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| Rating | Title Year | Quote | Author |
|---|---|---|---|
Tomato 4/5 |
Faces (1968) |
"The second half is very good" |
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Tomato 3/5 |
Fanny (1961) |
"The spirit of the true France seeps into the film not through the locations or the extras, but through the hearts and experience of the three leads" |
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Fantastic Planet (1973) |
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Splat 2/5 |
Fire Down Below (1997) |
"The eco-hero who strikes fear in the heart of every polluting industrialist and sighs of pity in the heart of every fashion designer, Steven Seagal, takes his act to the backwoods of Kentucky" |
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Tomato 3/5 |
Fires of Kuwait (IMAX) (1992) |
" the images are often spectacular in a you-are-there sort of way" |
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Tomato 4/5 |
First Name: Carmen (1983) |
"By accepting his indulgences, the viewer is treated both to his wry sense of humor and his refreshing intelligence." |
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Tomato 3/5 |
The Fisher King (1991) |
"Unlike the standard Fisher King tale, the concerns of individuals within the film are more important than the concerns of society. Terry Gilliam's myth feels more like a lark, a safe little foray into a mythic world of impoverished individuals who don't" |
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Tomato 3/5 |
" the narrative is more complex than the usual mindless science-fiction action concoction." |
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Splat 1/5 |
Flesh and Bone (1993) |
"the whole movie rests on the interaction of the two characters and the appeal of the stars who embody them" |
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Floating Weeds (1959) |
"Yasujiro Ozu's film is in color, and the screen compositions are incredible." |
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Francis the Talking Mule (1950) |
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Splat 2/5 |
Friday the 13th - Part 3 (1982) |
"its only distinguishing feature is the way that the sharp objects are continually thrust at the camera, before and after skewering the victims" |
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Tomato 5/5 |
"The funniest movie ever made" |
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Splat 2/5 |
The Fury (1978) |
"a pointless but exciting mishmash of action scenes and psychic effects, supported by a cast of reliable and attractive performers." |
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