Faithless (2001)

"It makes us realize, suddenly, and with immense regret, what the rest of contemporary cinema so sorely lacks."

Family Guy Presents Blue Harvest (2007)

"The duplicated scenes from A New Hope are so shot-for-shot faithful that the whole project feels boxed in by its reverence rather than freed up to cut loose with the fearless bravado that we tune into Family Guy for."

The Family Man (2000)

"A string of cliches, clearly intended for a season that sells those cliches."

Fargo (1996)

"Uniquely fascinating."

Fargo (1996)

"Has a murder mystery, a heist gone wrong, tragedy, comedy, and well flushed out characters that are both simple and complex at the same time."

Fight Club (1999)

"It always surprises, never bores."

Fight Club (1999)

"Relentlessly funny."

Final Destination (2000)

"You'll laugh, but you'll hate yourself by the time you're out of the theater."

Finding Forrester (2000)

"A lot more intriguing than it might have been."

Fire (1996)

"Mehta's larger goal -- demystifying India -- is powerfully, unsettlingly realized."

Fire Down Below (1997)

"One big self-distraction and nothing that vaguely resembles a real film."

First Knight (1995)

"I've never seen a film -- whether it was based on a book, a play, or in this case a timeless legend -- treat its source material with such cavalier disregard."

Flash of Genius (2008)

"If it doesn't rise to the level of It's a Wonderful Life, it's because Marc Abrams is no Frank Capra. And after all, this isn't about angels, it's about windshield wipers."

The Flintstones (1994)

"It's a dull day in Bedrock."

The Flyboys (2008)

"I like Disney-style adolescent adventures and I like The Sopranos, but, unlike peanut butter and chocolate, these are not two great tastes that taste great together."

Forrest Gump (1994)

"This is one summer movie that doesn't evaporate the minute you leave the theater."

Four Christmases (2008)

"Seems intent on being as generic and lowbrow as possible, with broad slapstick emphasized over witty dialogue or interesting characters."

Fracture (2007)

"Fracture is the kind of polished cat-and-mouse movie thriller that depends entirely on the cat and the mouse having read and agreed to the script in advance."

Frequency (2000)

"Good casting only takes us so far, and Frequency -- fun as it remains -- really doesn't have the chops to go the rest of the distance."

Frost/Nixon (2008)

"Langella inhabits the pouchy skin of the man he's playing, until soon any meaningful distinction between actor and subject disappears."

Fugitive Pieces (2008)

"The great Serbian actor Rade Serbedzija gives Fugitive Pieces its heart."

Funny People (2009)

"The good parts of this movie are often wonderful, but Apatow never finds the rhythm to keep it going. It lurches from inspiration to inspiration, but always manages to muddy its feet in mediocrity in between, as it drags on toward the two-and-a-half-hour"