Tomato A- |
Ballad of a Soldier (1959) |
"Had Ballad of a Soldier received wider play in 1960, more Americans would have realized that individual Russians are real human beings" |
John A. Nesbit |
Tomato B |
The Ballad of Ramblin' Jack (2000) |
"a real treat" |
John A. Nesbit |
Tomato B |
Balzac and the Little Chinese Seamstress (2005) |
"will appeal primarily to literary and artistic mentalities" |
John A. Nesbit |
Splat C+ |
Bamboozled (2000) |
"If Lee’s purpose relies on creating a confusing menagerie to promote thinking, he succeeds" |
John A. Nesbit |
Tomato B |
Barabbas (1961) |
"Lacking the Circus Maximus spectacle of its famous predecessor, Barabbas compensates with nuanced acting from Anthony Quinn" |
John A. Nesbit |
Tomato B- |
Baraka (1994) |
"will appeal greatly to any children of the sixties ... who believe in the common unity of mankind and how we all seek the same universal source'" |
John A. Nesbit |
Tomato B |
Baran (2002) |
"a wonderfully warm human drama that remains vividly in memory long after viewing" |
John A. Nesbit |
Tomato B |
The Barbarian Invasions (2003) |
"represents an artistic ideal of how we'd all like to end things" |
John A. Nesbit |
Tomato B |
Barefoot Gen (1983) |
"gets inside the head with its brutal imagery" |
John A. Nesbit |
Tomato B |
Basquiat (1996) |
"Wright is at his best when interacting with the numerous great actors who lend small parts and cameos to the independent film." |
John A. Nesbit |
Splat D |
Battle for the Planet of the Apes (1973) |
"With the budgets decreasing, creative ideas waning, and costumes and makeup getting more worn-out, it’s a good thing that this is the final sequel." |
John A. Nesbit |
Tomato A |
Battle of Algiers (1966) |
"plays like a mesmerizing action thriller that derives from the best traditions of Hollywood.
" |
John A. Nesbit |
Splat C- |
A Beautiful Mind (2001) |
"Howard’s sappy movie covers some of the material, but is far more concerned with box office and Oscar glory." |
John A. Nesbit |
Tomato B- |
Beautiful Thing (1996) |
"just as it 'takes a village' to raise a child, the 'village' elevates this otherwise ordinary drama" |
John A. Nesbit |
Tomato A |
Beauty and the Beast (1991) |
"Many scenes can stand by themselves as paintings" |
John A. Nesbit |
Tomato B- |
Bed & Board (1970) |
"Pretty ordinary stuff, but charming the way Truffaut captures the vignettes" |
John A. Nesbit |
Tomato B- |
Before Night Falls (2000) |
"innovative film" |
John A. Nesbit |
Tomato B- |
Before Stonewall (1984) |
"Before Stonewall stands as a competent documentary, straight-forward without any great cinematic techniques that stand out" |
John A. Nesbit |
Tomato 4/5 |
Before Sunrise (1995) |
"Acting tour de force that feels exceptionally real" |
John A. Nesbit |
Splat C |
Before the Rains (2008) |
"contrived plot and shallow characters just don't hold up long term" |
John A. Nesbit |
Splat C- |
Behind the Sun (2001) |
"arthouse fans hunger for a lot more than tortilla chips for an appetizer." |
John A. Nesbit |
Tomato B+ |
The Believer (2002) |
"this polarizing film deserves a wider audience" |
John A. Nesbit |
Tomato A |
Belle de Jour (1967) |
"But beyond the artistry, this film stands as the most accessible of Buñuel's work." |
John A. Nesbit |
Splat D |
Beneath the Planet of the Apes (1970) |
"I had forgotten how dreadful Beneath the Planet of the Apes was." |
John A. Nesbit |
Tomato A- |
Berkeley in the Sixties (1990) |
"...as complete a picture as possible in less than two hours. And you don’t even have to smell the tear gas." |
John A. Nesbit |
Tomato B |
Best in Show (2000) |
"a different breed of humans out there who had to be ripe for parody" |
John A. Nesbit |
Tomato A |
