." |
Lisa Schwarzbaum |
- |
Dark Angel - Season 1 (2000) |
Click here to see the review. |
|
Splat C+ |
Dark Blue (2003) |
Click here to see the review. |
|
Tomato A- |
Dark Blue (2003) |
"It's about something bigger than itself, and everything -- performance, photography, a heart-of-L.A. score by Terence Blanchard -- rises to meet higher expectations." |
Lisa Schwarzbaum |
Splat C |
Dark Blue World (2001) |
"Does the world really need another painstakingly old-fashioned World War II saga?" |
Owen Gleiberman |
Splat C+ |
Dark City (1998) |
"City ultimately plays like one of those art-deco dystopian CD-ROM adventures of recent years." |
Ty Burr |
- |
The Dark Crystal (1982) |
Click here to see the review. |
|
Splat C |
The Dark Knight (2008) |
Click here to see the review. |
|
Tomato A- |
The Dark Knight (2008) |
"In this, the last performance he completed before his death, Ledger had a maniacal gusto inspired enough to suggest that he might have lived to be as audacious an actor as Marlon Brando, and maybe as great." |
Owen Gleiberman |
Splat C- |
Dark Matter (2008) |
"Liu Ye is too inexpressive for his role's demands, and the movie doesn't build to his downfall: It just zaps itself there." |
Gregory Kirschling |
Splat C+ |
Dark Streets (2008) |
"The flimsy plot -- less a whodunit than an isn't-it-screamingly-obvious-that-that-guy-done-it! -- will have thriller fans singing the blues." |
Clark Collis |
Tomato B- |
Dark Water (2005) |
Click here to see the review. |
|
Tomato B- |
Dark Water (2005) |
"Salles realizes the rotten dank desperation of her life so vividly that he has made, in effect, the first collapse-of-the- middle-class horror movie." |
Owen Gleiberman |
Splat D |
Darkness (2003) |
"We know that the house is haunted, because the family who's just moved in has to deal with the lights always flickering out. They should have called the movie The Fuse Box Horror." |
Owen Gleiberman |
Splat D- |
Darkness Falls (2003) |
"Like something salvaged from Stephen King's wastebasket." |
Bruce Fretts |
Tomato B |
Darwin's Nightmare (2006) |
"Darwin's Nightmare is an urgent, horrific, yet at times oddly blinkered vision of the crisis of modern Africa." |
Owen Gleiberman |
Tomato B- |
Date Movie (2006) |
"You have to be hungry for comedy that's salty and loud, that hits your palate with all the delicacy of hot grease. If you're in that mood, a handful of these jokes will likely be just what you crave." |
Owen Gleiberman |
Tomato A |
Dave Chappelle's Block Party (2006) |
Click here to see the review. |
|
Tomato A |
Dave Chappelle's Block Party (2006) |
"Dave Chappelle's Block Party is perhaps the first concert movie since Stop Making Sense to give you a blissful buzz." |
Owen Gleiberman |
Tomato A |
Dawn of the Dead (2004) |
"Snyder, making a killer feature debut, trades homemade cheesiness for knowing style, revels in the sophistication of modern special effects, and stomps off with the best remake -- er, 're-envisioning' -- of a horror classic in memory." |
Lisa Schwarzbaum |
- |
Dawson's Creek - First Season (1998) |
Click here to see the review. |
|
Splat C+ |
The Day After Tomorrow (2004) |
Click here to see the review. |
|
Splat C+ |
The Day After Tomorrow (2004) |
"A classic, big-budget studio movie about widespread, dramatic, hand-of-God destruction and the few hardy characters who, to our satisfaction, improbably survive is no place for serious hectoring about the Antarctic ice shelf." |
Lisa Schwarzbaum |
Tomato |
The Day I Became A Woman (2001) |
"Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal 'meaning.'" |
Owen Gleiberman |
Splat C- |
Day Night Day Night (2007) |
"A stunt masquerading as a statement." |
Owen Gleiberman |
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