D.C. Cab (1984)

No article available.

D.O.A. (1988)

No article available.

D3: The Mighty Ducks (1996)

No article available.

The Da Vinci Code (2006)

"In a behind the scenes feature, author Brown explains that Howard cast Hanks because he's "an actor the audience loves to watch think." Howard discloses the hidden Grail messages in the film and claims that "women really dug Hanks' long wavy hair.""

The Da Vinci Code (2006)

"In Da Vinci Code, forces of religion, politics, art, and commerce collide, resulting in a global media event that goes beyond the realm of high-profile film. Call it: How Hollywood Learned to Stop Worrying and Love Controversy."

Dad Savage (1998)

No article available.

Daddy's Dyin'... Who's Got the Will? (1990)

No article available.

Dagon (2001)

No article available.

Daisy Kenyon (1947)

"One of Preminger's weaker films, due to the potboiler text--a woman's picture--miscasting of Dana Andrews and mediocre turn by Joan Crwaford, who could have played this part in her sleep."

Daisy Miller (1974)

No article available.

Damage (1992)

"Jeremy Irons is miscast in this pseudo steamy menage a trois, with Juliette Binoche at the center between father and son (Rupert Graves). The silliness of the sex scenes brought (unintentional) laughter at the press screening I attended."

Damn the Defiant! (1962)

No article available.

Damnation Alley (1977)

No article available.

Damned in the USA (1992)

No article available.

Dan in Real Life (2007)

"Despite sit-com touches and crowd-pleasing tendencies, Hedges' honorable follow up to his 2003 indie Pieces of April is satisfying as a family saga and romantic dramedy due to central performance of Steve Carell."

Dance With a Stranger (1984)

No article available.

Dance With The Devil (1997)

No article available.

Dancehall Queen (1996)

"Though not particularly good, Dancehall Queen offers an opportunity to see a film from Jamaica, a rare sight even in international film festivals"

The Dancer Upstairs (2003)

"Though flawed and listless as a political drama or thriller, Malkovich's feature debut deserves credit for itis ambition and for tackling an overtly political theme (guerrilla wars in Peru), a rare sight in today's indie milieu."

Dancers (1987)

No article available.

Dancing at Lughnasa (1998)

No article available.

Dancing in the Dark (1986)

No article available.

Danger: Diabolik (1968)

No article available.

Dangerous Beauty (1998)

No article available.

Dangerous Liaisons (1988)

"Emotional cruelty through sexual manipulation is the rule of the game of this smooth transfer of Christopher Hampton's witty play, with an all-American cast, headed by Glenn Close and best of all Michelle Pfeiffer."