Tomato |
Baby, the Rain Must Fall (1965) |
"Moving drama about a troubled man." |
Michael E. Grost |
Tomato |
The Bad and the Beautiful (1952) |
"Dramatically strange - but visually splendid - inside look at Hollywood film making." |
Michael E. Grost |
Tomato |
Band of Angels |
"Brilliant Civil War era drama about the evils of slavery, made with all of Raoul Walsh's visual creativity." |
Michael E. Grost |
Splat 1/5 |
Band of the Hand (1986) |
"Dullsville" |
Michael E. Grost |
Tomato |
The Bat (1926) |
"Inventive - if confusing in plot - early thriller, that influenced both Batman and many old-dark-house films." |
Michael E. Grost |
Tomato |
Bat Whispers, The/The Bat (1930) |
"The Bat Whispers is a creative early sound thriller." |
Michael E. Grost |
Tomato |
Battle Cry (1955) |
"Fascinating soap opera romance with a little bit of World War II background." |
Michael E. Grost |
Tomato 4/5 |
Before Stonewall (1984) |
"Fascinating history of 20th Century Gay America" |
Michael E. Grost |
Tomato |
Bells Are Ringing (1960) |
"Inventive, emotionally involving and visually stylish musical." |
Michael E. Grost |
Tomato |
Berlin Express (1948) |
"Fascinating thriller, and anti-war classic." |
Michael E. Grost |
Tomato |
Besieged (1998) |
"Visually creative filmmaking." |
Michael E. Grost |
Tomato |
Beyond a Reasonable Doubt (1956) |
"Strange, complexly styled crime melodrama." |
Michael E. Grost |
Tomato |
Beyond the Clouds (1995) |
"Delightful recent film showing Antonioni's visual style." |
Michael E. Grost |
Tomato |
Bhowani Junction (1956) |
"A powerful romantic drama - and look at nonviolent protest in India." |
Michael E. Grost |
Tomato |
Big Brown Eyes (1936) |
"Offbeat mix of comedy and mystery, inventively styled by Raoul Walsh." |
Michael E. Grost |
Tomato |
The Big Combo (1955) |
"Brilliant mix of genuine mystery, film noir, and creative visuals." |
Michael E. Grost |
Tomato |
The Big Heat (1953) |
"Overwhelming crime thriller, with plenty to say and brilliant storytelling" |
Michael E. Grost |
Tomato |
The Big Trail (1930) |
"Visually spectacular early sound Western" |
Michael E. Grost |
Tomato |
The Birds (1963) |
"Inventive classic." |
Michael E. Grost |
Tomato |
The Black Cat (1934) |
"Inventive horror classic with brilliant sets and visual style." |
Michael E. Grost |
Splat |
Blackbeard the Pirate (1952) |
"World's sleaziest pirates don't do much of interest." |
Michael E. Grost |
Tomato 4/5 |
Blood of a Poet (1930) |
No article available. |
Michael E. Grost |
Tomato |
Blow-Up (1966) |
"Inventive, richly styled film, a visual classic." |
Michael E. Grost |
Tomato |
The Blue Bird (1918) |
"Visually creative, if episodic film, with an unusual, non-naturalistic style." |
Michael E. Grost |
Tomato |
The Blue Gardenia (1953) |
"Emotionally involving thriller, directed with inventivess" |
Michael E. Grost |
Tomato |
Bluebeard (1944) |
"Dream-like film mixing opera, crime and puppets in 19th Century Paris." |
Michael E. Grost |
Tomato |
Bombs Over Burma (1942) |
"Highly creative, visually inventive - if low budget - film." |
Michael E. Grost |
Tomato |
Border Incident (1949) |
"Powerful, both politically and as visual style." |
Michael E. Grost |
Tomato |
Border Wolves (1938) |
"Delightful singing cowboy movie, with dream-like atmosphere and visuals." |
Michael E. Grost |
Tomato |
Born Yesterday (1950) |
"Lively political comedy." |
Michael E. Grost |
Tomato 4/5 |
The Bostonians (1984) |
"absorbing drama" |
Michael E. Grost |
Tomato |
Brewster's Millions (1945) |
"Allan Dwan's love of financial processes is on display in this farce, and his flair for mixing normal and surreally comic characters." |
Michael E. Grost |
Splat |
Brigadoon (1954) |
"Lifeless, downbeat musical fantasy, with a few decent dance numbers." |
Michael E. Grost |
Splat 2/5 |
Bright Eyes (1934) |
No article available. |
Michael E. Grost |
Tomato |
Brokeback Mountain (2005) |
"Film with much religious and mystical imagery." |
Michael E. Grost |
Splat 2/5 |
Bullets Over Broadway (1994) |
No article available. |
Michael E. Grost |
Splat 1/5 |
Butch Cassidy and the Sundance Kid (1969) |
"overrated western box office hit" |
Michael E. Grost |
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