Tomato 3/5 |
Nacho Libre (2006) |
"If Black had shed 15 pounds prior to shooting, his shrunken waistline would taken half of the film's jokes with it." |
Sean O'Connell |
Splat 3/5 |
Naked (1993) |
"Leigh's film isn't really the black comedy it pretends to be: Comedies are funny. Naked is bleak." |
Christopher Null |
Splat 3/5 |
Naked Boys Singing (2007) |
"the whole exercise can't help but feel a bit zoological, as if we're watching exotic specimens on display." |
Don Willmott |
Tomato 4/5 |
The Naked City (1948) |
"What The Naked City does is paint an indelible vision of both the New York City that never sleeps and of the human life and industry that teems within it" |
Jake Euker |
Tomato 4/5 |
Naked in New York (1994) |
Click here to see the review. |
Christopher Null |
Splat 3/5 |
The Naked Jungle (1954) |
"a schizophrenic little drama" |
Christopher Null |
Splat 1/5 |
Naked Lunch (1991) |
"incomprehensible" |
James Brundage |
Splat 2.5/5 |
The Naked Man (1998) |
Click here to see the review. |
Christopher Null |
Tomato 3.5/5 |
The Naked Prey (1965) |
Click here to see the review. |
Christopher Null |
Tomato 4/5 |
Naked States (2001) |
"Interesting documentary about the artistic process, challenging social constructs, and what it takes to get into a gallery" |
Christopher Null |
Splat 2.5/5 |
The Name of the Rose (1986) |
"the window dressing is not enough to buoy the principle acting" |
Aaron Lazenby |
Tomato 3/5 |
The Name of the Rose (1986) |
No article available. |
Chris Barsanti |
Tomato 3.5/5 |
The Namesake (2007) |
"Here, the director has found her most apt presentation of the American way, its blemishes and beauty marks completely intact." |
Chris Cabin |
Tomato 3.5/5 |
Naming Number Two (2007) |
"it works because Ruby Dee has willed it so" |
Paul Brenner |
Tomato 3.5/5 |
Nancy Drew (2007) |
"perfect for a particular audience -- too old for an all-cartoon diet, but still not yet interested in movies about adults" |
Jesse Hassenger |
Tomato 3.5/5 |
Nang-Nak (1999) |
"a fun trip to another place, another time, and another mind set" |
Don Willmott |
Tomato 4/5 |
Nanking (2007) |
"an important historical record" |
Don Willmott |
Splat 3/5 |
The Nanny Diaries (2007) |
"able to coast on its working-grrl attitude and a couple of intelligent casting decisions" |
Sean O'Connell |
Tomato 4/5 |
Nanny McPhee (2006) |
"Thank you, Nanny McPhee, for restoring my faith in the family movie" |
Pete Croatto |
Tomato 4/5 |
Nanook of the North (1922) |
"Nanook's life, mainly concerning the perpetual quest for food as his family teeters on starvation, doesn't offer a lot of variety, but blisteringly real images like this don't come along any more these days." |
Christopher Null |
- |
Napoleon Dynamite (2004) |
"What We Learned: Lessons From the Movies, 2004
" |
Blake French |
Tomato 4/5 |
Napoleon Dynamite (2004) |
"guaranteed to win over the geek inside most of us" |
Chris Barsanti |
Tomato 4.5/5 |
Naqoyqatsi (2002) |
"The film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet." |
Max Messier |
Tomato 3.5/5 |
Narc (2002) |
"The two leads, nearly perfect in their roles, bring a heart and reality that buoy the film, and at times, elevate it to a superior crime movie." |
Norm Schrager |
Splat 2.5/5 |
Narcosys (2000) |
"Somewhere between The Matrix and a home video of a game of Laser Tag" |
Christopher Null |
Tomato 3/5 |
The Narrow Margin (1952) |
Click here to see the review. |
Christopher Null |
Tomato 3/5 |
Narrow Margin (1990) |
Click here to see the review. |
Christopher Null |
Tomato 4/5 |
NASCAR: The Imax Experience (2004) |
"Now this is what I call awesome!" |
Blake French |
Splat 2.5/5 |
Nashville (1975) |
"Frankly, Altman's opus is so far-flung and random that it simply doesn't make for compelling viewing." |
Christopher Null |
Splat 3/5 |
Nathalie (2003) |
"well-mannered, though never dull" |
Chris Barsanti |
Tomato 4.5/5 |
National Lampoon's Animal House (1978) |
"A gem." |
Christopher Null |
Splat 2/5 |
National Lampoon's Blackball (2004) |
"a humorless bit of nonsense" |
Christopher Null |
Tomato 3.5/5 |
National Lampoon's Christmas Vacation (1989) |
"the last funny installment of the series" |
Christopher Null |
Splat 1/5 |
National Lampoon's Gold Diggers (2004) |
"If you watch this movie, you are an idiot" |
Christopher Null |
Tomato 4.5/5 |
National Lampoon's Vacation (1983) |
"Magic" |
Christopher Null |
Splat 1/5 |
National Lampoon's Van Wilder (2002) |
"It wanders aimlessly from scene to scene. It has no idea where it's going or where it's been." |
Blake French |
Splat 1/5 |
National Security (2003) |
"Defies logic as many times as it defies physics." |
Sean O'Connell |
Splat 3/5 |
National Treasure (2004) |
"falls short in many ways, not the least of which is a ridiculously moronic plot that defies reason at every turn" |
Robert Strohmeyer |
Splat 2/5 |
National Treasure 2 : Book of Secrets (2007) |
"nothing more than a series of ADD driven vignettes held together by the flimsiest of plots, helmed by the dude who made 3 Ninjas." |
Bill Gibron |
Tomato 3.5/5 |
National Velvet (1944) |
Click here to see the review. |
Christopher Null |
Splat 3/5 |
The Nativity Story (2006) |
"lacks a visual stamp... and a point of view" |
David Thomas |
Splat 3/5 |
The Natural (1984) |
"Jammed full with cliches, The Natural never misses a chance to manipulate the audience" |
Christopher Null |
Tomato 4/5 |
Natural Born Killers (1994) |
"NBK brilliantly leaves the attentive viewer with more questions as to whether they’re part of the solution or the problem itself." |
Eric Meyerson |
Tomato 3.5/5 |
Nausicaa of the Valley of the Wind (1984) |
Click here to see the review. |
Zach Hines |
Tomato 3.5/5 |
Nausicaa of the Valley of the Wind (1984) |
"For all its inventiveness, it doesn’t really compare to Miyazaki's later pictures." |
Zach Hines |
Tomato 3.5/5 |
Near Dark (1987) |
"It's definitely worth a rent." |
Christopher Null |
Splat 2.5/5 |
Nearest to Heaven (2002) |
"Slow and ultimately without much of a point" |
Christopher Null |
Tomato 4/5 |
A Necessary Death (2008) |
"a gripping tale that raises troubling questions about the nature of art and our voyeuristic society." |
David Thomas |
Splat 1.5/5 |
Ned Kelly (1970) |
"a debacle" |
Christopher Null |
Splat 2/5 |
Ned Kelly (2004) |
"starts off as predictable but enjoyable nonsense and goes so thoroughly off the rails," |
Chris Barsanti |
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