Tomato 3/5 |
The Page Turner (2007) |
"Subtle and precise, Dercourt’s fifth feature boasts beguiling echoes of past vengeance tales by Chabrol and Clouzot." |
Jason Anderson |
- |
Palmetto (1998) |
Click here to see the review. |
Gemma Files |
Tomato 4/5 |
Pan's Labyrinth (2006) |
Click here to see the review. |
|
- |
Panic Room (2002) |
Click here to see the review. |
Jason Anderson |
- |
Paradise Lost: The Child Murders at Robin Hood Hills (1996) |
Click here to see the review. |
Gemma Files |
- |
Paradise Road (1997) |
Click here to see the review. |
Alex Patterson |
- |
The Parent Trap (1998) |
Click here to see the review. |
Tom Lyons |
Tomato 3/5 |
Paris, Je T'aime (2007) |
Click here to see the review. |
|
- |
Party Monster (2003) |
Click here to see the review. |
Joel McConvey |
- |
A Passage to Ottawa (2001) |
Click here to see the review. |
Adam Nayman |
Splat 2/5 |
Passchendaele (2008) |
Click here to see the review. |
|
- |
Passion in the Desert (1997) |
Click here to see the review. |
Tom Lyons |
Splat 2/4 |
The Passion of Joshua the Jew (2005) |
Click here to see the review. |
|
- |
Passion of Mind (1999) |
Click here to see the review. |
Gemma Files |
Splat 2.5/5 |
The Passion of the Christ (2004) |
"I found the film more numbing than moving, as if the transformation it charted was not from human to divine, but from man to carcass." |
Jason Anderson |
- |
Passover Fever (1995) |
Click here to see the review. |
Malene Arpe |
- |
Past Perfect (2002) |
Click here to see the review. |
Kim Linekin |
- |
Patch Adams (1998) |
Click here to see the review. |
Alex Patterson |
- |
The Patriot (2000) |
Click here to see the review. |
Alex Patterson |
- |
Pauline and Paulette (2002) |
Click here to see the review. |
Kim Linekin |
Tomato 3/5 |
Pay It Forward (2000) |
" Acting from the three leads is solid, and director Mimi Leder manages to make their problems meaningful, despite the heavy we-can-change- the-world message." |
Catharine Tunnacliffe |
- |
Payback (1999) |
Click here to see the review. |
Malene Arpe |
- |
The Peacemaker (1997) |
Click here to see the review. |
Malene Arpe |
Splat 1/5 |
Pearl Harbor (2001) |
"Director Michael Bay and producer Jerry Bruckheimer's World War II behemoth has only three operating modes: sub-Titanic romantic mush, jingoistic hokum and lovingly rendered carnage." |
Jason Anderson |
Tomato 3/5 |
Peck on the Cheek (2002) |
"This lavish Indian comedy-drama is unsure of what it wants to be, but still manages to be charming and consistently entertaining." |
Adam Nayman |
- |
Pecker (1998) |
Click here to see the review. |
Tom Lyons |
- |
Pecker (1998) |
Click here to see the review. |
Tom Lyons |
Splat 1/5 |
Penelope (2008) |
"The script is banal, every joke falls flat, and Catherine O’Hara (as Ricci’s overprotective mom) spends the entire movie flailing her arms and shrieking a lot." |
Paul Isaacs |
Splat 2.5/5 |
People I Know (2003) |
"At one point, a character kids Eli about being 'moth-eaten,' but the term would be better applied to the film's crippling third act." |
Adam Nayman |
- |
The People Vs. Larry Flynt (1996) |
Click here to see the review. |
Alex Patterson |
- |
Perfect Blue (1997) |
Click here to see the review. |
Gemma Files |
- |
A Perfect Murder (1998) |
Click here to see the review. |
Gemma Files |
- |
Perfect Pie (2002) |
Click here to see the review. |
Nicole Cohen |
Splat 2/5 |
The Perfect Score (2004) |
"Begins to feel like The Break and Enter Club." |
Adam Nayman |
- |
The Perfect Son (2002) |
Click here to see the review. |
Jason Anderson |
Tomato 3/5 |
The Perfect Storm (2000) |
"The 50-foot waves and screaming winds (a blend of Industrial Light & Magic effects and the real-life Hurricane Floyd, which arrived during filming) are exceptionally terrifying." |
Catharine Tunnacliffe |
- |
Permanent Midnight (1998) |
Click here to see the review. |
Gemma Files |
- |
Permanent Midnight (1998) |
Click here to see the review. |
Gemma Files |
- |
Perpetrators of the Crime (1998) |
Click here to see the review. |
Gemma Files |
Splat 2.5/4 |
Perpetual Motion (2005) |
Click here to see the review. |
|
Tomato 3.5/5 |
Personal Velocity (2002) |
"Miller gets away with stuff that other filmmakers are crucified for (too much narration, that pretentious title) because her characters are so well observed." |
Kim Linekin |
- |
The Pest (1997) |
Click here to see the review. |
Denis Seguin |
Splat 1.5/5 |
Peter Pan (2003) |
"Hogan's adapation is likely faithful to a fault: it goes through the motions of the story without seeming to have any reason for telling it." |
Kim Linekin |
- |
Phish - Bittersweet Motel (2000) |
Click here to see the review. |
Jason Anderson |
Splat 2.5/5 |
Phone Booth (2003) |
"It's amazing how Phone Booth hits its dramatic peak at the end of the first act and then descends into standard thrillerisms." |
Adam Nayman |
- |
The Pianist (2002) |
Click here to see the review. |
Ingrid Randoja |
Tomato 3/5 |
The Piano Teacher (2002) |
"What makes The Piano Teacher bearable is the brave, harrowing performance by Huppert." |
Jason Anderson |
- |
Picture Perfect (1997) |
Click here to see the review. |
Malene Arpe |
Tomato 3.5/5 |
Pieces of April (2003) |
"Skips along, propelled by sharp humour and performances." |
Kim Linekin |
Tomato 4/5 |
Pierrot Le Fou (1965) |
"More surprising is how lushly romantic the film seems now -- even the frostiest qualities of the director's volatile aesthetic are warmed by the Riviera sunlight and the presence of Karina at her most beguiling." |
Jason Anderson |
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