Tomato A |
I Am Cuba (1964) |
"visual impressions that will forever remain embedded in your mind's eye%u2014just as much as Picasso's La Guernica communicates the horrors of war" |
John A. Nesbit |
Splat C- |
I Am Curious (Yellow) (1967) |
"the Criterion Collection breathes life into its creaky celluloid with the definitive preservation and a cornucopia of historical background material" |
John A. Nesbit |
Tomato A- |
I Confess (1953) |
"The biggest crime surrounding I Confess is the generally indifferent reception that the film has received over the years" |
John A. Nesbit |
Tomato B |
I Vitelloni (1953) |
"stands alongside Amarcord as an earlier reminiscence of Fellini's life in Rimini" |
John A. Nesbit |
Tomato B |
I Was Born, But... (1932) |
"goes beyond the genre by offering subtle social criticism%u2014a first in Japanese cinema" |
John A. Nesbit |
Tomato B+ |
I'm Not There (2007) |
"takes us laughin', spinnin', swingin' madly across the screen with Dylan metaphors and anecdotes" |
John A. Nesbit |
Tomato A |
I.O.U.S.A. (2008) |
"as essential viewing as any common sense advice you've received from parents/grandparents about living within your means" |
John A. Nesbit |
Tomato A |
Ikiru (1952) |
"Best known for his samurai warriors and sweeping landscapes, Kurosawa paints this intimate film with black and white scenes that relate to everyone" |
John A. Nesbit |
Splat C |
The Illusionist (2006) |
"little more than a fairy tale" |
John A. Nesbit |
Splat D |
Imagine Me & You (2006) |
"cinematic mush" |
John A. Nesbit |
Tomato B+ |
Immortal Beloved (1994) |
"real coup is the perfect casting of consummate chameleon actor Gary Oldman as Beethoven." |
John A. Nesbit |
Tomato A |
In the Mood for Love (2001) |
"See the visual poetry and experience the joy of watching two consummate Asian actors demonstrating their abilities." |
John A. Nesbit |
Tomato 4/5 |
Incident at Oglala - The Leonard Peltier Story (1992) |
No article available. |
John A. Nesbit |
Tomato 4/5 |
The Incredible Shrinking Man (1957) |
"Surprisingly provocative 50's sci-fi that goes beyond the thrilling spider battle" |
John A. Nesbit |
Tomato B |
Incubus (1965) |
"Shatner still gets the women, even with the handicap of having to woo them in Esperanto," |
John A. Nesbit |
Splat D+ |
Indiana Jones and the Temple of Doom (1984) |
"stilted attempts to soften Doom's gloom only create a sense of manipulative phoniness" |
John A. Nesbit |
Tomato B- |
Indiscretion of An American Wife (1953) |
"Most striking is the chemistry between the leading actors" |
John A. Nesbit |
Splat C- |
Infamous (2006) |
"comes across as a soulless extended sketch" |
John A. Nesbit |
Tomato A- |
The Insider (1999) |
"does communicate a broad truth about media coverage and the conflicts it faces" |
John A. Nesbit |
Tomato B |
Intervista (1987) |
"shouldn't be your first foray into Fellini material, or else it will come off as one dizzy surrealistic trip" |
John A. Nesbit |
Tomato A |
Into Great Silence (2007) |
"More visual meditation than documentary" |
John A. Nesbit |
Tomato B |
Into the Arms of Strangers: Stories of the Kindertransport (1999) |
"preserves some of the most poignant and effective Holocaust history ever witnessed" |
John A. Nesbit |
Tomato 4/5 |
Intolerance (1916) |
"Explores the nature of intolerance throughout history." |
John A. Nesbit |
Tomato 4/5 |
The Invisible Man (1933) |
No article available. |
John A. Nesbit |
Tomato B- |
Iris (2001) |
"Broadbent and Dent transform the silences into a profound and memorable example of unconditional love" |
John A. Nesbit |
Tomato B |
Iron Monkey (1993) |
"some of the finest martial arts displays imaginable, and it doesn't take itself seriously" |
John A. Nesbit |
Tomato B |
It (1927) |
"This film alone serves as ample explanation for why Clara Bow will forever remain a Hollywood legend." |
John A. Nesbit |
Tomato A- |
It Happened One Night (1934) |
"... stands as a significant landmark in cinema history, giving birth for more romantic comedies to come" |
John A. Nesbit |
Tomato 3/5 |
It's a Mad, Mad, Mad, Mad World (1963) |
No article available. |
John A. Nesbit |
Tomato B |
It's Winter (2006) |
"Pitts' melancholy film paints a wintry portrait of life." |
John A. Nesbit |
Tomato C+ |
Ivan the Terrible - Pt. 2 (1946) |
"the second part works better as a film due to its variety and better pacing towards the end..." |
John A. Nesbit |
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