ROTTEN TOMATOES: Rotten Tomatoes: Celebrities - Celebrity Movie Stars from your Favorite Movies

The Stranger (Seattle, WA)

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(1-19) of 19 287 Total

Source Table
Rating	Title Year	Quote	Author

Splat	P.S. (2004)	"When the film dispenses with its Harlequinish plot foolishness and flies on the director's considerable instinct, it's a gas."	Andrew Wright
Tomato	P2 (2007)	"Doesn't exactly advance the genre -- think Red Eye with twice the gore and triple the dumb -- but some above-the-call performances and a nifty use of its setting make this two-hander a genuinely creepy diversion."	Andrew Wright
Tomato	Paradise Now (2005)	"Functions as an absorbing melodrama first, and screed second."	Andrew Wright
-	Paradise Now (2005)	"Interview with Hany Abu-Assad"	Andrew Wright
Tomato	Paranormal Activity (2009)	"Peli's method of imbuing everyday objects -- a slightly ajar door, a swinging chandelier, a (gulp) strangely rumpled bedsheet -- with an atmosphere of ball-crawling dread is really something to see. It doesn't let up."	Andrew Wright
Tomato	The Passenger (1975)	"One of the clearest representations of the director's worldview, in which the epic landscapes and camera movements eerily mirror a character's inner life ... or lack of one."	Andrew Wright
Tomato	A Perfect Getaway (2009)	"Taut, propulsive, and supremely confident, it functions as both a far-above-average thriller and a riotous p*** take on the conventions of its genre."	Andrew Wright
-	Perfume: The Story of a Murderer (2006)	"Interview with Tom Tykwer"	Andrew Wright
Tomato	Perfume: The Story of a Murderer (2006)	"Keeps the essence which made the novel such a scabrous, compelling read ... even in January, this deliriously loopy black comedy just may be the film of the year."	Andrew Wright
Splat	Pineapple Express (2008)	"Divvied up into YouTube lengths, it'd be awesome. Seen as a whole, it comes worryingly close to the feature-length equivalent of Burt Reynolds slapping Dom DeLuise during the end credits to The Cannonball Run."	Andrew Wright
Splat	The Place Promised in Our Early Days (2004)	"Eschews the standard deathdroids and fuzzy critters for a more grounded, hard SF approach. Shinkai's debut ... falls prey to a frustrating feedback loop of a plot."	Andrew Wright
Tomato	Ponyo (2009)	"Several notches below [Hayao Miyazaki's] masterworks, which makes it only, oh, super-duper wonderful ... it makes big magic, seemingly effortlessly."	Andrew Wright
Splat	Poseidon (2006)	"[The] queasy nods toward realism ... ultimately scuttle any lingering hopes of escapism. The genre just wasn't made for these times. "	Andrew Wright
Tomato	Il Posto (1961)	"a [neo-realism] classic that, thanks to a steadily mounting undercurrent of Kafka absurdism, is as easy to actually enjoy as well as admire."	Andrew Wright
Splat	The Prestige (2006)	"The Prestige is rife with philosophical ambiguities, and I wish I could say it uses them well."	Annie Wagner
Tomato	Primer (2004)	"May very well be one of the best American movies of the year, and I'll be damned if I understood more than 40 percent of it."	Andrew Wright
Tomato	Primeval (2007)	"The CGI wonks here have created a beaut ... Watching him clumsily gallumpf through the tall grass at top speed in search of vittles is worth a few bucks, at least."	Andrew Wright
Tomato	Pulse (2005)	"Kurosawa's concept of an instant-messenger-aided apocalypse is honestly one of the eeriest, most lyrical visions I've ever seen on a screen."	Andrew Wright
Splat	Pulse (2006)	"Captures almost none of the original's ambience, piling on the rote, head-banging shocks in lieu of clammy ambiguity."	Andrew Wright

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The Stranger (Seattle, WA)