Tomato B+ |
Rabbit-Proof Fence (2002) |
"Noyce lets the landscape and the untrained young actresses own the screen." |
Lisa Schwarzbaum |
Tomato B |
Race to Witch Mountain (2009) |
"The planet-hopping children have special talents -- telekinesis, telepathy etc. -- although it is the high-wattage lovability of Mr. Rock that's the real superpower on display here." |
Clark Collis |
Tomato B |
Rachel Getting Married (2008) |
Click here to see the review. |
|
Tomato A |
Rachel Getting Married (2008) |
"Demme's finest work since The Silence of the Lambs, and a movie that tingles with life." |
Owen Gleiberman |
Splat C |
Racing Stripes (2005) |
"For the jaded adult, there's something casually terrifying about Racing Stripes." |
Scott Brown |
Splat C+ |
Radio (2003) |
"A movie overloaded with noble signifiers." |
Lisa Schwarzbaum |
Splat C |
Rails & Ties (2007) |
"It's becoming a bit tiresome watching Kevin Bacon suffer, and he isn't done any favors by this thudding weeper." |
Owen Gleiberman |
Splat C+ |
Rain (2002) |
"Freights a young girl's self-destructive eagerness to lose her virginity with so much danger and even horror that it's as if the events were trying to make up for the film's previous lack of drama." |
Owen Gleiberman |
Splat C+ |
The Rainmaker (1956) |
Click here to see the review. |
|
Splat C- |
Raise Your Voice (2004) |
"[Duff] makes me long for the comparatively Dostoyevskian depths of Sandra Dee." |
Owen Gleiberman |
- |
A Raisin in the Sun (1961) |
Click here to see the review. |
|
Splat C+ |
Raising Flagg (2007) |
"Too bad the offscreen intrigue doesn't make up for what flags in Flagg." |
Lisa Schwarzbaum |
Splat C+ |
Raising Helen (2004) |
"A winsomely formulaic domestic comedy that says that women can have it all -- but they really shouldn't try to." |
Owen Gleiberman |
Tomato A- |
Raising Victor Vargas (2003) |
"The writer-director, Peter Sollett, cast the film with kids from his own neighborhood, who give themselves over to the camera with a spirit of improvised play that morphs into vivid, layered acting." |
Owen Gleiberman |
Tomato A |
Ran (1985) |
Click here to see the review. |
|
Splat |
Random Hearts (1999) |
"Pollack lingers over the details of the plane crash, and the dialogue is a series of morose retro howlers." |
Owen Gleiberman |
Splat C |
The Rape Of Europa (2007) |
"The movie doesn't dramatize this crime -- it catalogs it. With deadening monotony." |
Owen Gleiberman |
- |
Rashomon (1950) |
Click here to see the review. |
|
Tomato B+ |
Rat Race (2001) |
"This thing's a gas." |
Lisa Schwarzbaum |
Tomato A |
Ratatouille (2007) |
Click here to see the review. |
|
Tomato B |
Ratatouille (2007) |
"Ratatouille has the Pixar technical magic without, somehow, the full Pixar flavor. It's Brad Bird's genial dessert, not so much incredible as merely sweetly edible." |
Owen Gleiberman |
Tomato A- |
Ray (2004) |
Click here to see the review. |
|
Tomato A- |
Ray (2004) |
"Ray is the rare Hollywood biopic that does justice to the heroism, as well as the demons, of an American genius." |
Owen Gleiberman |
Tomato A- |
The Razor's Edge (1946) |
Click here to see the review. |
|
Tomato A- |
Read My Lips (2002) |
"The attraction between these two marginal characters is complex from the start -- and, refreshingly, stays that way." |
Lisa Schwarzbaum |
Tomato A- |
The Reader (2008) |
Click here to see the review. |
|
Tomato B- |
The Reader (2008) |
"Everything is admirable, worthy, and muffled in a blanket of Britishness in this well-bred production, which reunites director Stephen Daldry with screenwriter David Hare six years after The Hours." |
Lisa Schwarzbaum |
Splat |
Ready to Rumble (2000) |
"Moronic and insulting." |
Owen Gleiberman |
Tomato B- |
The Real Cancun (2003) |
Click here to see the review. |
|
Tomato B- |
The Real Cancun (2003) |
"Works, in its sleazy-chintzy- lively way, as a documentary version of the American Pie films with a character for everyone in the target demo to claim as his or her own." |
Owen Gleiberman |
Tomato B+ |
The Real Dirt on Farmer John (2007) |
"The Real Dirt on Farmer John turns into a portrait of how American family farming could blossom for a new century." |
Owen Gleiberman |
Tomato B+ |
Real Women Have Curves (2002) |
"It's refreshingly low on the kind of Cinema of Empowerment pedantry that often goes along with stories about ethnic families, sweatshop working conditions, or women confronting issues of weight and body image." |
Lisa Schwarzbaum |
Splat D+ |
The Reaping (2007) |
"No belief on earth can rescue Swank from a film that's a chain of disaster chintz masquerading as a sermon." |
Owen Gleiberman |
Tomato A- |
Rear Window (1954) |
Click here to see the review. |
|
Tomato |
Rear Window (1954) |
"Masterpiece of voyeurism." |
Lisa Schwarzbaum |
Splat C+ |
Rebound (2005) |
"The whole thing feels like a half-day of community service, which Lawrence walks through good-naturedly." |
Scott Brown |
Splat C |
Recess: School's Out (2001) |
"Just because they're familiar doesn't mean this crew is exactly marquee material." |
Lisa Schwarzbaum |
Tomato B |
The Reckoning (2004) |
"Dafoe makes Martin's role as head of the company as naturalistic as that of any contemporary SoHo creative director." |
Lisa Schwarzbaum |
Tomato B- |
Reconstruction (2004) |
"The film's mood of fractured anxiety and longing made me eager to see what the director, Christoffer Boe, does next." |
Owen Gleiberman |
Tomato B+ |
The Recruit (2003) |
"A CIA thriller that plays some very tricky and entertaining spy games." |
Owen Gleiberman |
Tomato A- |
Red Beard (1965) |
Click here to see the review. |
|
Tomato B+ |
Red Cliff (2009) |
"There's plenty of vivid action to fill two and a half hours in John Woo's Chinese historical war epic Red Cliff, a rewarding change of terrain and era for the inventive Hong Kong director." |
Lisa Schwarzbaum |
Tomato B |
Red Dawn (1984) |
Click here to see the review. |
|
- |
Red Doors (2005) |
Click here to see the review. |
|
Tomato B |
Red Doors (2005) |
"Named for the traditional Chinese color of good luck, the gentle indie drama Red Doors is really more in the rosy pink range of the color palette than a more primary emotional hue." |
Lisa Schwarzbaum |
Tomato B- |
Red Dragon (2002) |
"A thriller made from a completist's checklist rather than with a cultist's passion." |
Lisa Schwarzbaum |
Tomato B+ |
Red Dust (2004) |
Click here to see the review. |
|
Tomato B+ |
Red Eye (2005) |
"A good measure of the movie's white-knuckle fun comes from Craven's old-hand familiarity with the way thrillers tick, predicated on the smallest and most banal of missed connections, the kind that get an audience to go crazy." |
Lisa Schwarzbaum |
Tomato B+ |
Red Lights (2004) |
"It evokes the spirit of Hitchcock and Highsmith, as Antoine undergoes an all-night odyssey that redeems his manhood, at the expense, naturally, of all good behavior." |
Owen Gleiberman |
Splat |
Red Planet (2000) |
"[The actors] stand around mouthing dry as Martian dust dialogue." |
Owen Gleiberman |