Film.com
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| Rating | Title Year | Quote | Author |
|---|---|---|---|
Tomato |
Ed Wood (1994) |
"In his finest, funniest, most poignant film to date, Tim Burton plays cinematic alchemist, turning drive-in schlock into movie gold." |
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Tomato |
Ed Wood (1994) |
"[An] oddly affectionate bio-pic." |
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Tomato |
Edward Scissorhands (1990) |
"The film has an unapologetically adolescent purity about it that transcends what would ordinarily be the shortcomings of its script." |
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Tomato |
Election (1999) |
"One of the funniest, shrewdest, smartest movies in recent memory!" |
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Tomato |
Election (1999) |
"It showed promise and considerable competence." |
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Elegy (2008) |
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Elizabeth: The Golden Age (2007) |
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Tomato |
The Emperor's New Groove (2000) |
"The jokes fly by so fast that while the adult audiences are busy laughing at the many obscure asides and movie references, the kids will be in the front of the coaster with their arms above their heads." |
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Tomato |
The Empire Strikes Back (1980) |
"For many Star Wars fans, this second installment is the best of the George Lucas trilogy: a dark, ultimately melancholy, even philosophical episode that has no triumphant happy ending." |
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Tomato |
The Empire Strikes Back (1980) |
"Star Wars made my eyes pop out when I first saw it in 1977!" |
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Splat |
End of Days (1999) |
"Full of sound and fury, signifying absolutely nothing, End of Days is the loudest and least of the year's end-of-the-world movies." |
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Splat |
End of Days (1999) |
"The acting is hammy, all the 666 Book of Revelations stuff has been worn out since The Omen, and the film never quite focuses on anything long enough to build up any pseudo-religious creeps." |
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Splat |
End of Days (1999) |
"Drab and depressing." |
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Tomato |
The End of the Affair (1999) |
"The elegance of Roger Pratt's camera and the handsome costuming create a tension between the stately surface world and the raw passion of the characters." |
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Tomato |
Enemy at the Gates (2001) |
"The new year's single most satisfying movie experience thus far." |
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Splat |
Enemy of the State (1998) |
"How idiotic!" |
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Splat |
Entrapment (1999) |
"Entrapment simply reminds us again how far Hollywood is from the true legacies of its greatest genre directors." |
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Splat |
Erin Brockovich (2000) |
"It's not that this is lousy entertainment, it's just that it's a Serious Topic given unnecessary Celebrity Sheen." |
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Tomato |
Erin Brockovich (2000) |
"[Roberts looks] spectacularly and movingly human even at the expense of her established persona." |
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Tomato |
Erin Brockovich (2000) |
"Demonstrates how good Soderbergh is with actors." |
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Tomato |
Eureka (2001) |
"It's more an experience than anything else, and if you're looking for a transformative, redemptive one yourself, at the moment you can't do any better than go to see this film." |
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Evan Almighty (2007) |
"Evan Almighty belongs to that sorry cinema subgenre, Comedy without the Funny Bits." |
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Tomato |
"Ever After is a droll, uneven treatment of a familiar story that could become as popular with children as the 1950 Disney cartoon version." |
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Tomato |
"This Cinderella is undeniably magical." |
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Tomato |
"It may be fluff, but this movie works." |
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Splat |
"Too bad Barrymore's charming personality goes to waste in Ever After, a reworking of Cinderella with muddled motives and uneven execution." |
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Tomato |
An Everlasting Piece (2000) |
"Mild but amusing." |
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Every Little Step (2009) |
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Everybody's Fine (2009) |
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Splat |
Evolution (2001) |
"An excruciating misfire." |
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Splat |
Exit Wounds (2001) |
"A collection of the cop-movie cliches that time forgot." |
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Tomato |
"Seen today, in a longer version with new stereo effects, The Exorcist retains its power to shock." |
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Splat |
Eye of the Beholder (1999) |
"Not terribly enjoyable to watch." |
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Tomato |
Eyes Wide Shut (1999) |
"It's the most brilliant, most glamorous, yet subtlest movie about sexual desire and sexual jealousy." |
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Tomato |
Eyes Wide Shut (1999) |
"Kubrick may have found, in this very adult and very human sexual awakening, a happy ending at last." |
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