Tomato A |
P.S. (2004) |
"A hidden gem, worth hunting for..." |
Jason Gorber |
Tomato A |
Palindromes (2005) |
"Certainly a unique vision for a filmmaker, this is not a flick for everyone. Stick with it, however, and you just may thoroughly enjoy what is at the heart an incredibly sweet tale." |
Jason Gorber |
Tomato A- |
Pan's Labyrinth (2006) |
"A film with vision..." |
Jason Gorber |
- |
Panic Room (2002) |
Click here to see the review. |
Crissa-Jean Chappell |
- |
Party Monster (2003) |
Click here to see the review. |
Richard Schwartz |
- |
Party Monster: The Shockumentary (1997) |
Click here to see the review. |
Richard Schwartz |
Tomato A- |
Peck on the Cheek (2002) |
"The clash of styles works very well, and the uncompromising picture was a treat to see." |
Jason Gorber |
- |
Pecker (1998) |
Click here to see the review. |
Jason Gorber |
Tomato B- |
Penelope (2008) |
"A sweet lollipop of a film, a fable told with charm and whimsy. It does get overly saccharine as it goes on, losing its shape and novelty as it clambers towards its (supremely unsurprising, and in many ways disappointing) conclusion." |
Jason Gorber |
- |
The People Vs. Larry Flynt (1996) |
Click here to see the review. |
Karen Jaehne |
Splat F |
A Perfect Day (2005) |
"The lack of applause at the end of the film (with the directors waiting for a Q&A in a half empty theatre) spoke loads about the flick." |
Jason Gorber |
- |
Permanent Midnight (1998) |
Click here to see the review. |
Jason Gorber |
Tomato |
Persuasion (1995) |
"As gloriously romantic as it is giddily hilarious, Persuasion gives you a ruefully knowing smile as it sides with the wise heart. You leave the theater feeling better about everything." |
Eleanor Ringel Gillespie |
Tomato A- |
The Pervert's Guide to Cinema (2009) |
"It's pretentious, arch, and often times ridiculous (as well as being philosophically incoherent, trying to sound smarter than it actually is), but it's in the end a lot of fun." |
Jason Gorber |
Splat |
The Pest (1997) |
"There is not a socioeconomic, political, ethnic or gender group that is left unoffended." |
Leslie Rigoulot |
Splat F |
Phil the Alien (2004) |
"Looks like it was shot on weekends by a bunch of students, with a loopy, derivative story and poor performances." |
Jason Gorber |
Tomato B- |
Picture Claire (2001) |
"Bruce McDonald directs a mostly American cast in a staunch Toronto film." |
Jason Gorber |
- |
Place Vendome (1998) |
Click here to see the review. |
Crissa-Jean Chappell |
Tomato |
Pocahontas (1995) |
"Disney's 33rd animated feature is so good that it deserves to follow in the beautiful footsteps of Beauty and the Beast and earn an Oscar nomination for Best Picture." |
Eleanor Ringel Gillespie |
- |
Pola X (1999) |
Click here to see the review. |
David Sterritt |
- |
The Portrait of a Lady (1996) |
Click here to see the review. |
Leslie Rigoulot |
Tomato B |
Possible Worlds (2000) |
"In short, Lepage's film suffers from being dry - both in terms of character and subject matter. It remains a watchable and interesting work, yet I see the film more as what could have been rather than what it turned out to be." |
Jason Gorber |
- |
Il Postino (1995) |
Click here to see the review. |
Eleanor Ringel Gillespie |
Splat |
The Preacher's Wife (1996) |
"All the singing make for a slim plot and slimmer characters. Neveretheless, if you like Houston, you'll love The Preacher's Wife." |
Leslie Rigoulot |
Tomato B |
The President's Last Bang (2005) |
"The film certainly doesn't spend too much superfluous time introducing the players, so it's at times confusing keeping track of just who is doing what to whom. Nonetheless, I found that it unfolded with enough style and humour to keep it interesting." |
Jason Gorber |
Splat C- |
Prey for Rock & Roll (2003) |
"Too bad the music sucks and the tale's flat as a board." |
Jason Gorber |
- |
A Price Above Rubies (1998) |
Click here to see the review. |
Karen Jaehne |
- |
Primal Fear (1996) |
Click here to see the review. |
Leslie Rigoulot |
- |
Primary Colors (1998) |
Click here to see the review. |
Karen Jaehne |
Tomato A |
Primer (2004) |
"Oh, man, they don't make 'em like this often. A film unabashedly for the nerds in the audience (God love us), this is the type of film you could inflict upon your enemies, watching them squirm as they stare at the screen." |
Jason Gorber |
- |
The Prince of Egypt (1998) |
Click here to see the review. |
Karen Jaehne |
Tomato A- |
Princess (2007) |
"Animation is used here clearly to allow the story to be told with a certain amount of distance, yet the constant shift in tone and introduction of video elements keeps the film intensely unsettling." |
Jason Gorber |
Tomato B+ |
The Princess and The Warrior (2001) |
"How do you follow up with one of the most kinetic films ever made? The obvious answer would be to slow things down, take a more introspective and less visceral approach. In short, do something different." |
Jason Gorber |
Tomato |
Princess Mononoke (1997) |
"It combines the best of digital technology with the beauty of traditional cel painted animation." |
Debra Lass |
Tomato B- |
Promised Land (1988) |
"A very interesting and provocative small-p political thriller set in contemporary South Africa." |
Jason Gorber |
Tomato C- |
Prozac Nation (2003) |
"Prozak Nation is a manipulative, cloying take on depression, a watered down film from a watered down book." |
Jason Gorber |
- |
Pumpkin (2002) |
Click here to see the review. |
Crissa-Jean Chappell |
- |
Punch-Drunk Love (2002) |
Click here to see the review. |
Crissa-Jean Chappell |
Tomato A |
Punch-Drunk Love (2002) |
"Watson is simply radiant with her goofy and beautiful smile, while Sandler's psychotic nice-guy schtick makes for some really great moments." |
Jason Gorber |
- |
Purple Noon (1960) |
Click here to see the review. |
Karen Jaehne |
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