Film.com
|
||||||||||
| Rating | Title Year | Quote | Author |
|---|---|---|---|
The Page Turner (2007) |
|||
Tomato |
Panic (2000) |
"There's a sense that the picture wants to constantly stick its tongue in its cheek but never wants to get caught at it." |
|
Tomato |
Patch Adams (1998) |
"A perfectly fine, play-it-safe vehicle for Robin Williams that showcases both his great gift for improvisational comedy and his ability to make a heartfelt connection." |
|
Splat |
The Patriot (2000) |
"What makes The Patriot exhausting, despite its handful of blood-boiling sequences, is the way it numbingly resembles other movies." |
|
Splat |
The Patriot (2000) |
"The rules of summer movie-making wreck The Patriot." |
|
Tomato |
Pay It Forward (2000) |
"Some very affecting performances." |
|
Splat |
Pay It Forward (2000) |
"If a movie can coax tears out of me, touch me in a way that the tears flow naturally, more power to it. But stealing my tears by beating me over the head with manipulated schmaltz is a cheat." |
|
Splat |
Payback (1999) |
"One big, ugly chase scene!" |
|
Tomato |
Pearl Harbor (2001) |
"The central romance of Pearl Harbor is serviceable enough, and Affleck and Beckinsale really bring it home." |
|
- |
A Perfect Candidate (1996) |
"An encouraging item from the film is the claim that, of those who considered honesty and ethics important considerations in choosing a senator, three-fourths voted against North." |
|
A Perfect Getaway (2009) |
"A shrewd thriller that's both smarter and funnier than you'd expect." |
||
Splat |
The Perfect Storm (2000) |
"The movie's biggest problem is that it has no real story to tell, and no characters who seem capable of talking about anything but their sense of oncoming doom." |
|
Splat |
The Perfect Storm (2000) |
"Like so many things about this movie, that speech is intended to deepen our understanding of the character and ennoble his quest, but winds up sounding as real as the proverbial fishing story." |
|
Splat |
The Perfect Storm (2000) |
"Once at sea, The Perfect Storm collapses in a heap of spectacle and a dubious piling-on of scary incidents." |
|
Tomato |
Permanent Midnight (1998) |
"Rollicking! A high-energy adaptation!" |
|
Petulia (1968) |
|||
The Philadelphia Story (1940) |
|||
Pinocchio (1940) |
|||
Pirate Radio (2009) |
|||
Pirate Radio (2009) |
|||
Tomato |
Pitch Black (2000) |
"Proving that low-budget genre-based entertainment can be just as easily ferociously inventive and character-driven as its big-budget competition can be lazy and boring." |
|
Tomato |
Pitch Black (2000) |
"The film works because it's strong on fundamentals: fear of the dark, fear of helplessness, fear of the unknown, and fear of unpredictable human behavior." |
|
Tomato |
Play it to the Bone (1999) |
"This is still Ron Shelton in good -- not great, but good -- form here, and the rewards are plentiful." |
|
Tomato |
Pleasantville (1998) |
"Pleasant, but not much more!" |
|
Tomato |
The Pledge (2001) |
"Much of the film's power is in the worn gravity of watching 'Jack Nicholson' as he treads through a particularly obsessive and difficult character." |
|
Splat |
"There isn't a moment of wonder or poetry in its very long 69 minutes." |
||
Splat |
Pokémon the Movie 2000 (2000) |
"One can almost hear a droning noise." |
|
Splat |
Pokémon the Movie 3 (2001) |
"The animation is only marginally better than the TV show, which means it stinks, and the story is pretty trite." |
|
Tomato |
Pola X (1999) |
"If Pola X is a failure, it is a more stimulating failure than most successful films." |
|
Tomato |
Polish Wedding (1998) |
"Polish Wedding is a confident, light drama." |
|
Splat |
Pollock (2000) |
"Brawls and bravado aside, Pollock has the stiffness of an official biography." |
|
Tomato |
Pollock (2000) |
"It's almost like Pollock has come back from the dead and that we're watching a recently made documentary instead of a fiction film." |
|
Tomato |
Pollock (2000) |
"Harris's intensity in the role and commitment to it is ferocious." |
|
Splat |
Practical Magic (1998) |
"The only thing unpredictable about Practical Magic is the unpleasant surprise one feels when the movie reveals itself as a irritatingly creepy supernatural thriller, rather than the offbeat romantic comedy the ads make it out to be." |
|
The President's Analyst (1967) |
"If Philip K. Dick had worked for Mad magazine, he might have come up with The President's Analyst." |
||
Tomato |
Presumed Innocent (1990) |
"An engrossing adult drama that relies on complex characterizations and twisty plotting, and doesn't ask us to accept its central character as a superman." |
|
Tomato |
Pretty Woman (1990) |
"As shamelessly irresistible as the Roy Orbison oldie that accompanies the credits." |
|
Splat |
Price of Glory (2000) |
"[Smits and Seda] give the movie more heart than was probably on the page, and their powerful presence nearly ennobles the cornball material." |
|
Tomato |
The Price of Milk (2001) |
"Whatever else New Zealander Harry Sinclair -- who wrote and directed the film -- has accomplished here, he has succeeded in making elusiveness a virtue without congratulating himself on excessive cleverness." |
|
Pride and Glory (2008) |
|||
Tomato |
Primary Colors (1998) |
"Primary Colors is the Mr. Smith Goes to Washington of our jaded era." |
|
Tomato |
Primary Colors (1998) |
"Like its politicians, the movie is savvy about using whatever it takes to achieve a goal." |
|
Tomato |
Primary Colors (1998) |
"A hilariously entertaining movie." |
|
Splat |
Primary Colors (1998) |
"There are piecemeal wonders in Primary Colors, but not the grand and resonant vision the film should have been." |
|
Tomato |
The Prince of Egypt (1998) |
"If The Prince of Egypt falls short in its song and story, it succeeds gloriously in its epic grandeur and visual splendor." |
|
Tomato |
Princess Mononoke (1997) |
"It's big and breathtaking, and it knows how to use music and silence in enthralling ways that make the characters in our animated films seem like empty-headed chatterboxes." |
|
Splat |
Proof of Life (2000) |
"This is half a good movie held hostage to the other, trashier half, and unfortunately for all of us, no rescue seems forthcoming." |
|
Splat |
Proof of Life (2000) |
"[A] flat and thoroughly predictable piece of filmmaking." |
|
Splat |
Psycho (1998) |
"So much of Van Sant's 'new' version of the classic remains the same that you sit there shaking your head, mumbling, why, oh, why?" |
|
|
||||||||||

