Tomato 3/4 |
Hairspray (2007) |
"... the movie envelops its audience with good vibrations." |
Lori Hoffman |
Tomato 3/4 |
Half Nelson (2006) |
"... a movie that finds a moment of hope in a seemingly hopeless situation ..." |
Lori Hoffman |
Tomato 3/5 |
Hamlet (1990) |
No article available. |
Lori Hoffman |
Tomato 3.5/4 |
Hancock (2008) |
"Hancock is a movie that tosses the genre cookie cutter under the bus." |
Lori Hoffman |
Tomato 3/5 |
Hang 'Em High (1968) |
No article available. |
Lori Hoffman |
Tomato 2.5/4 |
The Hangover (2009) |
"The performances are solid, with a special nod to the droll buffoonery of Zach Gilifianakis, whose character is out of it even when he is sober and alert." |
Lori Hoffman |
Splat 2/4 |
The Happening (2008) |
"The M. Knight brilliance is there in quick jolts of suspense and terror, but those moments are the exception in this otherwise flat little thriller." |
Lori Hoffman |
Tomato 3/4 |
Happy Feet (2006) |
"... a delightful, visually superior animated tale." |
Lori Hoffman |
Splat 2/5 |
The Hard Way (1991) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
The Harder They Come (1973) |
"OK story, fabulous music by Jimmy Cliff" |
Lori Hoffman |
Tomato 4/5 |
The Harder They Fall (1956) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
Harry and Tonto (1974) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
Harry and Walter Go to New York (1976) |
No article available. |
Lori Hoffman |
Tomato 3/4 |
Harry Potter and the Goblet of Fire (2005) |
"Harry Potter puts away childish things in Goblet of Fire." |
Lori Hoffman |
Tomato 2.5/4 |
Harry Potter and the Half-Blood Prince (2009) |
"While not as spellbinding as some earlier [Potter films], Harry Potter and the Half-Blood Prince provides crucial connective tissue to the big finish coming down the road" |
Lori Hoffman |
Tomato 2.5/4 |
Harry Potter and the Order of the Phoenix (2007) |
"This chapter was designed to peak our interest in what unfolds in the next installment." |
Lori Hoffman |
Tomato 3/4 |
Harry Potter and the Prisoner of Azkaban (2004) |
"... the most emotionally effective film in the HP series ..." |
Lori Hoffman |
Tomato 3/5 |
Harvey (1950) |
No article available. |
Lori Hoffman |
Tomato 5/5 |
The Haunting (1963) |
"The scariest movie of its day" |
Lori Hoffman |
Splat 2/5 |
Hear No Evil (1993) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
The Heart Is a Lonely Hunter (1968) |
No article available. |
Lori Hoffman |
Tomato 3/5 |
Heartbreakers (1984) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
Heaven Knows, Mr. Allison (1957) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
Heavenly Creatures (1994) |
"The movie that first got Jackson & Winslet noticed" |
Lori Hoffman |
Tomato 3/4 |
Hellboy (2004) |
"...reminiscent of both The League of Extraordinary Gentleman, but with a better story, and Men in Black, but less adorable." |
Lori Hoffman |
Tomato 2.5/4 |
Hellboy II: The Golden Army (2008) |
"Hellboy II: The Golden Army is not a sequel that soars to new heights, but it does slip into a nice summer-movie comfort zone . . ." |
Lori Hoffman |
Tomato 3/5 |
Here Comes Mr. Jordan (1941) |
No article available. |
Lori Hoffman |
Tomato 3/4 |
Hero (2004) |
"... it offers magnificent visuals, exciting kung fu fighting and excellent performances..." |
Lori Hoffman |
Tomato 3/4 |
Hidalgo (2004) |
"It is pure popcorn fun, whether there is a grain of truth in the story, or if it is merely an entertaining western tall tale." |
Lori Hoffman |
Tomato 5/5 |
High Noon (1952) |
"One of the essentials" |
Lori Hoffman |
Tomato 3/4 |
A History of Violence (2005) |
"[Cronenberg] brings his fascination with our dark side into the mainstream, helped immeasurably by a remarkably tight ensemble of talented actors." |
Lori Hoffman |
Tomato 3/4 |
Hitch (2005) |
"Will Smith began his acting career as a prince, and he remains one of the most engaging, adorable actors on the planet." |
Lori Hoffman |
Tomato 3/5 |
The Hitch-Hiker (1953) |
No article available. |
Lori Hoffman |
Splat 2/4 |
Hitchhiker's Guide to the Galaxy (2005) |
"The layers of dry wit that are supposed to engage the grownups don't work ..." |
Lori Hoffman |
Splat 2/4 |
Hollywood Homicide (2003) |
"Harrison Ford and Josh Hartnett, are given enough character quirks to made this trip in cliché-ville more enjoyable than most." |
Lori Hoffman |
Splat 2/4 |
Hollywoodland (2006) |
"... the film never digs far enough below the surface of this male pinup ..." |
Lori Hoffman |
Tomato 3/4 |
Honeydripper (2007) |
"John Sayles, after 27 years and 16 films, is the ancient mariner of independent cinema, navigating the constantly swirling waters of the genre with passion and skill." |
Lori Hoffman |
Splat 2/5 |
Hooper (1978) |
No article available. |
Lori Hoffman |
Tomato 4/5 |
Hope and Glory (1987) |
"Touching World War II remembrance of Blitz-torn London" |
Lori Hoffman |
Tomato 4/5 |
The Hospital (1971) |
No article available. |
Lori Hoffman |
Tomato 2.5/4 |
Hostage (2005) |
"The premise is overstuffed with unlikely plot twists and absurdities, but it works as an effective thriller despite the flaws ..." |
Lori Hoffman |
Tomato 4/5 |
Hot Millions (1968) |
"Delightful romantic comedy" |
Lori Hoffman |
Tomato 3/5 |
The Hot Rock (1972) |
No article available. |
Lori Hoffman |
Tomato 3/4 |
Hotel Rwanda (2004) |
"Cheadle embodies the humanity and bravery of a man who does the right thing despite his own terror" |
Lori Hoffman |
Tomato 3/5 |
House of Wax (1953) |
No article available. |
Lori Hoffman |
Tomato 3/5 |
How Stella Got Her Groove Back (1998) |
No article available. |
Lori Hoffman |
Tomato 2.5/4 |
How to Lose a Guy in 10 Days (2003) |
"[McConaughey] and Hudson make the premise, even in its shakier moments, vibrate with a sense of fun." |
Lori Hoffman |
Tomato 2.5/4 |
Howl's Moving Castle (2005) |
"The story is old-fashioned ... much like a Grimm fairytale, complex and with a dark edge." |
Lori Hoffman |
Splat 2/5 |
The Hudsucker Proxy (1994) |
No article available. |
Lori Hoffman |
Tomato 3.5/4 |
The Hurt Locker (2009) |
"The Hurt Locker is a movie that finds the truth in war without all the political static that too often in the past has kept the voice of the soldier from being heard." |
Lori Hoffman |
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