Tomato |
M (1931) |
"Remarkable early look at scientific and police detection - and of a city in fear" |
Michael E. Grost |
Splat |
Madame Bovary (1949) |
"Grim melodrama, about the horrors of debt and living beyond your means." |
Michael E. Grost |
Tomato 4/5 |
Madigan (1968) |
"Visually creative crime thriller, with brilliant New York City photography." |
Michael E. Grost |
Tomato |
A Man Escaped (1956) |
"Masterpiece - and strikingly original." |
Michael E. Grost |
Tomato |
The Man From Planet X (1951) |
"Creative, idealistic science fiction film." |
Michael E. Grost |
Tomato |
Man Hunt (1941) |
"Well crafted spy thriller." |
Michael E. Grost |
Tomato |
The Man in the Moon (1992) |
"Beautifully filmed, with Mulligan's special gifts for depicting country life and the South." |
Michael E. Grost |
Tomato |
Man in the Saddle (1951) |
"Richly inventive Western, with excellent photography." |
Michael E. Grost |
Tomato |
The Man Who Shot Liberty Valance (1962) |
"Remarkable John Ford Western." |
Michael E. Grost |
Tomato 4/5 |
Man's Favorite Sport? (1963) |
"Classic slapstick fun" |
Michael E. Grost |
Tomato |
Manpower (1941) |
"Working man melodrama with good visual style." |
Michael E. Grost |
Splat |
The Marrying Kind (1952) |
"Frighteningly grim story." |
Michael E. Grost |
Tomato |
Meet Me in St. Louis (1944) |
"Film mixes feminism with joyous color, music and composition." |
Michael E. Grost |
Tomato |
Metropolis (1927) |
"The most influential science fiction film ever made." |
Michael E. Grost |
Splat 2/5 |
Mildred Pierce (1945) |
No article available. |
Michael E. Grost |
Tomato |
Ministry of Fear (1944) |
"Visually brilliant masterpiece." |
Michael E. Grost |
Splat |
A Modern Musketeer (1918) |
"Disappointing Fairbanks adventure suffers from racism; has a well-done sequence of Fairbanks bounding around his home town." |
Michael E. Grost |
Tomato 4/5 |
The Moderns (1988) |
"Fascinating film about painters in 1920's Paris" |
Michael E. Grost |
Tomato |
Monsoon (1943) |
"Highly inventive, visually splendid, low budget adventure film." |
Michael E. Grost |
Tomato |
Moonfleet (1955) |
"Complex, haunting adventure story." |
Michael E. Grost |
Splat |
The Motorcycle Diaries (2004) |
"Sells Communism like a toothpaste commercial." |
Michael E. Grost |
Tomato |
Mr. Arkadin (1955) |
"Endlessly inventive thriller, with spectacular visual style from Welles." |
Michael E. Grost |
Splat 2/5 |
The Muppets Take Manhattan (1984) |
No article available. |
Michael E. Grost |
Tomato |
Murder Is My Beat (1955) |
"Visually superb cross between the whodunit and the film noir crime thriller." |
Michael E. Grost |
Tomato |
My Fair Lady (1964) |
"Well made musical, with more personal Cukor style and themes than is sometimes realized." |
Michael E. Grost |
Tomato |
My Name Is Julia Ross (1945) |
"Inventive crime thriller full of personal touches." |
Michael E. Grost |
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