The Best of Youth (2005) |
"a touchstone of Italian cinema" |
John A. Nesbit |
Tomato 4/5 |
A Better Tomorrow III (1990) |
No article available. |
John A. Nesbit |
Splat D |
The Bible...In the Beginning (1966) |
"strictly formulaic Biblical work with an all-star cast that ranks as the most embarrassing directing work that John Huston ever undertook" |
John A. Nesbit |
Tomato A |
The Bicycle Thief (1948) |
"a simple heartfelt story of a man who only wants to provide for his wife and child" |
John A. Nesbit |
Tomato B- |
The Big Country (1958) |
"As Charlton Heston explained ..., 'it’s connected with the American ethos – America was made for Westerns.'" |
John A. Nesbit |
Tomato B- |
Big Eden (2001) |
"Big Eden focuses on relationships and creates a feel good fable that you won’t find in ordinary Montana life." |
John A. Nesbit |
Tomato 4/5 |
Big Night (1996) |
No article available. |
John A. Nesbit |
Tomato B |
Billy Elliot (2000) |
"the kid turn(s) electric when he turns his frustrations into an eclectic mix of ballet, interpretive dance, and tap dance" |
John A. Nesbit |
Tomato B- |
The Birth of a Nation (1915) |
"We must credit Griffith for expanding the concept of film, since previous Nickelodeon films were limited to one reel" |
John A. Nesbit |
Tomato B- |
Black and White in Color (1976) |
"biggest chuckles are often reserved for the blundering priests and merchants, as seen by the Ivory Coast natives" |
John A. Nesbit |
Tomato B |
Black Hawk Down (2001) |
"Like one of the soldiers, we are plunked right into the middle of battle and it’s all we can do is to find a way out of the maze" |
John A. Nesbit |
Splat C- |
Blackboards (2002) |
"does paint some memorable images ..., but Makhmalbaf keeps her distance from the characters" |
John A. Nesbit |
Tomato B |
Blindsight (2008) |
"memorable portrait of some truly courageous individuals and previously unrevealed insights to Tibetan culture" |
John A. Nesbit |
Tomato B |
Blood in the Face (1991) |
"the filmmakers simply turn on their cameras cinéma vérité style and let their subjects crucify themselves with their stupidity and ridiculousness" |
John A. Nesbit |
Tomato B- |
Blood of a Poet (1930) |
"Although it may seem as pretentious as the Surrealists claimed back in the 1930's, this represents one of the most sincere efforts to capture the creative process on film" |
John A. Nesbit |
Tomato A |
Blood Simple (1984) |
"like watching a classic Hitchcock film with the Master of Suspense tripping on acid" |
John A. Nesbit |
Tomato A |
Blood Simple: Director's Cut (2000) |
"Shot on a low budget with relatively unknown actors, Blood Simple reigns as a supreme example of successful independent cinema." |
John A. Nesbit |
Tomato B- |
Bloody Sunday (2002) |
"it's certainly worth riding the rough whirlwind digital camera for insights that U2 can only hint at." |
John A. Nesbit |
Tomato B+ |
The Blossoming of Maximo Oliveros (2006) |
"captures the street life of Manila's slums like no other film" |
John A. Nesbit |
Splat C |
Blue Hawaii (1961) |
"amateurishly slung together and telegraphs all its moves well in advance" |
John A. Nesbit |
Tomato A |
Blue Velvet (1986) |
"lies within the Technicolor tradition of film-noir, where evil continually lurks beneath the surface" |
John A. Nesbit |
Tomato B |
The Boat Is Full (1981) |
"one of the more credible accounts of the Holocaust" |
John A. Nesbit |
Tomato B |
Bob Dylan - The Other Side of the Mirror (2007) |
"a 'must see' for music fans and a necessary addition to the DVD libraries of all Dylan fans" |
John A. Nesbit |
Splat C |
Bobby (2006) |
"does capture the mournful finale well enough to overlook the weaknesses of Estevez's script" |
John A. Nesbit |