Splat C+ |
G-Force (2009) |
"A harmless and good-natured family flick that unfortunately relies so much on its central conceit that it forgets to do anything else." |
Eric D. Snider |
- |
G.I. Joe: The Rise of Cobra (2009) |
"G.I. Joe Images Galore!" |
Erik Davis |
Tomato 3.5/5 |
G.I. Joe: The Rise of Cobra (2009) |
"There are legitimate nitpicks, to be sure, but this flick is too enthusiastically over-caffeinated to warrant much anger." |
Scott Weinberg |
Tomato 3/4 |
The Game Plan (2007) |
"The Game Plan is as cute as a pail of kittens and about as orderly, but ... it works as a pretty solid example of how the skillful execution of some of the oldest plays in the book can still get the ball to the end zone." |
James Rocchi |
Tomato 3/5 |
Gamer (2009) |
"At times striking, and at others silly, and and yet at others sickening, but never too stupid, at least not compared to so much else flash and pop peddled to the masses these days." |
William Goss |
Tomato 3/5 |
GamerZ |
"An old-fashioned coming-of-age relationship comedy wrapped in the universe of role-playing gamers." |
Jette Kernion |
Splat |
Garden Party (2008) |
"Sophomore writer/director Freeland doesn't quite feel like the host of this particular "garden party," but rather like the party's Sabrina, secretly spying from the sidelines." |
Jeffrey M. Anderson |
Splat |
Gardens of the Night (2008) |
"The tendency to exploit lurid material for dramatic purposes is something [director Harris] can't avoid." |
Nick Schager |
- |
Genova (2008) |
Click here to see the review. |
Eugene Novikov |
Tomato 3.5/5 |
George A. Romero's Diary of the Dead (2008) |
"The combination of horror, humor, and mockumentary works well in this movie." |
Jette Kernion |
Tomato 4.5/5 |
George A. Romero's Diary of the Dead (2008) |
"So yeah, it's a zombie flick crossed with the visual approach of The Blair Witch Project. But it's also quite a bit more than that." |
Scott Weinberg |
Splat 1.5/5 |
Georgia Rule (2007) |
"A tedious yawn with only a few bright spots." |
Jette Kernion |
Tomato 4.5/5 |
Get Low (2009) |
"There's a lot more to like about Get Low than just another fantastic Robert Duvall performance." |
Scott Weinberg |
Splat 1.5/5 |
Ghost Rider (2007) |
"What begins as a standard-yet-watchable superhero adventure slowly congeals into something approaching the caliber of Catwoman. Not as bad, but kinda knocking on the doorstep." |
Scott Weinberg |
Tomato B |
Ghost Town (2008) |
"If the film is little more than Gervais' attempt to break out of the "cult following" category and find some mainstream American success, more power to him. He deserves it, and Ghost Town is an auspicious start." |
Eric D. Snider |
Tomato |
Ghosts (2006) |
"Extremely compelling." |
Kevin Kelly |
Tomato |
Ghosts of Abu Ghraib (2007) |
"An essential declaration of the truth behind that cliché: Taking the gloves off is no guarantee the job will get done; it is a guarantee that you'll get your hands dirty." |
James Rocchi |
Splat 2.5/5
|
Ghosts of Girlfriends Past (2009) |
"A parade of clumsy slapstick, unerring homophobia, and Big Fat Life Lessons." |
William Goss |
- |
The Girl in the Park (2007) |
Click here to see the review. |
Ryan Stewart |
Splat 1.5/5 |
Glory Road (2006) |
"It isn't meant to be a movie that makes us think, or that makes us uneasy in any way. It's meant to make us feel good." |
Jette Kernion |
Splat |
The Go-Getter (2008) |
"The Go-Getter is a nearly perfect demonstration of what happens when what was once a frontier for exploration becomes a factory floor for repetition." |
James Rocchi |
Tomato 3/5 |
The Golden Compass (2007) |
"... this is one of Kidman's best performances in years, and she is perfectly, deliciously evil." |
Kim Voynar |
Tomato 4/5 |
The Golden Compass (2007) |
"It's presented with such color and confidence that it's tough not to get swept up in the spectacle of it all." |
Scott Weinberg |
- |
Goliath (2008) |
Click here to see the review. |
James Rocchi |
- |
Gomorra (2008) |
Click here to see the review. |
James Rocchi |
Tomato 4/5 |
Gone Baby Gone (2007) |
"It doesn't appear to have enough juice to land a best picture Oscar nod, but it definitely has enough taste to linger in your mouth, heart and mind for a long time to come." |
Erik Davis |
- |
Gone with the Woman (2007) |
Click here to see the review. |
Monika Bartyzel |
Tomato |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"Gonzo is as energetically flawed and rivetingly reckless as its subject, and somehow that seems exactly right." |
