Splat |
Sadie Thompson (1928) |
"Fair drama, of note for Raoul Walsh as actor, and comments against the Religious Right" |
Michael E. Grost |
Tomato 5/5 |
Saint Jack (1979) |
"Gripping drama, vivid view of Singapore." |
Michael E. Grost |
Tomato 4/5 |
Salmonberries (1990) |
No article available. |
Michael E. Grost |
Tomato |
The Sandpiper (1965) |
"Underrated feminist drama." |
Michael E. Grost |
Tomato |
Scandal Sheet (1952) |
"Vividly told thriller." |
Michael E. Grost |
Tomato |
Scarlet Street (1945) |
"Powerful film noir, of a poor clerk lured into a tragic love story." |
Michael E. Grost |
Tomato |
Secret Beyond the Door (1948) |
"Strange, weirdly inventive thriller" |
Michael E. Grost |
Splat |
Secrets of A Co-ed (1942) |
"Minor thriller, about rich girl who gets crush on mobster, lives to regret it - with a few good Joseph H. Lewis touches." |
Michael E. Grost |
Tomato 4/5 |
Serial Mom (1994) |
"Madness from John Waters" |
Michael E. Grost |
Splat |
The Seventh Cavalry (1956) |
"Disappointing Western, saved only by a few touches by director Lewis." |
Michael E. Grost |
Splat |
The Seventh Sin (1957) |
"Gloomy, but well-acted and characterized soap opera." |
Michael E. Grost |
Tomato |
Side Street (1950) |
"Visually splendid film noir thriller shot in New York City." |
Michael E. Grost |
Tomato |
The Silver Bullet (1942) |
"Delightful combination Western-detective story-musical-political film, that is the best of Joseph H. Lewis' early B Westerns." |
Michael E. Grost |
Tomato |
Slattery's Hurricane (1949) |
"Visually creative drama." |
Michael E. Grost |
Tomato |
So Dark the Night (1946) |
"Strange, nightmarish and original crime film, with visually creative direction." |
Michael E. Grost |
Tomato |
Some Came Running (1958) |
"Minnelli's masterpiece." |
Michael E. Grost |
Tomato |
Spellbound (1945) |
"Uneven film, with fascinating dream images." |
Michael E. Grost |
Tomato |
Spiders Part 1, The: The Golden Lake (1919) |
"Inventive silent adventure." |
Michael E. Grost |
Tomato |
Spies (1928) |
"Inventive, delightful, superbly made spy thriller." |
Michael E. Grost |
Tomato |
The Spiral Staircase (1946) |
"Complex thriller with rich style." |
Michael E. Grost |
Tomato |
Springfield Rifle (1952) |
"Visually fine Western, that is as much a crime drama or spy film as a Western." |
Michael E. Grost |
Tomato |
Stagecoach (1939) |
"Brilliantly filmed Western." |
Michael E. Grost |
Splat 0/5 |
Stakeout (1987) |
"Dullsville" |
Michael E. Grost |
Tomato |
A Star Is Born (1954) |
"Visually brilliant." |
Michael E. Grost |
Splat 2/5 |
Star Trek VI: The Undiscovered Country (1991) |
No article available. |
Michael E. Grost |
Tomato |
Star Wars Episode III: Revenge of the Sith (2005) |
"Rich in cityscapes and costumes." |
Michael E. Grost |
Tomato |
Stars in My Crown (1950) |
"Beautiful, joyous religious film." |
Michael E. Grost |
Splat 1/5 |
Stevie (1979) |
"morbid" |
Michael E. Grost |
Splat 1/5 |
Stolen Kisses (1968) |
No article available. |
Michael E. Grost |
Tomato |
Story of a Love Affair (1950) |
"Atmospheric, original film." |
Michael E. Grost |
Tomato |
Strange Illusion (1945) |
"Visually inventive crime thriller, with many strange sequences." |
Michael E. Grost |
Tomato 4/5 |
Stray Dog (1949) |
"Good crime thriller, with historic Toyko footage" |
Michael E. Grost |
Tomato 4/5 |
Streets of Fire (1984) |
"SF musical biker hybrid - well done" |
Michael E. Grost |
Tomato |
Stromboli (1950) |
"Complex, visually creative drama - a landmark of film." |
Michael E. Grost |
Tomato 3/5 |
The Student Prince (1954) |
No article available. |
Michael E. Grost |
Tomato 5/5 |
Switch (1991) |
"Blake Edwards' inventive take on gender" |
Michael E. Grost |
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