Tomato |
U-571 (2000) |
"Represents the return of something that I'd feared was gone for good: the inspired genre magician." |
Owen Gleiberman |
Tomato B |
The U.S. vs. John Lennon (2006) |
Click here to see the review. |
|
Tomato B |
The U.S. vs. John Lennon (2006) |
"The U.S. vs. John Lennon is the easy-listening version of a firebrand documentary; nothing in it is as incendiary as its title." |
Owen Gleiberman |
Tomato A- |
U2 3D (2008) |
"The 3-D visuals envelop you, majestically, and that effect fuses with the band's surround-sound rapture to create a full-scale sensory high. U2 3D makes you feel stoned on movies." |
Owen Gleiberman |
Splat C+ |
The Ugly Truth (2009) |
"The Ugly Truth isn't fizzy and fun -- it's vacuously snappy." |
Owen Gleiberman |
- |
Ultimate Avengers: The Movie (2005) |
Click here to see the review. |
|
Splat C |
The Ultimate Gift (2007) |
"The Ultimate Gift is kind of like a feel-good Saw for churchgoers, minus the sadistic games of death." |
Gregory Kirschling |
Splat D- |
Ultraviolet (2006) |
"Crank your brain to its lowest possible idle and you'll still overthink Ultraviolet." |
Scott Brown |
Splat C+ |
Un Deux Trois Soleil (1993) |
Click here to see the review. |
|
Tomato B |
Un Secret (2008) |
"The secret uncovered by an adolescent in 1950s Paris is strikingly specific, yet echoes with the history of millions." |
Lisa Schwarzbaum |
Splat C+ |
Unaccompanied Minors (2006) |
"Anyone old enough to go see this without a parent or guardian will have seen it all before." |
Gregory Kirschling |
Tomato B- |
The Unborn (2009) |
"Goyer has penned many scripts superior to this one, but he does make sure you're never far away from a big 'Boo!'" |
Clark Collis |
Tomato |
Unbreakable (2000) |
"By the time the film is over you may feel as if the 12 year old inside of you has been utterly wowed and that the adult is still going, 'Hmmmm...'" |
Owen Gleiberman |
Tomato B+ |
Uncertainty (2009) |
"Joseph Gordon-Levitt and Lynn Collins are so interesting that it's easy to put up with the decision-making dithering that goes along with the title." |
Lisa Schwarzbaum |
Splat F |
Undead (2005) |
"It's about as much fun as watching blood dry." |
Owen Gleiberman |
- |
Undeclared - The Complete Series (2001) |
Click here to see the review. |
|
Tomato A- |
Under the Same Moon (2008) |
"Before you can say, 'Wow, that sounds boring,' director Patricia Riggen has smuggled us, with no-bull authority, into the rituals, jokes, and survival games of a culture of half-existence: people who live in two places and nowhere at all." |
Owen Gleiberman |
Tomato B+ |
Under the Sand (2001) |
"Rampling, that magnificent, coolly alluring fiftysomething siren, manages to make all sides believable." |
Lisa Schwarzbaum |
Tomato B |
Under the Sea 3D (2009) |
"It's impossible not to be wowed by some of the images in Under the Sea 3D,
the coolest of which are a nice
reminder that, even in the age of CG wizardry, the best special effects still come straight from Mother Nature." |
Adam Markovitz |
Splat C+ |
Under the Tuscan Sun (2003) |
"Every other character, including the house and the country it's built on, is a sidekick to Frances and her triumphant heroism on the road back to self-fulfillment." |
Lisa Schwarzbaum |
Splat D |
Underclassman (2005) |
"Like a student project sloppily cribbed from other kids' notes." |
Lisa Schwarzbaum |
Splat C+ |
Undercover Brother (2002) |
"Traffics in the kind of prechewed racial clichés that have already been through the corporate stand-up-comedy mill." |
Owen Gleiberman |
Tomato B- |
Underdog (2007) |
"The endearing airborne-beagle effects help to offset the formula twists." |
Owen Gleiberman |
Tomato B- |
Undertow (2004) |
"Green's new film opens with a sequence that's at once visceral and baffling." |
Owen Gleiberman |
Splat C |
Underworld (2003) |
