Dancer in the Dark (1999)

"This is a film like no other this year, and on that grounds alone you should see it."

Dangerous Minds (1995)

"Stay home and watch Welcome Back Kotter. It's more enlightening."

Danton (1983)

"...uncompromising and impassioned. [Depardieu's] throat-scraping, rage-against-the-machine speech in court -- "the Revolution is devouring its children!" -- makes Jimmy Stewart's in Mr. Smith Goes to Washington look like a monk's benediction."

Dark City (1998)

"A non-stop symphony of visual showstoppers, Dark City is nightmarish science-fiction with style to spare."

Dark City (1998)

"Dark City has all the Gothic imagery and plot incoherence of a Tim Burton movie, without Burton's mad-scientist merriment."

Days of Glory (2006)

"Instead of guys named Danny and Polack and Sol and Brooklyn, you've got guys named Said and Yassir and Messaoud and Abdelkader. But it's the same deal. Prick them, do they not bleed? Blow them up, do their limbs not scatter and their guts not spill?"

Dead Man Walking (1995)

"A daring stand and a daring, uncompromised film."

Dead Man Walking (1995)

"Sarandon, who won the Oscar for Best Actress for this role, is superb, but Penn is extraordinary."

Dead Man Walking (1995)

"Robbins, who also wrote the script, is no Truman Capote, let alone a Victor Hugo, and his film trips up constantly on indecisiveness about what it is he's trying to say."

Death Sentence (2007)

"Bacon, as usual, is very good even when he's slumming, and as a trashy B-movie redo of Death Wish the movie works well enough for a Saturday afternoon with a case of brewskies."

Deep Blue Sea (1999)

"Finally, a trashy summer movie that lives up to its billing!"

Delirious (2007)

"DiCillo's themes are loyalty and friendship and betrayal and redemption."

Deterrence (1998)

"Deterrence does serve up some wonderfully chewy pulp during its generally engaging 101 minutes, along with a certain vagueness of point-of-view."

Diamonds (1999)

"Diamonds can be proud of its achievement as the ultimate primer on elderly embarrassments and the best ways to exploit them."

Dick (1999)

"Fall-down funny laughs!"

Dick (1999)

"Writer-director Andrew Fleming's new film has a way of transcending the obvious and establishing its own rules."

Digimon: The Movie (2000)

"Parents, if you don't want to compete with popular culture to raise your child ... this is where you draw the line in the sand."

Dinosaur (2000)

"A must-see for anyone who wants to see the next stage in computer-generated animation."

The Dish (2001)

"If it weren't so pushy about selling itself, The Dish might have been a very special movie."

Dodes 'Ka-Den (1970)

"Dodes'ka-den need not be a grand-scale 'Kurosawa film' on the order of Rashomon, Seven Samurai, or Ran to give us much that's effective, emotive, and beautiful."

Dogma (1999)

"Smith has crammed the film with enough genuinely funny moments and insightful bits to make it well worth seeing."

The Doom Generation (1995)

"You sense that there is so much more at stake here than meets the eye, an extraordinary anger about and fear of 90s purposelessness and predatory intolerance."

Double Jeopardy (1999)

"A muddled thriller."

Double Take (2001)

"Botched on every count."

Down to Earth (2001)

"Astonishingly unfunny."