James Rocchi |
Tomato 3.5/5 |
Good Dick (2008) |
"Not your traditional boy-meets-girl story, but it does an excellent job of delivering two fairly unique characters trapped in a seriously strange relationship." |
Scott Weinberg |
Tomato 3.5/5 |
Good Hair (2009) |
"The subject matter would still be fairly interesting without Rock's involvement, but the comedian brings a accessibility to the material that no amount of facts and figures can replace." |
Scott Weinberg |
Splat 0/4 |
Good Luck Chuck (2007) |
"You could probably make a good movie out of Good Luck Chuck's pitch; that just didn't happen here. And I like a good, funny, smutty comedy; the problem is that Good Luck Chuck is a bad, unfunny smutty comedy." |
James Rocchi |
Tomato 3/5 |
The Good Night (2007) |
"Jake Paltrow's script is clever, though, and the ideas he's trying to explore are interesting." |
Kim Voynar |
Splat 2/5 |
A Good Year (2006) |
"... a film with all the subtlety and bouquet of a screw-top bottle of wine purchased in the bargain bin of your local supermarket." |
Kim Voynar |
Tomato B |
The Good, the Bad, the Weird (2009) |
"Though Kim's western pastiche may be insubstantial, it's anything but a drag. It's masterfully directed, legitimately funny, and legitimately fun, thoroughly enjoyable even at an excessive 129 minutes." |
Eugene Novikov |
Splat 3/5 |
The Goods: Live Hard, Sell Hard (2009) |
"While it is brash and absurd and funny in fits and starts, it also seems to lose its nerve as it goes on." |
William Goss |
Tomato B+ |
Grace (2009) |
"Solet proves himself adept both as a visual storyteller and as a guy who can make you crap your pants." |
Eric D. Snider |
Tomato |
Grace is Gone (2007) |
"The film is as affecting -- and as ultimately human -- as one might hope, and it still brings home the ugly real fact that for too many Americans, the evening news isn't just background noise." |
James Rocchi |
Tomato 3/5 |
The Grace Lee Project (2005) |
"The thing that I love about her documentary is it features some individuals who are so captivating ... going so far to even break its own subjective sub-genre." |
Christopher Campbell |
Tomato 3/5 |
Gracie (2007) |
"More charming and enjoyable to watch than it deserves, primarily because the performances transcend the script flaws." |
Jette Kernion |
Tomato |
Gran Torino (2008) |
"Its preoccupation with the burden and self-destructive ramifications of violence is given acute resonance by Eastwood's presence." |
Nick Schager |
Tomato 3/5 |
The Gravedancers (2006) |
"The Gravedancers is good, stupid entertainment that knows its ghosts and has a lot of fun introducing them to you." |
Christopher Campbell |
Tomato 4/5 |
The Great Buck Howard (2009) |
"Might be the most affectionate look back at old-school entertainment since Peter O'Toole boozed his way through My Favorite Year." |
Scott Weinberg |
Tomato 3.5/5 |
The Great Debaters (2007) |
"It's as if Mr. Washington wanted to deliver a important story, but felt he had to stay firmly within the proven formula to get his message out." |
Scott Weinberg |
Splat |
The Great Ecstasy of Robert Carmichael (2005) |
"Loaded with easy cynicism and even easier sadism, it's a beautifully orchestrated ideological disaster that shoots for social commentary but settles for lowest-blow shock." |
Karina Longworth |
Tomato 3.75/5 |
Gretchen (2006) |
"A beautiful, delicate look at the nasty pains of teenage relationships. And Gretchen could totally kick Napoleon Dynamite's butt." |
Jette Kernion |
Tomato 3.5/5 |
Grindhouse (2007) |
"Tarantino's feature Death Proof is the better homage to grindhouse, while Rodriguez's feature Planet Terror is more a contemporary update of the old drive-in movie genre." |
Jette Kernion |
Splat |
Grindhouse (2007) |
"Rodriguez goes for full-blooded faithfulness, Tarantino goes for genre analysis and reconfiguration, and the results are, ultimately, about as coherent and fulfilling as a typical grindhouse double-feature." |
Nick Schager |
Tomato 4.5/5 |
The Ground Truth (2006) |
""The success of The Ground Truth lies in the courageously open and honest interviewees, but it works because of Rob Hall's editing, which not only compiles for us a perfectly evidential collection of footage but does so at a pace that doesn't dilly-dally" |
Christopher Campbell |
Tomato 4/5 |
Gunnin' for That #1 Spot (2008) |
"Easily the best movie of its kind since Steve James' Hoop Dreams." |
Scott Weinberg |
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