Splat C |
G.I. Blues (1960) |
"'Elvis does an adequate job carrying the movie, playing his natural self in a project that was produced solely to capitalize on his return to civilian life.'" |
John A. Nesbit |
Tomato B- |
Game Over - Kasparov and the Machine (2003) |
"interesting on a human level since it doesn't dwell on the strategical and analytical aspects of the game" |
John A. Nesbit |
Splat C |
Gandhi, My Father (2007) |
"promising concept ends up devolving into the ordinary" |
John A. Nesbit |
Tomato A |
Gates of Heaven (1978) |
"It is Morris' selection of people and their statements that make Gates of Heaven required viewing for documentary aficionados." |
John A. Nesbit |
Splat C |
Gay Sex in the 70's (2005) |
"creating much more nostalgia than substance" |
John A. Nesbit |
Tomato B |
General Idi Amin Dada (1974) |
"'Knowing how ruthless and psychotic General Idi Amin Dada is makes Schroeder's documentary all the more compelling." |
John A. Nesbit |
Tomato B |
Gerry (2003) |
"virtuoso camerawork and a uniquely meditative work" |
John A. Nesbit |
Tomato B |
Get Real (1999) |
"above the usual mundane coming of age genre films" |
John A. Nesbit |
Tomato B- |
Giant (1956) |
"remains an entertaining film for many of its small moments" |
John A. Nesbit |
Tomato B |
Girlfight (2000) |
"The most striking aspect of Girlfight: Michelle Rodriguez." |
John A. Nesbit |
Splat C |
Gladiator (2000) |
"Gladiator can aptly be called a typical summer movie, meaning it is mindless and designed for the lowest common denominator." |
John A. Nesbit |
Splat D |
Glen or Glenda? (1953) |
"as insanely bad as this movie is, it retains perverse pleasures that serve it well as a cult icon" |
John A. Nesbit |
Splat C |
Glory Road (2006) |
"when dealing with the blatant racism depicted here, a film should be held to a higher standard" |
John A. Nesbit |
Tomato 4/5 |
Go West (1925) |
No article available. |
John A. Nesbit |
Tomato A |
The Godfather Part II (1974) |
"Director Francis Ford Coppola destroys the rule that says all sequels are vastly inferior to the originals" |
John A. Nesbit |
Tomato A |
Gods and Monsters (1998) |
"travels far beyond the usual chronological re-telling of highlights" |
John A. Nesbit |
Splat C |
Good Bye, Lenin! (2004) |
"Becker's meandering project muddies the waters and fails to make suitable impact" |
John A. Nesbit |
Tomato B+ |
Good Morning (1959) |
"comparable in spirit to Fellini’s Amarcord with its love of character, humor, and relentless fart jokes" |
John A. Nesbit |
Tomato A- |
Good Night. And, Good Luck (2005) |
"Regular NPR listeners, PBS watchers, and 1950's nostalgia buffs will love George Clooney's tightly constructed ... homage to crusading newscaster pioneer Edward R. Murrow" |
John A. Nesbit |
Tomato A+ |
Goodfellas (1990) |
"the film that Scorsese was born to make, and will be forever cited among Oscar's most glaring omissions" |
John A. Nesbit |
Tomato B- |
Google Me (2008) |
"Killeen puts a face on a concept that has likely occurred to most of us" |
John A. Nesbit |
Splat C |
The Gospel According to St. Matthew (1965) |
"seen with 2003 eyes, Pasolini's work presents only the letter of the gospel and leaves out its spiritual essence" |
John A. Nesbit |
Splat C- |
The Gospel of John (2003) |
"Emphasis on maintaining the text 'as is' universally renders the effort into an essentially passionless Bible story" |
John A. Nesbit |
Tomato B |
The Graduate (1967) |
"...little more than screwball comedy with some great scenes, a memorably poignant Mrs. Robinson, and some great music videos" |
John A. Nesbit |
Tomato A |
Grand Illusion (1937) |
"Renoir’s continually moving camera makes us forget that the film was released in 1937" |
John A. Nesbit |
Tomato C+ |
Le Grand Voyage (2004) |
"the film's final scenes in Mecca are truly awe-inspiring" |
John A. Nesbit |
Tomato B+ |
Grandma's Boy (1922) |
"Incorporates the best of the standard Harold Lloyd formula." |
John A. Nesbit |
Tomato B |
Grass (1925) |
"historic documentary and terrific anthropological study of people" |
John A. Nesbit |
Tomato B |
Grass - A Nation's Battle for Life (1992) |
"historic documentary and terrific anthropological study of people" |
John A. Nesbit |
Tomato A |
Grave of the Fireflies (1988) |
"What can you say about an animated movie that brings despair and continually makes your eyes well up with tears?" |
John A. Nesbit |
Tomato 4/5 |
The Great Train Robbery (1903) |
No article available. |
John A. Nesbit |
Tomato 3/5 |
The Great Waldo Pepper (1975) |
No article available. |
John A. Nesbit |
Splat D+ |
The Greatest Story Ever Told (1965) |
"So call me a blasphemer and a heretic. Producer/director/writer George Stevens' ultimate project simply isn't a very good film." |
John A. Nesbit |
Tomato B |
Gunner Palace (2005) |
"We all can't get to Baghdad to experience their current transition to a new Iraq, but Tucker's documentary remarkably helps put us into their situation" |
John A. Nesbit |
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