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Critics / Publications / Film.com

Other Info

Authors
    • Henry Cabot Beck
    • Mark Bourne
    • Mary Brennan
    • Peter Brunette
    • Greg Burkman
    • Lyall Bush
    • David D'Arcy
    • Dominique Dibbell
    • Kathy Fennessy
    • Gemma Files
    • Ted Fry
    • Gillian Gaar
    • Shannon Gee
    • Jeff Gilbert
    • Carrie Gorringe
    • Norman Green
    • Ernest Hardy
    • John Hartl
    • Robert Horton
    • Wm. Humphrey
    • MaryAnn Johanson
    • Tom Keogh
    • Matthew Kohut
    • Laremy Legel
    • Stacy Levine
    • David Lyman
    • Moira MacDonald
    • Sean Means
    • Lucy Mohl
    • Paula Nechak
    • Jared Rapfogel
    • Susan Rathke
    • Bruce Reid
    • Jonathan F. Richards
    • Roger Schmeekle
    • Keith Simanton
    • Alice Smith
    • Eric D. Snider
    • Andy Spletzer
    • Tonia Steed
    • Bradley Steinbacher
    • Dawn Taylor
    • John Teegarden
    • Elizabeth Weitzman
    • Emily White

Film.com

  
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Source Table
Rating Title Year Quote Author

Tomato

The Page Turner (2007)

"The serving temperature of revenge has seldom been colder, nor the time of preparation longer, than for this gourmet French plat froid from writer-director Denis Dercourt."

Jonathan F. Richards

Tomato

Panic (2000)

"There's a sense that the picture wants to constantly stick its tongue in its cheek but never wants to get caught at it."

Henry Cabot Beck

Tomato

Patch Adams (1998)

"A perfectly fine, play-it-safe vehicle for Robin Williams that showcases both his great gift for improvisational comedy and his ability to make a heartfelt connection."

Tom Keogh

Splat

The Patriot (2000)

"What makes The Patriot exhausting, despite its handful of blood-boiling sequences, is the way it numbingly resembles other movies."

Robert Horton

Splat

The Patriot (2000)

"The rules of summer movie-making wreck The Patriot."

Sean Means

Tomato

Pay It Forward (2000)

"Some very affecting performances."

Robert Horton

Splat

Pay It Forward (2000)

"If a movie can coax tears out of me, touch me in a way that the tears flow naturally, more power to it. But stealing my tears by beating me over the head with manipulated schmaltz is a cheat."

Sean Means

Splat

Payback (1999)

"One big, ugly chase scene!"

Elizabeth Weitzman

Tomato

Pearl Harbor (2001)

"The central romance of Pearl Harbor is serviceable enough, and Affleck and Beckinsale really bring it home."

Sean Means

-

A Perfect Candidate (1996)

"An encouraging item from the film is the claim that, of those who considered honesty and ethics important considerations in choosing a senator, three-fourths voted against North."

Roger Schmeekle

Tomato
B

A Perfect Getaway (2009)

"A shrewd thriller that's both smarter and funnier than you'd expect."

Eric D. Snider

Splat

The Perfect Storm (2000)

"The movie's biggest problem is that it has no real story to tell, and no characters who seem capable of talking about anything but their sense of oncoming doom."

John Hartl

Splat

The Perfect Storm (2000)

"Like so many things about this movie, that speech is intended to deepen our understanding of the character and ennoble his quest, but winds up sounding as real as the proverbial fishing story."

Robert Horton

Splat

The Perfect Storm (2000)

"Once at sea, The Perfect Storm collapses in a heap of spectacle and a dubious piling-on of scary incidents."

Tom Keogh

Tomato

Permanent Midnight (1998)

"Rollicking! A high-energy adaptation!"

Robert Horton

Tomato

Petulia (1968)

"...an anti-The Graduate ... an essential film from and about America in the dying days of the '60s, yet the modernism of its style and ambitions makes Petulia impressively ahead of that time."

Mark Bourne

Tomato

The Philadelphia Story (1940)

"Every time Katharine Hepburn, Cary Grant, and Jimmy Stewart connect in a scene, we hear the happy ding! of quality champagne crystal."

Mark Bourne

Tomato

Pinocchio (1940)

"Benefiting from modern digital restoration techniques that -- this is vital -- don't lose touch with the film's rich painted-cel brush strokes and artistic authenticity, this new edition of Pinocchio looks and sounds sensational."

Mark Bourne

Tomato
B

Pirate Radio (2009)

"A tad oversimplified and not very deep -- but then, you could say the same thing about a lot of really good rock tunes. The important thing is that it's also a lot of fun."

Eric D. Snider

Tomato

Pirate Radio (2009)

" Curtis's movie is loosely based on the historical truths of the time, but it isn't meant as a documentary, a rockumentary, or even a docucomedy. It's just a hell of a lot of fun."

