Tomato 4/5 |
C.R.A.Z.Y. (2005) |
"It will exhaust your eyes, your ears, and your mind." |
Don Willmott |
Tomato 3/5 |
Cabaret (1972) |
"Much-lauded, Fosse's look at pre-Nazi Germany is pretty uneven and uninspired -- his work is far better when we're inside the Kit Kat Club where there's singing and dancing to be had." |
Christopher Null |
Tomato 4/5 |
Cabin Fever (2003) |
"eerily familiar and yet altogether original." |
Norm Schrager |
Tomato 3/5 |
The Cable Guy (1996) |
"This is certainly Carrey's best movie, but that isn't saying a lot. He's toned down a bit here, given his typical shtick a funnier, darker makeover, and basically become more of an actor." |
Christopher Null |
Splat 2.5/5 |
Caché (2005) |
"there’s not enough there to escape the nagging feeling that this is simply a thriller with pretensions and uncommonly good actors" |
Chris Barsanti |
Tomato 3/5 |
Cactus Flower (1969) |
Click here to see the review. |
Christopher Null |
Splat 1.5/5 |
Cadaver (2009) |
"Nothing else in Cadaver features an understated concept of horror; rigor mortis sets in during the film's first few minutes." |
Chris Cabin |
Tomato 4/5 |
Caddyshack (1980) |
"The plot wanders around the golf course and involves a half-dozen elements, but if you simply dig the gopher, the caddy, and the Dangerfield, you're not going to be doing half bad." |
Christopher Null |
Tomato 3/5 |
Cadillac Records (2008) |
"as a tribute to Chess and its importance to modern music, this is half-baked heritage, entertaining but incomplete." |
Bill Gibron |
Splat 1/5 |
Caffeine (2007) |
"all talk and no action." |
David Levine |
Splat 1.5/5 |
Caged Heat (1974) |
"You may have heard this was a cheeky women's-prison-movie spoof that's really clever. It's not." |
Christopher Null |
Splat 2/5 |
The Cake Eaters (2009) |
"formulaic tripe, catharsis-by-the-numbers." |
Jason McKiernan |
Splat 2/5 |
Calamity Jane (1953) |
"so removed from even the most imperceptable nod toward reality that even a history know-nothing like myself found its liberties on the distasteful side" |
Christopher Null |
Tomato 4.5/5 |
Calendar (1993) |
Click here to see the review. |
Christopher Null |
Tomato 4/5 |
Calendar Girls (2003) |
"Fills that sassy feminine void of comedy left by Bea Arthur, Betty White, and the rest of television’s Golden Girls." |
Sean O'Connell |
Splat 3/5 |
El Calentito (2007) |
"If you squint a bit and use your imagination, you can almost see young Pedro Almodovar dancing in the background." |
Don Willmott |
Tomato 3.5/5 |
California Suite (1978) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Caligula (1979) |
"Hokey doesn't even begin to describe it." |
Christopher Null |
Tomato 3.5/5 |
Call Me Madam (1953) |
"undiluted Merman at her "mostes."" |
Paul Brenner |
Splat 3/5 |
Call Northside 777 (1948) |
"one of the most mundane legal thriller/newspaperman activist stories the world has ever seen" |
Christopher Null |
Tomato 3/5 |
Calle 54 (2001) |
Click here to see the review. |
Frank Ochieng |
Tomato 3/5 |
Calle 54 (2001) |
"A festive experience for those who are willing to embrace Latin jazz, but it doesn't reveal anything beyond a peek at a two hour celluloid concert in session." |
Frank Ochieng |
Splat 2/5 |
Callejon De Los Milagros (1994) |
Click here to see the review. |
Christopher Null |
Splat 2.5/5 |
The Calling (2002) |
"Movie cliché #207: All bad kids are possessed by the devil!" |
Christopher Null |
Splat 3/5 |
Calvaire (2005) |
"if you've got a black sense of humor you might just find yourself laughing down the vomit." |
Keith Breese |
Splat 2.5/5 |
The Camden 28 (2007) |
"a dully presented piece of cinema about a truly worthy group of subjects." |
Chris Barsanti |
Tomato 3/5 |
Camelot (1967) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Camera (2003) |
"a vanity project and a storyless one at that, the kind of video I used to shoot on Christmas day in order to kill time" |
Christopher Null |
Splat 2/5 |
Camille (1937) |
"Dreadfully boring romance 'classic' has Garbo as a 1847's French courtesan, trapped in a loveless relationship with a rich man while forsaking her younger, hotter lover." |
Christopher Null |
Splat 1/5 |
Camille (2008) |
"disastrously misguided" |
Christopher Null |
Splat 3/5 |
Camille 2000 (1969) |
"one long orgy set amidst the opulent palaces of Rome" |
Christopher Null |
Tomato 4/5 |
Camille Claudel (1989) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Camp (2003) |
"When Bert drunkenly berates the batch for harboring hopeless dreams and wasting their time on performing, it’s supposed to underscore how angry and damaged Bert is; instead, you’re pondering whether the man has a point." |
Mark Athitakis |
Tomato 4/5 |
Can't Hardly Wait (1998) |
"Surprisingly well-realized teen party film." |
Christopher Null |
Tomato 4.5/5 |
The Candidate (1972) |
Click here to see the review. |
Christopher Null |
Splat 3/5 |
Candy (2006) |
"Director Armfield coaxes excellent performances from his performers, almost making up for the thinness of the material" |
Chris Barsanti |
Splat 1.5/5 |
The Candy Snatchers (1973) |
Click here to see the review. |
Christopher Null |
Splat 1.5/5 |
Cannes Man (1996) |
"utterly grating" |
Christopher Null |
Tomato 3/5 |
Cannibal Holocaust (1980) |
"The effect is now familiar, but back then it was incredibly shocking, as most viewers believed every word of it." |
Christopher Null |
Tomato 4/5 |
Cannibal! The Musical (1996) |
Click here to see the review. |
Christopher Null |
Splat 2.5/5 |
Cannonball Run (1981) |
"evokes another age before The Fast and the Furious and NASCAR replaced the fun in racing with, respectively, death and science" |
Eric Meyerson |
Splat 1/5 |
El Cantante (2007) |
"¡Cómo terrible!" |
Sean O'Connell |
Tomato 4/5 |
A Canterbury Tale (1944) |
"gorgeous and soulful" |
Christopher Null |
Tomato 3.5/5 |
Capitalism: A Love Story (2009) |
"Moore's most personal film since Roger & Me: a lone, passionate man's hopeful search for answers to the very root of all of our socioeconomic problems" |
Chris Cabin |
Tomato 4/5 |
Capote (2005) |
"a non-stop, well-crafted, depressing venture" |
Rachel Gordon |
Tomato 4/5 |
Caprica |
"Too bad we have to wait so long to see this story continued. Caprica is the kind of entertainment effort that inspires a need for instant gratification" |
Bill Gibron |
Splat 3/5 |
Capricorn One (1978) |
"Cute for a while, Capricorn One wears thin in its second hour, degenerating into a by-the-books chase movie." |
Christopher Null |
Tomato 3.5/5 |
Captain Abu Raed (2008) |
"It's easy to get attached to Captain Abu Raed" |
Norm Schrager |
Tomato 3.5/5 |
Captain Blood (1935) |
"can verge on adventure overkill" |
Christopher Null |
Splat 3/5 |
Captain Corelli's Mandolin (2001) |
"A sweet but flawed wartime romance with enough gorgeous scenery and quaint villagers to choke a horse." |
Annette Cardwell |
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