Splat |
Take the Lead (2006) |
"Although the film is entirely watchable, the director carelessly exploits the potential for race drama." |
Angela Baldassarre |
Tomato 3/5 |
Taking Lives (2004) |
"Elegant, good-looking and well-performed, D.J. Caruso's psycho-thriller is an enthralling and engaging drama that works well thanks mostly to its sexy cast." |
Angela Baldassarre |
Splat |
Talk to Me (2007) |
"The biggest problem with Kasi Lemmons' biopic "Talk to Me" is whether it wants to be a comedy or a drama." |
Angela Baldassarre |
Splat |
Taxi (2004) |
"
A remake of Luc Besson’s 1998 French comedy , film is terribly contrived, under-written and almost desperate in its attempt at humour.**
" |
Angela Baldassarre |
Splat |
Team America: World Police (2004) |
"
This parody is flat and tediously cynical, but the hilarious gags had this critic laughing out loud most of the way.
" |
Angela Baldassarre |
Splat |
Tenacious D in: The Pick of Destiny (2006) |
"Tenacious D: The Pick of Destiny has some low-brow laughs, but ultimately the silliness of the story and Black's frantic antics aren't enough to sustain the 90-minute plus running time." |
Angela Baldassarre |
Tomato |
Thank You For Smoking (2006) |
"Having fun with smoking." |
Angela Baldassarre |
Splat |
The Polar Express (2004) |
"
Adopting "performance capture" animation technique, the heartwarming Christmas classic tale is presented here as distanced and cold as its title.**
" |
Angela Baldassarre |
Tomato |
This Film is Not Yet Rated (2006) |
"It takes balls for documentary filmmaker Kirby Dick to take on the all-powerful Motional Picture Association of America (MPAA) ratings board." |
Angela Baldassarre |
Tomato |
The Three Burials of Melquiades Estrada (2005) |
""The Three Burials of Melquiades Estrada" is rugged and quiet, absurd and humourous." |
Angela Baldassarre |
Splat |
Thumbsucker (2005) |
"Odd and tedious" |
Angela Baldassarre |
Tomato |
Touch of Pink (2004) |
"
Despite being a tad too familiar and tired in premise, film contains some charming performances and quirky script." |
Angela Baldassarre |
Tomato 5/5 |
Touching the Void (2004) |
"Invigorating and exciting, Kevin Macdonald's docu-drama is excruciating in its emotional involvement." |
Angela Baldassarre |
Tomato |
Transamerica (2005) |
"Huffman is on delicate ground throughout the film but she infuses the role with fragility, strength and grace." |
Angela Baldassarre |
Splat |
Transformers (2007) |
"There is so much action packed in every frame of this bombastic blockbuster, that the ludicrous plot and silly script went nearly unnoticed." |
Angela Baldassarre |
Tomato |
Travellers & Magicians (2005) |
"
An unusual road movie featuring gorgeous atmospherics, the film is memorable indeed.
" |
Angela Baldassarre |
Splat |
Tristram Shandy: A Cock and Bull Story (2006) |
""Tristram Shandy" is quite limited to an acquired audience that has the patience and perhaps literary knowledge to appreciate the outcome." |
Angela Baldassarre |
Splat 2/5 |
Tron (1982) |
No article available. |
Angela Baldassarre |
Splat |
Troy (2004) |
"It's a crime that one of the most fascinating stories of ancient literature could be turned into such a dull film." |
Angela Baldassarre |
Tomato |
Tsotsi (2006) |
"Based in Johannesburg, the film centres on Tsotsi and is group of aimless, destructive and ignorant buddies." |
Angela Baldassarre |
Tomato 3/5 |
Tucker: The Man and His Dream (1988) |
No article available. |
Angela Baldassarre |
Splat 1/5 |
The Twilight of the Golds (1997) |
No article available. |
Angela Baldassarre |
Splat |
Twist (2004) |
"Exceptional performances and effective raw moments, but too sordid for enjoyment.
" |
Angela Baldassarre |
Splat 2/5 |
Twisted (2004) |
"An awfully tedious thriller that makes great waste of the talent involved Twisted is awkward, predictable, convoluted and terribly implausible." |
Angela Baldassarre |
Splat |
Two for the Money (2005) |
"Pacino’s irritating hyperbolic delivery is just one of the problems in “Two for the Money,” the biggest being the convoluted and unconvincing script." |
Angela Baldassarre |
Splat |
Two Thirty 7 (2006) |
"opting almost frame-by-frame Gus Van Sant's technique on "Elephant", Australian director Murali K. Tharulli is shamefully exploitive in the manner in which he conveys teenage angst in "2:37"." |
Angela Baldassarre |
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