Tomato B- |
T.J. Hooker - The Complete First and Second Seasons (1982) |
"T.J. Hooker is what it is, and for cop serial fans, that’s generally good enough." |
Brent Simon |
Splat C |
Tabitha - The Complete Series (1977) |
"It could have been far, far worse..." |
Tony Whitt |
Tomato B- |
Tae Guk Gi: The Brotherhood of War (2004) |
"Mostly admirable and impressively larger-than-life..." |
Brent Simon |
Splat C |
Tamara (2006) |
"Those looking for a update on Carrie could do worse than this." |
Brent Simon |
Tomato B |
Tarzan (1999) |
"The screenplay ... hews closely to the tried and true format of previous Disney winners, but allows room for more free-form action, and this benefits the movie." |
Brent Simon |
Tomato B |
Tarzan II (2005) |
"The better parts of this movie often get swamped in the 'armchair psychology' plot, which seems like an odd message to be aimed at the kids watching..." |
Tony Whitt |
Tomato A |
Team America: World Police (2004) |
"Team America doesn’t just skewer flag-waving knee-jerk conservatives – they go after flag-waving knee-jerk liberals, too." |
Brian Thomas |
Tomato B |
Tension & Release - Springing the Blues 2003 (2003) |
"A festive immersion in some fine, under-the-radar musicianship and song-craft." |
Brent Simon |
Splat D |
Testosterone (2003) |
"The whole story's not here, though I have to wonder whether we'd like these people any better if we had it." |
Tony Whitt |
Tomato A |
Tetsuo: The Iron Man (1988) |
"Packs a raw punch, delivering a fevered and disturbing nightmare vision." |
Brian Thomas |
Tomato B- |
The Polar Express (2004) |
"Go in preparation for the upcoming holiday season; don’t go expecting groundbreaking CGI..." |
Eric Moro |
Tomato B+ |
Thieves' Highway (1949) |
"A staunchly acted, well crafted drama from years gone by." |
Brent Simon |
Tomato A- |
The Thin Blue Line (1988) |
"A hallmark documentary, and one of the finest films of the 1980s." |
Brent Simon |
Tomato A |
The Thin Man Collection (1930's) |
"The movies in the Thin Man series have that special something that makes you want to watch them over and over again." |
Brian Thomas |
Splat C+ |
Third Man Out (2006) |
"A straightforward-to-the-point-of-somewhat-flawed procedural starring erstwhile TV pin-up Chad Allen as a gay detective caught up in a ripped-from-the-newspapers crime story." |
Brent Simon |
Tomato B- |
The Three Burials of Melquiades Estrada (2005) |
"Has a type of quiet grace that's out of step and perhaps out of style with modern Hollywood convention." |
Brent Simon |
Splat C+ |
Through The Fire (2005) |
"Short on authorial insightfulness but long on subject-matter fascination." |
Brent Simon |
Splat C |
Thunderbirds (2004) |
"It really shouldn't be that much of a disappointment. But it is." |
Tony Whitt |
Tomato B+ |
Tim Burton's Corpse Bride (2005) |
"When all is said and done, the only thing audiences can be sure of is that this bizarre fantasy could only have come from the mind of Tim Burton." |
Adam DiLeo |
Splat C+ |
Tim Burton's Corpse Bride (2005) |
"If only there were more going on story-wise, Corpse Bride might deserve a better reception." |
Brent Simon |
Splat C |
The Time Tunnel - Vol. 1 (1966) |
"The show starts out great but soon drifts into an all too predictable formula..." |
Tony Whitt |
Splat D |
Timeline (2003) |
"They should have called this Time Waste..." |
Scott Collura |
Tomato B |
Timeslip - The Complete Series (1970) |
"If there's ever a series you'll wish had been renewed for a second season, then Timeslip is sure to be it." |
Tony Whitt |
Tomato A |
Titanic (1997) |
"A movie near peerless in its melding of structure, historical detail, inherent drama and romantic melodrama." |
Brent Simon |
Tomato A |
To Kill a Mockingbird (1962) |
"[If you know it] only as the namesake source for one of Bruce Willis and Demi Moore’s daughters [you] should bury [your] secret shame with [a] viewing of this film classic..." |
Brent Simon |
Tomato B- |
Tokyo Underground - Vol. 3: The Promise (2002) |
"There seems to be too much filler here for a show that isn’t incredibly long." |
Troy Roberts |
Tomato B+ |
Tommy Boy (1995) |