Jonathan F. Richards

Tomato

Pitch Black (2000)

"Proving that low-budget genre-based entertainment can be just as easily ferociously inventive and character-driven as its big-budget competition can be lazy and boring."

Gemma Files

Tomato

Pitch Black (2000)

"The film works because it's strong on fundamentals: fear of the dark, fear of helplessness, fear of the unknown, and fear of unpredictable human behavior."

Tom Keogh

Tomato

Plagues and Pleasures on the Salton Sea (2007)

"As documentary subjects go, the Salton Sea was ripe for the plucking: This man-made phenomenon is one of the weirdest stories of the West."

Robert Horton

Tomato

Play it to the Bone (1999)

"This is still Ron Shelton in good -- not great, but good -- form here, and the rewards are plentiful."

Tom Keogh

Tomato

Pleasantville (1998)

"Pleasant, but not much more!"

Robert Horton

Tomato

The Pledge (2001)

"Much of the film's power is in the worn gravity of watching 'Jack Nicholson' as he treads through a particularly obsessive and difficult character."

Robert Horton

Splat

Pokémon the First Movie: Mewtwo Strikes Back (1999)

"There isn't a moment of wonder or poetry in its very long 69 minutes."

Robert Horton

Splat

Pokémon the Movie 2000 (2000)

"One can almost hear a droning noise."

Sean Means

Splat

Pokémon the Movie 3 (2001)

"The animation is only marginally better than the TV show, which means it stinks, and the story is pretty trite."

Henry Cabot Beck

Tomato

Pola X (1999)

"If Pola X is a failure, it is a more stimulating failure than most successful films."

Robert Horton

Tomato

Polish Wedding (1998)

"Polish Wedding is a confident, light drama."

Tom Keogh

Splat

Pollock (2000)

"Brawls and bravado aside, Pollock has the stiffness of an official biography."

David D'Arcy

Tomato

Pollock (2000)

"It's almost like Pollock has come back from the dead and that we're watching a recently made documentary instead of a fiction film."

Peter Brunette

Tomato

Pollock (2000)

"Harris's intensity in the role and commitment to it is ferocious."

Robert Horton

Splat

Practical Magic (1998)

"The only thing unpredictable about Practical Magic is the unpleasant surprise one feels when the movie reveals itself as a irritatingly creepy supernatural thriller, rather than the offbeat romantic comedy the ads make it out to be."

Sean Means

Tomato

The President's Analyst (1967)

"If Philip K. Dick had worked for Mad magazine, he might have come up with The President's Analyst."

Mark Bourne

Tomato

Presumed Innocent (1990)

"An engrossing adult drama that relies on complex characterizations and twisty plotting, and doesn't ask us to accept its central character as a superman."

John Hartl

Tomato

Pretty Woman (1990)

"As shamelessly irresistible as the Roy Orbison oldie that accompanies the credits."

John Hartl

Splat

Price of Glory (2000)

"[Smits and Seda] give the movie more heart than was probably on the page, and their powerful presence nearly ennobles the cornball material."

Sean Means

Tomato

The Price of Milk (2001)

"Whatever else New Zealander Harry Sinclair -- who wrote and directed the film -- has accomplished here, he has succeeded in making elusiveness a virtue without congratulating himself on excessive cleverness."

Tom Keogh

Splat

Pride and Glory (2008)

"What it lacks in subtlety and intelligence it makes up in violence, brutishness, and hackneyed story lines. These are qualities best enjoyed at home."

Jonathan F. Richards

Tomato

Primary Colors (1998)

"Primary Colors is the Mr. Smith Goes to Washington of our jaded era."

John Hartl

Tomato

Primary Colors (1998)

"Like its politicians, the movie is savvy about using whatever it takes to achieve a goal."

Robert Horton

Tomato

Primary Colors (1998)

"A hilariously entertaining movie."

Sean Means

Splat

Primary Colors (1998)

"There are piecemeal wonders in Primary Colors, but not the grand and resonant vision the film should have been."

Tom Keogh

Tomato

The Prince of Egypt (1998)

"If The Prince of Egypt falls short in its song and story, it succeeds gloriously in its epic grandeur and visual splendor."

Sean Means

Tomato

Princess Mononoke (1997)

"It's big and breathtaking, and it knows how to use music and silence in enthralling ways that make the characters in our animated films seem like empty-headed chatterboxes."

Peter Brunette

Splat

Proof of Life (2000)

"This is half a good movie held hostage to the other, trashier half, and unfortunately for all of us, no rescue seems forthcoming."

Gemma Files

Splat

Proof of Life (2000)

"[A] flat and thoroughly predictable piece of filmmaking."

Peter Brunette

Splat

Psycho (1998)

"So much of Van Sant's 'new' version of the classic remains the same that you sit there shaking your head, mumbling, why, oh, why?"

Peter Brunette

  
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