Tomato B |
Habit (1997) |
"Fessenden’s minimalist film is tightly constructed to haunt without terrorizing, playing far deeper on our psyches than surface level horror" |
John A. Nesbit |
Tomato B- |
Hairspray (1988) |
"Hairspray represents more-mainstream John Waters fare, but the inspired casting itself will warrant a look for this 1988 film." |
John A. Nesbit |
Tomato A- |
Half Nelson (2006) |
"a potent character study that refuses to vanish from memory" |
John A. Nesbit |
Tomato B- |
Hard Candy (2005) |
"enough clever dialogue and strong acting performances to satisfy" |
John A. Nesbit |
Tomato A- |
Harlan County, USA (1976) |
"serves as an important historical document and unfortunately remains as relevant today as it was thirty years ago" |
John A. Nesbit |
Tomato B |
Harold and Maude (1971) |
"Harold and Maude marks the first time I realized that famed Pulitzer Prize-winning movie critic Roger Ebert could be wrong." |
John A. Nesbit |
Tomato A |
Hate (1995) |
"to get an inside view of the situation, there simply is no better source than Kassovitz's disturbing urban study" |
John A. Nesbit |
Tomato B |
Haxan: Witchcraft Through the Ages (1920) |
"Before you think the filmmaker is one sick dude, he also develops scenarios to show how innocent women are deceived and trapped into witch accusations..." |
John A. Nesbit |
Tomato 3/5 |
Heaven Can Wait (1978) |
No article available. |
John A. Nesbit |
Tomato 4/5 |
Heavenly Creatures (1994) |
No article available. |
John A. Nesbit |
Tomato A |
Hero (1992) |
"hangs its dynamic visual artistry on a compelling story." |
John A. Nesbit |
Tomato A |
Hero (2004) |
"stretching the envelope for imagery we've never seen on the big screen before" |
John A. Nesbit |
Tomato B |
The Hidden Fortress (1958) |
"...memorable scenes and a touch of samurai honor code and philosophy to ponder" |
John A. Nesbit |
Tomato A- |
High and Low (1962) |
"expertly weaves a police tale with social commentary while remaining a character study above all." |
John A. Nesbit |
Tomato A |
High Noon (1952) |
"quintessential Western that transcends the genre" |
John A. Nesbit |
Tomato B |
Himalaya (2001) |
"Valli documents the tremendous beauty of this remote region and of its inhabitants in one of the year's better films." |
John A. Nesbit |
Splat 2/5 |
The Hindenburg (1975) |
"Disappointing disaster formula flick" |
John A. Nesbit |
Tomato 4/5 |
Hiroshima Mon Amour (1959) |
"Landmark French New Wave film--a must for movie buffs" |
John A. Nesbit |
Tomato A- |
The History Boys (2006) |
"refreshing--a film that doesn't insult the audience's intelligence" |
John A. Nesbit |
Tomato B |
The Hoax (2007) |
"Lasse Hallström's amusing film creates neither heroes nor villains" |
John A. Nesbit |
Tomato B |
The Holy Land (2003) |
"putting a human face on the same tribulations that many face in Jerusalem" |
John A. Nesbit |
Tomato B |
The Holy Mountain (1926) |
"The Alps retain their majesty all the better with Fanck's framing." |
John A. Nesbit |
Tomato B |
Hoosiers (1987) |
"Hoosiers contains enough pleasures to make anyone without a heart of stone put aside cynicism and root for the underdogs." |
John A. Nesbit |
Tomato B |
Hotel Rwanda (2004) |
"destined to make its relatively small target audience more aware of the current conflicts strangling much of Africa" |
John A. Nesbit |
Tomato A |
House of Flying Daggers (2004) |
"I'd rather sit through a slide show of scenes from this movie than revisit 99% of the fare churned out by Hollywood
" |
John A. Nesbit |
Splat D |
The Human Stain (2003) |
"non-visionary filmmaking with one of the most insipid screenplays of the year" |
John A. Nesbit |
Tomato 5/5 |
The Hunchback of Notre Dame (1939) |
No article available. |
John A. Nesbit |
Tomato B- |
The Hunting of the President (2004) |
"rightfully questions the underbelly of American politics and examines the scandal mongering of mainstream journalism in the wake of a right-wing media manipulation" |
John A. Nesbit |
Tomato 5/5 |
The Hustler (1961) |
"Landmark Paul Newman vehicle--only took the Academy 25 years to recognize the greatness of his original "Fast Eddie" character" |
John A. Nesbit |
IGN RSS Feeds
