Tomato B- |
Fade to Black (1980) |
"for film geeks that get the many references and can relate to Binford's lonely lifestyle" |
John A. Nesbit |
Tomato B |
Fahrenheit 451 (1966) |
"... conveys Bradbury's intellectual vision well enough to stand the test of time more effectively than a number of mindless science fiction films" |
John A. Nesbit |
Tomato 4.5/5 |
Fahrenheit 9/11 (2004) |
"provides a welcome relief to the relentless right wing banter of Rush Limbaugh and his minions" |
John A. Nesbit |
Tomato B+ |
Faith Of The Century: A History Of Communism (1999) |
"serves as a dynamic introduction to Communism" |
John A. Nesbit |
Tomato B |
Faithless (2001) |
"No longer seeking God and Truth, Bergman now searches for the more attainable goals of forgiveness and redemption." |
John A. Nesbit |
Tomato A |
Far From Heaven (2002) |
"The shallow can still view the 50s as 'Happy Days,' but more thoughtful people will remember them as Haynes visualizes" |
John A. Nesbit |
Splat D |
Farewell Israel - Bush, Iran, and The Revolt of Islam |
"a classic 'Death by PowerPoint' phenomenon common to businessmen, who discover the interface for the first time and go overboard" |
John A. Nesbit |
Tomato B+ |
Fast, Cheap, & Out of Control (1997) |
"demonstrates that [Morris] continues to find fascinating subject matter outside the mainstream" |
John A. Nesbit |
Splat C |
Fear Strikes Out (1957) |
"this competent study of a baseball player going wacko is interesting enough for a one-time rental" |
John A. Nesbit |
Tomato 4/5 |
Fellini I'm a Born Liar (2003) |
No article available. |
John A. Nesbit |
Tomato B |
Fellini's Roma (1972) |
"Fellini is as firmly associated with Rome as Julius Caesar." |
John A. Nesbit |
Tomato B |
Ferris Bueller's Day Off (1986) |
"It's a fun film that has a message (like all of Hughes' films) and also serves as a promotional tour guide of Chicago." |
John A. Nesbit |
Tomato B |
Fever Pitch (2005) |
"new wrinkle for the Farrelly brothers that baseball fans and couples can relate to" |
John A. Nesbit |
Tomato B |
Fire (1996) |
"should spark interest in India's modern culture even if it doesn't satisfy those who think a lesbian love affair should burn more explicitly" |
John A. Nesbit |
Tomato B |
Firemen's Ball (1968) |
"...the film strikes deeper chords and reminds us how important artistic freedom is to any lover of cinema" |
John A. Nesbit |
Tomato 4/5 |
A Fistful of Dynamite (1971) |
No article available. |
John A. Nesbit |
Tomato A |
Floating Weeds (1959) |
"His scenes pack far more emotional punch than any of Jerry Bruckheimer's explosive special effects." |
John A. Nesbit |
Tomato 3/5 |
Fly Away Home (1996) |
No article available. |
John A. Nesbit |
Tomato A- |
The Fog of War (2003) |
"an intimate glimpse inside the inner circles of the government" |
John A. Nesbit |
Tomato A- |
Food, Inc. (2009) |
"the film can help more consumers realize that "cheaper" food is NOT necessarily a bargain" |
John A. Nesbit |
Tomato A- |
For All Mankind (1989) |
"Visually stunning, For All Mankind bears repeated watching" |
John A. Nesbit |
Tomato B |
Foreign Correspondent (1940) |
"strength of this film lies with Hitchcock's incredible narrative ability and cinematic vision" |
John A. Nesbit |
Splat C |
The Forest for the Trees (2003) |
"Audiences will cringe at the worst patches of the uneven film." |
John A. Nesbit |
Tomato B+ |
Founding Brothers (2002) |
"Personality clashes, sexual scandals, and a touch of violence enliven what many history students have previously thought was rather mundane" |
John A. Nesbit |
Tomato B |
Founding Fathers - Box Set (2000) |
"Each colonial hero becomes a flesh and blood character, including sexual tales that you won't find in bowdlerized history texts." |
John A. Nesbit |
Tomato B |
Fracture (2007) |
"very ordinary screenplay that can only be recommended due to the outstanding performances of its combatants" |
John A. Nesbit |
Tomato 4/5 |
Frances (1982) |
No article available. |
John A. Nesbit |
Tomato B- |
Francesco, Giullare Di Dio (1950) |
"a small film from a self-proclaimed atheist illustrates spiritual truths far more profoundly than more widely screened spectacles" |
John A. Nesbit |
Tomato A |
Freaks (1932) |
" Browning’s film really works to get the audience to view things from the freaks’ perspective" |
John A. Nesbit |
Splat C- |
Free Zone (2006) |
"an often excruciating 134 minutes that could have been trimmed to a tidier 10 minute short" |
John A. Nesbit |
Tomato B |
Frequency (2000) |
"Goes across many other genres: action thriller, family, and even sports." |
John A. Nesbit |
Tomato 4/5 |
The Front Page (1974) |
No article available. |
John A. Nesbit |
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