"A surprisingly sweet story, hilarious comic performances by Farley and Spade, and a guest cast that’s better than most comedies could ever hope for..." |
Tony Whitt |
Tomato B- |
The Tomorrow People Set 1 (1973) |
"Given the conditions under which this show was made... it's astonishing the series was able to produce quality episodes at all." |
Tony Whitt |
Splat C+ |
The Tomorrow People Set 2 |
"Include[s] some of the best episodes the series has to offer ... [and] the worst the series has to offer." |
Tony Whitt |
Tomato B- |
Tomorrow We Move (2004) |
"At times, the 'all over' feeling of this movie hits just the right spot; at others, it's about as annoying as poorly baked chicken." |
Tony Whitt |
Tomato A- |
Toolbox Murders |
"[Hooper's] strongest, most frightening film in decades." |
Brian Thomas |
Splat C |
Touchez Pas Au Grisbi (1953) |
"Undeniably paved the way for like-minded films like Rififi and Bob Le Flambeur. But the fact remains that those descendents did it better." |
Brent Simon |
Tomato B |
Toulouse - Lautrec And Montmarte |
"A solid, morsel-sized biography..." |
Brent Simon |
Splat C+ |
Tour of Duty - The Complete Third Season (1989) |
"For those who prefer the unique joys of serial storytelling, there is some reward to be found..." |
Brent Simon |
Splat D+ |
Tout Va Bien (1972) |
"Worse than hectoring, the sermonizing comes off chiefly as boring and repetitive." |
Brent Simon |
Tomato A+ |
Toy Story (1995) |
"A joyful marriage of art, technology and brilliantly workshopped storycraft, Toy Story is a cinematic gem that will indisputably stand the test of time." |
Brent Simon |
Tomato B- |
The Transporter (2002) |
"While it can come off as a bit stiff and humorless at times, the movie does deliver mightily in its hand-to-hand combat sequences..." |
Brent Simon |
Tomato B |
Transporter 2 (2005) |
"The movie is streamlined and of a singular, rowdy and rousingly delivered purpose. Hurrah for spectacle." |
Brent Simon |
Splat C- |
Trauma (2005) |
"Ices down the narrative driveway with all sorts of arty bet-hedging, until you’re left not even really caring about the nonsensicality of it all." |
Brent Simon |
Tomato B- |
A Tree of Palme (2005) |
"There just wasn’t enough time to squeeze everything into [the film] that the writer/director wanted." |
Troy Roberts |
Splat C |
Tristan & Isolde (2006) |
"Suffers from a contemporary take on a very period piece." |
Eric Moro |
Tomato B |
Troy (2004) |
"This is a date movie, not a historically accurate epic." |
Tony Whitt |
Tomato B+ |
The Truman Show (1998) |
"A far, far more prescient-looking movie now than it was then." |
Tony Whitt |
Tomato B+ |
Twentieth Century (1934) |
"It’s the appealing, engaging turns of its two stars that give the movie its real pop." |
Brent Simon |
Tomato B+ |
Twenty Bucks (1993) |
"An actors’ showcase without any of the negative connotations of showiness that that phrase might conjure up." |
Brent Simon |
Tomato A+ |
Twilight Zone: The Definitive Edition - Season 1 (1959) |
"It was a very good year for Serling..." |
Scott Collura |
Tomato A |
Twilight Zone: The Definitive Edition - Season 2 (1960) |
"The Twilight Zone’s commitment to quality was always evident, even when it failed to live up to the promise of its mission statement." |
Scott Collura |
Tomato |
Twilight Zone: The Definitive Edition - Season 3 |
"Prove[s] that it's not the age of a TV series that determines the quality of the DVD release or the quantity of the extra features, but rather the willingness of a distributor and/or DVD producer to put the time, money, and effort in to a title." |
Scott Collura |
Tomato |
Twilight Zone: The Definitive Edition - Season 4 (1962) |
"Prove[s] that it's not the age of a TV series that determines the quality of the DVD release or the quantity of the extra features, but rather the willingness of a distributor and/or DVD producer to put the time, money, and effort in to a title." |
Scott Collura |
Tomato B+ |
Two for the Road (1967) |
"Marks a sea change in one's perception of the actress once glimpsed; adult and a bit barbed, it's a grown-up Hepburn, and probably one of her most realistic, relatable and resonant screen roles." |
Brent Simon |
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