Tomato 5/5 |
M (1931) |
"very likely the greatest film of one of cinema's greatest directors" |
Jake Euker |
Splat 1.5/5 |
M Butterfly (1993) |
"When John Lone parades around in mascara and speaks in an asexual monotone, the film audience discovers itself staring at John Lone's whiskers underneath his makeup" |
Paul Brenner |
Tomato 4.5/5 |
M*A*S*H (1970) |
"A battle against the idea that 'a war movie' had to be a serious affair." |
Christopher Null |
Splat 2.5/5 |
Ma Mere (2005) |
"downright silly and pretentious" |
Chris Barsanti |
Tomato 3/5 |
Ma Vie En Rose (1997) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Macao (1952) |
"a load of atmosphere and malarkey in search of a coherent storyline" |
Paul Brenner |
Tomato 3.5/5 |
Macbeth (1971) |
"Made shortly after the Sharon Tate murders, there's a disturbing resonance when Macbeth's gang of wild-eyed assassins butchers noble MacDuff's wife and children.
" |
Jeremiah Kipp |
Splat 2.5/5 |
The Machine Girl (2007) |
"one of those movies that is successful only because it tries to be bad" |
Brian Chen |
Tomato 3.5/5 |
The Machinist (2004) |
"Anderson and Bale build something that only sounds like a chore: a character study as its own prison" |
Jesse Hassenger |
Splat 2/5 |
The Mack (1973) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Mad Detective (2008) |
"too cluttered to be engrossing or even entertaining" |
Chris Cabin |
Splat 3/5 |
Mad Hot Ballroom (2005) |
"lacks the tension that marks a movie like Spellbound" |
David Thomas |
Splat 2/5 |
Mad Love (1995) |
Click here to see the review. |
|
Splat 2/5 |
Mad Love (2001) |
"A long-winded and stagy session of romantic contrivances that never really gels like the shrewd feminist fairy tale it could have been." |
Frank Ochieng |
Tomato 4.5/5 |
Mad Max (1979) |
"Mel Gibson brings a strong presence and easy confidence to Max." |
Jeremiah Kipp |
Splat 3/5 |
Mad Max Beyond Thunderdome (1985) |
"Let's face it, Mad Max Beyond Thunderdome isn't terribly memorable." |
Christopher Null |
Tomato 5/5 |
Mad Men - Season 2 (2008) |
"a brilliantly patient chess player of a program that is always thinking 12 moves ahead." |
Jason McKiernan |
Tomato 3/5 |
Mad Money (2008) |
"the cast, uniformly good, smoothes over most of the wrinkles" |
Sean O'Connell |
Tomato 3.5/5 |
Madadayo (1993) |
"A sweetly overlong portrayal of an interconnected community whose center is a beloved professor." |
Rachel Gordon |
Splat 3/5 |
Madagascar (2005) |
"1995 is long gone, and so are that year’s standards." |
Pete Croatto |
Splat 2/5 |
Madagascar: Escape 2 Africa (2008) |
"This is a big screen experience so kid-oriented it should come with a pacifier and a selection of Huggies." |
Bill Gibron |
Tomato 3.5/5 |
Madame Bovary (1992) |
Click here to see the review. |
Christopher Null |
Tomato 4/5 |
Madame Curie (1943) |
"one of the most engaging biopics of its era" |
Christopher Null |
Tomato 4/5 |
Made (2001) |
"For grown-up comedy, you won't find better this summer." |
Christopher Null |
Tomato 4/5 |
Made in U.S.A. (1966) |
"The fresh bombast of U.S.A.'s abnormal groove may not measure up to the other elaborate, beautiful contraptions that were made in Godard's peak years, but it makes many current films look stagnant, if not outright dated." |
Chris Cabin |
Splat 2/5 |
Made of Honor (2008) |
"recycles tired clichés and settles on the easiest jokes" |
Sean O'Connell |
Splat 2/5 |
Made-Up (2004) |
"The few meaningful moments occasionally generated are all but engulfed by fussy, meaningless distraction and wandering trivialities" |
Jules Brenner |
Splat 2.5/5 |
Madea's Family Reunion (2006) |
"Both of the villains are so far over the top they should be in the summer Olympics." |
James Brundage |
Splat 2/5 |
Madeline (1998) |
Click here to see the review. |
Christopher Null |
Splat 1/5 |
Madison (2005) |
"only naïve adolescents with no prior film knowledge will stomach the pap" |
Sean O'Connell |
Splat 3/5 |
The Madness of King George (1995) |
"Thankfully, most of the humor here works, but on the whole, the film falls to mediocrity." |
Christopher Null |
Splat 2/5 |
Maestro (2005) |
"Ramos is the most exasperating sort of scenester — the guy who keeps telling you how great something is but lacks the skills and inclination to tell you exactly why" |
Mark Athitakis |
Splat 0/5 |
Mafia! (1998) |
No article available. |
Chris Barsanti |
Splat 2.5/5 |
Mafia! (1998) |
Click here to see the review. |
Christopher Null |
Tomato 5/5 |
Mafioso (1962) |
"In class dynamics, Mafioso infiltrates every facet of life, summing up the rudimentary boredom of the man from Milan while not turning a deaf ear to the crimes of the Sicilian assassin." |
Chris Cabin |
Splat 2/5 |
The Magdalene Sisters (2003) |
"Like many lectures on righteousness, it's also painfully dull." |
Jeremiah Kipp |
Tomato 3.5/5 |
Magic (1978) |
"Odd combo, but it's creepy and generally works." |
Christopher Null |
Splat 3/5 |
The Magic Christian (1969) |
"It's too long and too silly ("Very silly indeed!") to work in the long run, so feel free to start and stop it at will -- you won't miss a thing." |
Christopher Null |
Splat 3/5 |
The Magnificent Ambersons (1942) |
"little more than a primitive form of soap opera" |
Christopher Null |
Tomato 3.5/5 |
Magnificent Desolation: Walking on the Moon 3D (2005) |
"condensing the moon program into roughly 60 minutes is a pretty impressive feat. Giving you the feeling of actually being part of it is even more impressive" |
Norm Schrager |
Splat 3/5 |
Magnificent Obsession (1954) |
"drowns in its sentimentality" |
Jason Morgan |
Tomato 4/5 |
The Magnificent Seven (1960) |
"Get the Pringles ready." |
Pete Croatto |
Tomato 4.5/5 |
Magnolia (1999) |
"A smashing success." |
Christopher Null |
Tomato 3/5 |
Magnum Force (1973) |
Click here to see the review. |
Christopher Null |
Splat 2/5 |
Mahogany (1975) |
"Feminists must have hurled their Earth Shoes at the screen when they saw this dreck." |
Don Willmott |
Tomato 3/5 |
Maid in Manhattan (2002) |
"While it's not perfect, the faults are easily overlooked by the spirited performances of its cast." |
David Levine |
Splat 1/5 |
The Maiden Heist (2009) |
"Clearly, the filmmakers sacrificed internal logic in order to deliver a direct-to-video farce that clocks in at 90 minutes on the button." |
Jason McKiernan |
Tomato 3.5/5 |
Mail Order Wife (2005) |
"has a knack for sniffing out our dark areas without pity" |
Chris Cabin |
Splat 2.5/5 |
Maitresse (1976) |
"for all its hifalutin subtext about "the hidden" facets of the city, there's not much else to Maîtresse than what readily apparent on its surface." |
Christopher Null |
Tomato 4/5 |
The Majestic (2001) |
"An absolutely entertaining and delightful piece of retro-amusement." |
Joshua Tyler |
IGN RSS Feeds
