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Critics / Publications / DVDLaser

Other Info

Authors
    • Douglas Pratt

DVDLaser

  
a b c d e f g h i j k l ( m ) n o p q r s t u v w x y z Other   (1-18) of 18 257 Total
  
Source Table
Rating Title Year Quote Author

Tomato

Macbeth (Restored Version) (1948)

" The movie is so fragmented that no real interpretation of the play ever coagulates. As with all of Welles' films, however, there are a number of memorable moments."

Douglas Pratt

Tomato

The Mackintosh Man (1973)

"For the most part the film is standard fare, with plot discrepancies countered by the film's atmosphere and star appeal."

Douglas Pratt

Tomato
5/5

The Magnificent Ambersons (1942)

"Orson Welles' heavily chopped up drama, it is still a nostalgic, dramatically powerful tale and should ultimately be savored for what it is rather than rejected for what it is not."

Douglas Pratt

Tomato

The Maltese Falcon (1941)

"The film is made up almost entirely of talk, and yet the performances are so wonderfully flamboyant and focused that conversations become the action of the movie."

Douglas Pratt

Tomato
5/5

Manon of the Spring (1987)

"The two films make an elegant, satisfying film that lasts for four hours and possess an ending worthy of every minute leading up to it."

Douglas Pratt

Splat
2/5

The Marrying Man (1991)

"the whole thing starts to spin in place, allowing its initial promise to evaporate"

Douglas Pratt

Tomato
4/5

Melies the Magician (1898)

"The middle section is spellbinding"

Douglas Pratt

Tomato
3/5

Menace II Society (1993)

"Stylistically the film is brilliant, making repeat viewings highly appealing."

Douglas Pratt

Tomato

Midnight Cowboy (1969)

"The movie is locked into a sixties stylistic approach that can feel dated, but Hoffman’s performance can prevent one from ever tiring of the film."

Douglas Pratt

Tomato
5/5

Mildred Pierce (1945)

"Most of the story has nothing to do with crime, and is instead about the efforts of Crawford’s character to better herself (she starts a popular restaurant) so she can remain in the good graces of her relentlessly snobbish daughter. It is a clever b"

Douglas Pratt

Tomato
4/5

The Missiles of October (1973)

"It offers unique perspectives on the history it is documenting"

Douglas Pratt

Tomato
4/5

Mississippi Mermaid (1969)

"Approached as a caper film or a revenge-and-murder thriller, the movie is unsatisfying, but seen as a love story in which criminal activities are used to provide tension and an atmosphere of isolation, it is brilliantly unnerving"

Douglas Pratt

Tomato
3/5

Mo' Better Blues (1990)

"Spike Lee's film is filled with promising ideas and moments of technical virtuosity."

Douglas Pratt

Tomato
3/5

Mogambo (1953)

"the film's travelogue footage is the only thing that seems to save it from pointlessness."

Douglas Pratt

Tomato
3/5

The Monster That Challenged the World (1957)

"As Fifties monster movies go, the 1957 production isn't bad. There are a couple of good shock cuts, a special attention paid to idiosyncratic supporting players, and the usual mix of romance, military efficiency and doomed teenagers."

Douglas Pratt

Splat
1/5

Morning Glory (1933)

"it is a lousy movie and Hepburn's performance, after some strikingly enigmatic opening moments, is embarrassingly bad."

Douglas Pratt

Splat
1/5

Murphy's Law (1986)

"It takes seven minutes for the credits to finish appearing during the opening and once they are over, so is the suspense."

Douglas Pratt

Tomato
3/5

My Darling Clementine (1946)

"The first couple of times we saw My Darling Clementine on the late show we watched the beginning, fell asleep in the middle, woke up at the end, and thought we had sat through one of the best films we had ever seen. Then we finally forced ourselves to sta"

Douglas Pratt

  
a b c d e f g h i j k l ( m ) n o p q r s t u v w x y z Other   (1-18) of 18 257 Total
  
 
 
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