Hamlet (2000)

"Ultimately, I don't think that Michael Almereyda's modern-day adaptation of Hamlet really works, but it's a lot of fun along the way."

Hanging Up (2000)

"The script flips from hack sentimentality to sitcom shtick with predictable rhythms."

Hannibal (2001)

"Handsomely photographed."

A Hard Day's Night (1964)

"A Hard Day's Night conveys not just a joy in music and The Beatles, but a joy in cinema."

Hard Eight (1997)

"It's hugely refreshing to watch a movie populated almost exclusively by character actors."

Harriet the Spy (1996)

"There's a certain amateurish quality about Harriet the Spy, but it's more the TV-trained grownups behind the camera...than the pint-sized thespians in front of it."

Harriet the Spy (1996)

"The film's OK, a little thick with sensory overload, but it wasn't made for old guys like me."

The Haunting (1999)

"This film relies on special effects instead of suggestion, plot instead of mood, and explanation instead of mystery."

Head On (1998)

"One of this year's most sensual tragic spectacles -- a tour-de-force on a thousand different levels, with no easy happy endings in sight."

Heartbreakers (2001)

"The script is lacking that 'a-ha' moment so vital to con-artist comedies."

Heat (1995)

"Heat generates lots of energy but gives off little light."

Heavy Metal (1981)

"Regardless of its dated stylishness (which still holds up remarkably well a decade plus later), Heavy Metal was a pioneering film in 1981 and remains a pivitol and infuential body of art today."

Help! (1965)

"For casual viewers, the whole thing has a retro charm. For Beatles fans, it's a flawed but essential film."

Here on Earth (2000)

"Don't be surprised if you exit Here on Earth feeling both moved and incredulous."

High Fidelity (2000)

"The British hero of Nick Hornby's novel, on which this movie is based, certainly does not scream out 'John Cusack.' And yet once you see him, you can't think of anyone who'd do it better."

High School Musical 3: Senior Year (2008)

"It's not bad. It's a lump, but it's a benign lump."

Highlander: Endgame (2000)

"Kinetic but borderline incoherent, hinging entirely on character relationships whose significance it can't possibly slow down long enough to explain for the newbies in the audience."

Hit and Runway (2001)

"What makes Hit and Runway uniquely fun, however, is the unapologetic extent to which Livingston and Cohen turn it into an index of beloved Woody-isms."

Hollow Man (2000)

"The real invisible man here is Verhoeven, whose talent can barely be seen in Hollow Man."

The House of Mirth (2000)

"Stick with the film, accept the rules of the time and the meditative rhythm of the language that Davies has woven into his story, and you won't be disappointed."

How the Grinch Stole Christmas (2000)

"Ron Howard seems much more engaged by the anarchy and mischief of the Grinch than he does with the pleasantries and communal feeling in Whoville. Perhaps there's hope for him yet."

Human Resources (2000)

"An eye-opener, a gritty and relevant story of the shifting relationship between workforce and management."

The Hurricane (1999)

"Occasionally riveting."