"The sort of movie in which the head vampire telegraphs his evil by using a cell phone and dressing like the Kinks' Ray Davies in the early '80s." |
Owen Gleiberman |
Splat C |
Underworld: Evolution (2006) |
"... the series never expands on the promise of its one innovation." |
Gregory Kirschling |
Splat C+ |
Underworld: Rise of the Lycans (2009) |
"Sheen and Nighy do their best with the material, but this is easily the worst Underworld so far." |
Clark Collis |
Splat D |
Undiscovered (2005) |
"Like, sigh!" |
Owen Gleiberman |
Tomato B+ |
Undisputed (2002) |
"A shrewd and splendidly volatile B movie structured around a highly original gambit of suspense." |
Owen Gleiberman |
Tomato A- |
Unfaithful (2002) |
"Not since the underrated What Lies Beneath has a domestic thriller been made with so much sultry juice and power." |
Owen Gleiberman |
- |
Unfaithfully Yours (1984) |
Click here to see the review. |
|
Splat D+ |
An Unfinished Life (2005) |
"It's awful not in an exciting, uncontrolled way but in an overly controlled, narcotized way, an imitation of too many inspirational heal-the-pain dramas that Miramax has released since the dawn of their Oscar age." |
Lisa Schwarzbaum |
Tomato B |
The Unforeseen (2007) |
"Add The Unforeseen to the catalog of artfully produced nonfiction films that show how humans are screwing up the planet." |
Lisa Schwarzbaum |
Tomato A- |
Unforgiven (1992) |
Click here to see the review. |
|
Splat D- |
The Uninvited (2009) |
"Horror standbys like mangled corpses and stone-faced children pop up regularly, but sibling directors Charles and Thomas Guard haven't quite nailed the genre's rhythms." |
Adam Markovitz |
Tomato A- |
United 93 (2006) |
Click here to see the review. |
|
Tomato A- |
United 93 (2006) |
"[Paul Greengrass] keeps a cataclysmic story scaled to the vulnerable men and women involved." |
Lisa Schwarzbaum |
Splat D |
The United States of Leland (2004) |
"Yet another joylessly trendy indie portrait of the dark side of suburbia." |
Owen Gleiberman |
Tomato B- |
Unknown White Male (2005) |
"Unknown White Male is framed as a look at the mystery of identity, but there's a bizarre neutrality to the movie." |
Owen Gleiberman |
Tomato B |
The Unknown Woman (2006) |
"[A] baroquely lurid and undeniably fascinating exercise in pulp with a political angle." |
Lisa Schwarzbaum |
Tomato A- |
Unleashed (2005) |
"[Has] three or four gangbusters action sequences, all of which are unexpectedly stomach-clenching." |
Gregory Kirschling |
Tomato A |
An Unreasonable Man (2007) |
Click here to see the review. |
|
Tomato A |
An Unreasonable Man (2007) |
"A perceptive and beautifully made documentary portrait of Nader." |
Owen Gleiberman |
Splat C- |
Untold Scandal (2003) |
"Every attempt I have seen to adapt it on film -- Dangerous Liaisons, Cruel Intentions, even the trashy 1959 Roger Vadim version -- has resulted in an entertainment of agreeable nasty elegance. Until now." |
Owen Gleiberman |
Tomato A- |
The Untouchables (1987) |
Click here to see the review. |
|
Tomato B- |
Untraceable (2008) |
"Lane skillfully sells the tech-heavy script. But after a much-too-early reveal of the murderer's identity, the 'low battery' signal starts to flash on this film by thriller specialist Gregory Hoblit." |
Clark Collis |
Tomato A- |
Up (2009) |
Click here to see the review. |
|
Tomato A |
Up (2009) |
"As buoyant and richly tinted as the balloons that figure so prominently in its story, Up is also thoroughly grounded in real emotion and ideas of substance." |
Lisa Schwarzbaum |
Tomato A- |
Up and Down (2005) |
"Captures Prague life with a fervor that's comical but a longing that's serious; no one is easy to pigeonhole." |
Lisa Schwarzbaum |
Tomato B |
Up for Grabs (2005) |
"A twisty little documentary about the aftermath of Bonds' fat swing." |
Gregory Kirschling |