Tomato B+ |
The Da Vinci Code (2006) |
"It doesn't fit the standard mold of the summer season (this seems much more like a Fall release), but The Da Vinci Code is a mystery worth the indulgence." |
Bill Clark |
Tomato B- |
Dan in Real Life (2007) |
"Carell, who is quickly building an impressive big screen resume, shines and brings the rest of the film up a few notches in the process." |
Bill Clark |
Tomato A+ |
The Dark Knight (2008) |
"This is the kind of movie going experience that people tell their grand kids about." |
Bill Clark |
Tomato B+ |
Dark Water (2005) |
"Salles has crafted a moody, even gothic, psychological thriller that never fails to hold the viewer's interest." |
Bill Clark |
Splat D- |
Darkness (2003) |
"It's unfortunate that the film is called Darkness because this means it will soon be relegated to the Wal Mart bargain bin next to 2003's stinker Darkness Falls." |
Bill Clark |
Tomato B+ |
Dawn of the Dead (2004) |
"At last, a horror remake worth the watch." |
Bill Clark |
Splat C- |
The Day After Tomorrow (2004) |
"Like any other Emmerich movie, this one is loaded with humor, mostly unintentional." |
Bill Clark |
Tomato B- |
Days of Thunder (1990) |
"Completely preposterous (I had no clue that Nascar allowed essentially bumper car antics), but nevertheless entertaining." |
Bill Clark |
Tomato A- |
Defending Your Life (1991) |
"An underrated gem that explores the long-term consequences of our everyday actions." |
Bill Clark |
Tomato A |
Definitely, Maybe (2008) |
"How is this for a proposition? From now on, Working Title Films is the only production company that is allowed to make films in this genre." |
Bill Clark |
Splat C |
Deja Vu (2006) |
"As Yogi Berra so eloquently put it, 'this is like deja vu all over again.'" |
Bill Clark |
Tomato A- |
The Departed (2006) |
"This is remarkably compelling cinema driven by some of the best talent in the business." |
Bill Clark |
Splat C- |
Derailed (2005) |
"There are certainly worse films in the genre than Derailed, but it also stands as a shining reason as to why the dollar theater exists." |
Bill Clark |
Tomato B- |
Deuce Bigalow: European Gigolo (2005) |
"Call me immoral, call me insensitive, call me lewd, but I laughed." |
Bill Clark |
Tomato B+ |
The Devil Wears Prada (2006) |
"...a film for adults that seems refreshing with its lack of superheroes, special effects, and a bloated runtime." |
Bill Clark |
Splat D |
Diary of a Mad Black Woman (2005) |
"Perry's Madea is so annoying that about halfway through I was wishing the projector would malfunction." |
Bill Clark |
Tomato B+ |
Die Hard 4: Live Free or Die Hard (2007) |
"It feels like a Die Hard movie, and that in itself is a tremendous compliment." |
Bill Clark |
Tomato B+ |
Disturbia (2007) |
"With a new gore fest being released on a near-weekly basis these days, it's nice to see a thriller come down the pike that gets under your skin the old-fashioned way: without showing you much of anything." |
Bill Clark |
Splat F |
Domino (2005) |
"Not since 1993's Coneheads have I hated every moronic minute of a film, but Domino has put a stop to that drought." |
Bill Clark |
Tomato B |
Doom (2005) |
"High art and smart sci-fi it is not, but you have to hand it to a film that plays its cards right, lays everything out on the table, and goes for broke." |
Bill Clark |
Splat D |
Dreamcatcher (2003) |
"Those looking for a stomach-turning alien film may be pleased, but those looking for a smarter psychological thriller will be sorely disappointed." |
Bill Clark |
Tomato A |
Dreamgirls (2006) |
"Invigorating, emotional, and visually spectacular, Dreamgirls is one of the finest motion pictures of the year." |
Bill Clark |
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