Tomato B+ |
Paisan (1946) |
"this remarkable film communicates how the war in Italy actually took place on a very personal level" |
John A. Nesbit |
Tomato A |
Pan's Labyrinth (2006) |
"the most beautiful and redemptive film of 2006" |
John A. Nesbit |
Tomato B- |
The Paradine Case (1947) |
"the Master's touches continue to shine through, illustrating his impeccable visual sense, his dry humor, and themes that will be far better developed in the following decade" |
John A. Nesbit |
Tomato A- |
Paradise Now (2005) |
"explores suicide bombers more intimately than ever before" |
John A. Nesbit |
Tomato A |
Pather Panchali (1954) |
"Ray’s trilogy contains absolutely no pretense as it follows Apu’s journey to manhood" |
John A. Nesbit |
Tomato B+ |
Patton (1970) |
"an intimate character portrait of a most enigmatic general" |
John A. Nesbit |
Tomato B |
Pecker (1998) |
"light-hearted comedy that could play at multiplexes and will even appear at Blockbuster alongside mainstream comedies" |
John A. Nesbit |
Tomato B |
A Perfect Day (2005) |
"weaves a comfortable cinematic quilt that covers everyday life in Beirut while giving us a glimpse into some intriguing characters" |
John A. Nesbit |
Splat 1/5 |
Pet Sematary II (1992) |
"The first one was bad enough as is..." |
John A. Nesbit |
Tomato A- |
Pete Seeger - The Power of Song (2007) |
"Joan Baez calls Pete a "saint," and Jim Brown's documentary makes a strong case for his canonization." |
John A. Nesbit |
Tomato 4/5 |
The Piano (1993) |
No article available. |
John A. Nesbit |
Tomato B |
Picnic at Hanging Rock (1975) |
"The film works at various levels and certainly sparks discussion, as people attempt to figure out what they've just seen." |
John A. Nesbit |
Tomato 5/5 |
Pinocchio (1940) |
No article available. |
John A. Nesbit |
Tomato C+ |
The Pool (2008) |
"worth seeing, primarily for its beautiful Goa setting" |
John A. Nesbit |
Tomato B |
The Pornographers (1966) |
" territory more commonly explored by Buñuel and Fellini." |
John A. Nesbit |
Tomato 4/5 |
Powwow Highway (1988) |
No article available. |
John A. Nesbit |
Tomato B- |
Pratidwandi (1972) |
"India's finest director clearly relates to his protagonist: a thinking man well aware of his political surroundings, but never to the point of sacrificing his artistic vision." |
John A. Nesbit |
Tomato A- |
Precious: Based on the Novel PUSH by Sapphire (2009) |
"The Color Purple without Spielberg's saccharin sensibility" |
John A. Nesbit |
Tomato A- |
Pride and Prejudice (2005) |
"Wright mines new territory with bold casting moves, and a realistic earthy production design" |
John A. Nesbit |
Splat C- |
The Pride of St. Louis (1952) |
"A potentially good film is trimmed down to a tolerable mediocre one, and Diz and the Cardinals deserve better." |
John A. Nesbit |
Tomato C+ |
The Pride of the Yankees (1942) |
"pure 1940's Americana and family values" |
John A. Nesbit |
Tomato B |
Private Century (2009) |
"408 minute collage paints an invaluable portrait of Czech history, highlighted by vignettes illustrating the impact of communism on its people" |
John A. Nesbit |
Tomato 3/5 |
Prizzi's Honor (1985) |
No article available. |
John A. Nesbit |
Tomato A- |
The Producers (1968) |
"What could be more anti-Nazi than having a sixties flower child portray Hitler" |
John A. Nesbit |
Tomato B |
Promises (2002) |
"...devastatingly direct to the heart of the matter, demonstrating that there is no easy walk toward peace in a region with such strong conflicting traditions" |
John A. Nesbit |
Tomato A+ |
Psycho (1960) |
"Hitchcock has introduced more people to abnormal psychology than anyone since Sigmund Freud." |
John A. Nesbit |
Tomato B |
Pumping Iron (1977) |
"Young kids may dream of bulking easily with steroids, but this film graphically shows that it takes a helluva lot of work ... to step on stage with these guys" |
John A. Nesbit |
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