Film.com
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| Rating | Title Year | Quote | Author |
|---|---|---|---|
Tomato |
Sabrina (1995) |
"Has a level of complexity rare in contemporary Hollywood." |
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Tomato |
Sabrina (1995) |
"A light fairy-tale, sweet and charming." |
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The Savages (2007) |
"It's billed as a comedy. You may or may not find much to laugh at." |
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Tomato |
Save the Last Dance (2001) |
"Breaks virtually no new narrative ground, yet treads the familiar territory it does cover with grace, style, wit and fun." |
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Tomato |
Saving Grace (2000) |
"Saving Grace has a charm that keeps you involved throughout." |
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Tomato |
Saving Private Ryan (1998) |
"Feels like the first truly honest attempt to deal with the horrors of combat - and the terrible responsibility shared by all survivors." |
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Tomato |
Saving Private Ryan (1998) |
"A flawed but masterful film." |
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Tomato |
Saving Private Ryan (1998) |
"Has 'masterpiece' written all over it." |
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Tomato |
Saving Private Ryan (1998) |
"Gripping and satisfying in a way that no mere summer event movie could ever be." |
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Saving Sarah Cain (2007) |
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Splat |
Saving Silverman (2001) |
"Just save yourselves from enduring it." |
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Splat |
Say It Isn't So (2001) |
"Rogers replicates the Farrellys' formula but can't lasso their dopey authenticity." |
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Tomato |
Scary Movie (2000) |
"It's very funny and -- at times -- even witty in a crude, drunken frat-boy-with-an-epiphany kind of way." |
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Splat |
Scary Movie (2000) |
"Scary Movie is less than satisfactory." |
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Splat |
Scary Movie (2000) |
"Scary Movie is destined to be remembered not for its laugh-per-minute ratio, but for breaking a barrier of crudeness in mainstream movies." |
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Tomato |
Schindler's List (1993) |
"In a severe, uncompromising manner that none of his previous films has approached, Spielberg has captured the terror of the Nazi reign as well as the determination and resourcefulness of those who resisted." |
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Tomato |
Scream 2 (1997) |
"Smart and scary like its predecessor, it delivers the shocks and a fair amount of sly wit." |
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Tomato |
Scream 3 (2000) |
"New-kid-on-the-block screenwriter Ethan Kruger acquits himself admirably in filling tapped-out creator Kevin Williamson's big, black boots." |
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Splat |
Screwed (2000) |
"If this is how they want to squander a hard-earned opportunity, they should keep their day jobs." |
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The Secret of the Grain (2008) |
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Tomato |
See Spot Run (2001) |
"Happily, See Spot Run has a couple of those that would not be out of place in a Jerry Lewis classic or in Blake Edwards' Inspector Clouseau franchise." |
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Tomato |
Sense and Sensibility (1995) |
"Sense and Sensibility is funny, expansive, and a delight to spend company with." |
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Tomato |
Sense and Sensibility (1995) |
"A triumph for Taiwan's most famous director, Ang Lee." |
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Tomato |
Sense and Sensibility (1995) |
"Thompson's script hits its peak by keeping Austen's voice yet finding the satirical smirk behind it." |
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Tomato |
Series 7: The Contenders (2001) |
"But the surprise in Series 7 is that through all of Minahan's well-crafted trappings ... a touching character-driven drama emerges in Dawn and Jeff's story." |
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Tomato |
Seven (1995) |
"Well worth a look." |
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Splat |
Seven (1995) |
"Eventually, with its irrationally downbeat ending, Seven even drags the viewer down into the abyss." |
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Sex and the City - The Movie (2008) |
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Sex Drive (2008) |
"Not a terribly original movie, but it is often a very funny one." |
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Tomato |
Shadow Magic (2001) |
"It has a real sense of the wonder." |
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Splat |
Shadow of the Vampire (2000) |
"In dire need of an injection of ideas that will lift it beyond the realm of film-geek cleverness." |
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Splat |
Shaft (2000) |
"[Covers] too many bases." |
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Tomato |
Shaft (2000) |
"A decent popcorn movie." |
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Tomato |
Shakespeare in Love (1998) |
"A rollicking good time, full of genuine emotional pull and incandescent acting, and anchored by a passionate love for the theater itself which puts most human liaisons--including Shakespeare and Viola's -- to shame." |
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Tomato |
Shakespeare in Love (1998) |
"The costumes delight, the period evocation in the scenery and photography is rich and pleasing, and the cutting keeps the pace racing forward." |
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Tomato |
Shakespeare in Love (1998) |
"Occasionally profound and frequently hilarious!" |
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Shall We Kiss? (2008) |
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Splat |
Shallow Grave (1995) |
"The situation is contrived, the relationships unlikely, the characters one-dimensional." |
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Tomato |
Shallow Grave (1995) |
"Boyle's cool manner and the performances ultimately ratchet Shallow Grave past the ranks of standard thriller fare." |
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Splat |
Shanghai Noon (2000) |
"For Jackie Chan to succeed in Hollywood, Hollywood must let Jackie be Jackie -- something the jokey Western Shanghai Noon does only sporadically." |
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Shoot 'Em Up (2007) |
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Shortbus (2006) |
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Tomato |
Show Me Love (1998) |
"Moodysson creates a fictional world that has all the aesthetic rawness and grittiness of a documentary." |
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Tomato |
Shrek (2001) |
"Peppered with the best fairytale spoofs since Jay Ward's Fractured Fairy Tales." |
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Shutter (2008) |
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Sicko (2007) |
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Splat |
Signs and Wonders (2001) |
"An overwrought film that, in the third act, collapses into pretentious symbolism, art-film abstraction without real purpose, and unintentional comedy." |
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Singin' in the Rain (1952) |
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The Singing Revolution (2007) |
"The thrill of this documentary is in the remarkable story of the Little Country That Could." |
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A Single Man (2009) |
"The film is elegant and subtle, restrained and sophisticated." |
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